Thou knowest, Lord, the secrets of our hearts (Purcell)

Last updated

"Thou knowest, Lord, the secrets of our hearts"
Anthem by Henry Purcell
Henry Purcell Closterman.jpg
Portrait of the composer by John Closterman, 1695
Catalogue Z. 58 (58a, 58b, 58c) · 860
GenreSacred choral music
TextFuneral sentence from the Book of Common Prayer
LanguageEnglish
Scoring SATB choir, optional continuo

"Thou knowest, Lord, the secrets of our hearts", Z. 58, [1] designates two choral settings composed by Henry Purcell. The text is one of the Anglican funeral sentences from the Book of Common Prayer. Early versions began possibly in 1672 and were revised twice before 1680. Purcell composed his last version, in a different style, for the 1695 Music for the Funeral of Queen Mary, Z. 860.

Contents

History

Purcell set several funeral sentences from the Anglican Book of Common Prayer (BCP) for choir and organ. [2] [3] Some of his autographs and manuscript copies are extant, and permit conclusions about his artistic development. [4] Of the eight funeral sentences in the BCP, Purcell set the four which are performed at the grave, but not the ones opening a burial service. He combined two of these four sentences into one movement: [4]

Man that is born of a woman hath but a short time to live
In the midst of life we are in death
Thou knowest, Lord, the secrets of our hearts

Purcell may have first set "Thou knowest" in 1672, perhaps to complete sentences by Henry Cooke for Cooke's funeral. [5] It is a polyphonic setting. [6] Purcell's autograph is extant and kept at the British Library. [5] It is among the earliest manuscripts in his hand, showing some features of youthful writing. [5] Purcell revised the setting up to around 1680, represented in a copied scorebook at Oxford's Christ Church, which was begun by Edward Lowe and continued by Richard Goodson. Other copies of the same version are also difficult to date. [5] In 1681 at the latest, Purcell copied revised versions of other funeral sentences in a book of his collected works, leaving room for "Thou knowest" but not including it. Around the same time, he also copied works by earlier composers such as Thomas Tallis, William Byrd and Christopher Gibbons, possibly to study their polyphony. [5]

Purcell composed his last setting of the same sentence for the Music for the Funeral of Queen Mary in 1695, Z. 58C. Here, the words are set mostly in homophony, possibly to complete sentences by Thomas Morley, whose setting of this particular sentence was rediscovered only later. Purcell used an older style to match Morley's music. [5]

The setting of the sentence in the funeral music for Queen Mary [7] was published by E. C. Schirmer in 1925 and reprinted in the first "Concord Series" collection of forty anthems for use in the Protestant churches, edited by Archibald T. Davison and Henry Wilder Foote. A subsequent edition, published by Carus in 1978, is available online. [8] The revised 1988 edition of Purcell's work included two revisions of the early version. [4] Of two new 1995 editions, one by Christopher Hogwood contained three revisions. [5]

Text

The text is one of the Anglican sentences from the burial service in the Book of Common Prayer: [9]

Thou knowest, Lord, the secrets of our hearts;
Shut not thy merciful ears unto our pray'rs;
But spare us, Lord most holy, O God most mighty.
O holy and most merciful Saviour,
Thou most worthy Judge eternal,
Suffer us not at our last hour,
For any pains of death to fall away from Thee.

Recordings

In the collection Henry Purcell (1659-1695) / Complete Sacred Music – Anthems, Services and Devotional Songs, several versions of the sentences are recorded. The Sixteen offer the most accurate historic rendition, by performing the early setting of funeral sentences first, and then the Music for the Funeral of Queen Mary, with instrumental music and the final setting of "Thou knowest" by Purcell and the other sentences by Morley. [10]

Related Research Articles

<span class="mw-page-title-main">Henry Purcell</span> English composer (1659–1695)

Henry Purcell was an English composer of Baroque music.

<span class="mw-page-title-main">John Blow</span> English composer

John Blow was an English composer and organist of the Baroque period. Appointed organist of Westminster Abbey in late 1668, his pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II. His only stage composition, Venus and Adonis, is thought to have influenced Henry Purcell's later opera Dido and Aeneas. In 1687, he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.

<span class="mw-page-title-main">Requiem</span> Mass celebrated for the repose of deceased peoples souls

A Requiem or Requiem Mass, also known as Mass for the dead or Mass of the dead, is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral.

'I was glad' is an English text drawn from selected verses of Psalm 122. It has been used at Westminster Abbey in the coronation ceremonies of British monarchs since those of King Charles I in 1626.

<i>Dido and Aeneas</i> Opera by Purcell

Dido and Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil's Aeneid. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, Dido and Aeneas is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow's Venus and Adonis, both in structure and in overall effect.

<span class="mw-page-title-main">William Croft</span> English composer and organist

William Croft was an English composer and organist.

<span class="mw-page-title-main">John Weldon (musician)</span> English composer

John Weldon was an English composer.

The year 1695 in music involved some significant events.

<i>Funeral Anthem for Queen Caroline</i>

The Funeral Anthem for Queen Caroline, HWV 264, is an anthem by George Frideric Handel. It was composed and first performed for the funeral of Caroline of Ansbach at Westminster Abbey on 17 December 1737. Handel slightly re-worked the anthem and used it for the opening section of his oratorio Israel in Egypt in 1739. The theme of the first chorus was taken by Mozart as the theme for the Requiem aeternam movement of his Requiem Mass. The anthem is approximately forty minutes in length.

A coronation anthem is a piece of choral music written to accompany the coronation of a monarch.

John Mundy was an English composer, virginalist and organist of the Renaissance period.

Christ's College Chapel Choir is a mixed-voice choir based at Christ's College, Cambridge.

<span class="mw-page-title-main">Psalm 40</span> Biblical psalm

Psalm 40 is the 40th psalm of the Book of Psalms, beginning in English in the King James Version: "I waited patiently for the LORD". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 39. In Latin, it is known by the incipit, "Expectans expectavi Dominum". It is described by the Jerusalem Bible as a "song of praise and prayer for help".

Psalm 86 is the 86th psalm of the Book of Psalms, beginning in English in the King James Version: "Bow down thine ear, O Lord, hear me: for I am poor and needy". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 85. In Latin, it is known as "Inclina Domine". It is attributed to David.

<i>Funeral Sentences</i> and <i>Music for the Funeral of Queen Mary</i> Musical composition by Henry Purcell

The English composer Henry Purcell wrote funeral music that includes his Funeral Sentences and the later Music for the Funeral of Queen Mary, Z. 860. Two of the funeral sentences, "Man that is born of a woman" Z. 27 and "In the midst of life we are in death" Z. 17, survive in autograph score. The Music for the Funeral of Queen Mary comprises the March and Canzona Z. 780 and the funeral sentence "Thou knowest, Lord, the secrets of our hearts" Z. 58C. It was first performed at the funeral of Queen Mary II of England in March 1695. Purcell's setting of "Thou knowest, Lord" was performed at his own funeral in November of the same year. In modern performances the March, Canzona and three funeral sentences are often combined as Purcell's Funeral Sentences, Z. 860.

<span class="mw-page-title-main">Remember not, Lord, our offences</span> Choral anthem by Henry Purcell

"Remember not, Lord, our offences", Z.50, is a five-part choral anthem by the English baroque composer Henry Purcell (1659–95). The anthem is a setting of a passage from the litany compiled by Thomas Cranmer, Archbishop of Canterbury, and later included in the Anglican Book of Common Prayer. It was composed circa 1679–82 at the beginning of Purcell's tenure as Organist and Master of the Choristers for Westminster Abbey.

<span class="mw-page-title-main">Death and state funeral of Queen Victoria</span> 1901 death and state funeral of the United Kingdoms queen

Victoria, Queen of the United Kingdom of Great Britain and Ireland and Empress of India, died on 22 January 1901 at Osborne House on the Isle of Wight, at the age of 81. At the time of her death, she was the longest-reigning monarch in British history. Her state funeral took place on 2 February 1901, being one of the largest gatherings of European royalty.

<span class="mw-page-title-main">Hear my prayer, O Lord (Purcell)</span> Choral anthem by Henry Purcell

"Hear my prayer, O Lord", Z. 15, is an eight-part choral anthem by the English composer Henry Purcell (1659–1695). The anthem is a setting of the first verse of Psalm 102 in the version of the Book of Common Prayer. Purcell composed it c. 1682, at the beginning of his tenure as Organist and Master of the Choristers for Westminster Abbey.

<i>Chandos Anthems</i>

Chandos Anthems, HWV 246–256, is the common name of a set of anthems written by George Frideric Handel. These sacred choral compositions number eleven; a twelfth of disputed authorship is not considered here. The texts are psalms and combined psalm verses in English. Handel wrote the anthems as composer in residence at Cannons, the court of James Brydges, who became the First Duke of Chandos in 1719. His chapel was not yet finished, and services were therefore held at St Lawrence in Whitchurch. The scoring is intimate, in keeping with the possibilities there. Some of the anthems rely on earlier works, and some were later revised for other purposes.

References

  1. Zimmerman, Franklin B. (1963). Henry Purcell 1659–1695: An Analytical Catalogue of his Music. London: MacMillan & Co.
  2. King, Robert (1988). "Thou knowest, Lord, the secrets of our hearts, Z58c". Hyperion Records. Retrieved 20 February 2020.
  3. Buelow, George J. (2004). A History of Baroque Music. Indiana University Press. p. 339. ISBN   978-0-25-334365-9.
  4. 1 2 3 Shay, Robert (August 1998). "Purcell's Revisions to the Funeral Sentences Revisited". Early Music. 26 (3): 457–467. doi:10.1093/earlyj/XXVI.3.457. JSTOR   3128703.
  5. 1 2 3 4 5 6 7 Shay, Robert (1998). "Performing the Music of Henry Purcell. Edited by Michael Burden. Oxford: Clarendon Press, 1996". Journal of Seventeenth Century Music. 4 (1). Retrieved 20 February 2020.
  6. Palmer, John. "Henry Purcell / Thou know'st, Lord (2nd version of 1st setting), anthem for soprano, alto, tenor, bass, chorus & organ, Z. 58b". AllMusic . Retrieved 20 February 2020.
  7. Kemp, Lindsay (1995). "Thou knowest, Lord, the secrets of our hearts, Z58c". Gramophone . Retrieved 20 February 2020.
  8. "Henry Purcell / Thou knowest Lord / from: Funeral Music of Queen Mary". Carus-Verlag . 1978. Retrieved 20 February 2020.
  9. "Henry Purcell: "Thou Knowest, Lord" from Funeral Anthem for Queen Mary, Z27". Emmanuel Music . 1978. Retrieved 20 February 2020.
  10. Wilson, Brian (February 2009). "Henry Purcell (1659-1695) / Complete Sacred Music – Anthems, Services and Devotional Songs". musicweb-international.com. Retrieved 28 February 2020.

Commons-logo.svg Media related to Thou knowest, Lord, the secrets of our hearts (Purcell) at Wikimedia Commons