Lucius Junius Brutus; Father of his Country is a Restoration tragedy play by Nathaniel Lee from 1680. It depicts the life of Roman statesman Lucius Junius Brutus. It was first staged at the Dorset Garden Theatre by the Duke's Company.
Epsom Wells is a 1672 restoration comedy by the English writer Thomas Shadwell. It was the first in a line of plays set in spa towns. The incidental music was composed by Nicholas Staggins. In the 1690s Henry Purcell scored a new staging of the play. It was performed at the Dorset Garden Theatre by the Duke's Company. The cast included Henry Harris as Rains, Thomas Betterton as Bevil, William Smith as Woodly, Cave Underhill as Justice Clodpate, Anne Gibbs as Lucia, Mary Betterton as Mrs Jilt, James Nokes as Bisket and Edward Angel as Fribble.
Rinaldo and Armida is a 1698 tragedy by the English writer John Dennis. A semi-opera it featured music composed by John Eccles. It is inspired by the 1560 epic poem Jerusalem Delivered by the Italian writer Torquato Tasso, particularly the characters of Rinaldo and Armida.
The Married Beau or The Curious Impertinent is a 1694 comedy play by the English writer John Crowne. It is inspired by a passage from Miguel de Cervantes's Don Quixote. Incidental music was composed by Henry Purcell.
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for.
The Slighted Maid is a 1663 comedy play by the English writer Robert Stapylton.
The Country Wit is a 1676 comedy play by the English writer John Crowne, part of the tradition of Restoration Comedy. It was first staged at the Dorset Garden Theatre in London by the Duke's Company. The cast included Samuel Sandford as Sir Thomas Rash, Thomas Betterton as Ramble, James Nokes as Sir Mannerly Shallow, Henry Harris as Merry, Cave Underhill as Booby, Matthew Medbourne as Lord Drybone, Anthony Leigh as Rash, Mary Betterton as Lady Faddle, Mary Lee as Christina, Elizabeth Currer as Betty Frisque and Elinor Leigh as Isabella.
The Princess of Cleve is a 1680 tragedy by the English writer Nathaniel Lee, inspired by the recent French novel La Princesse de Clèves by Madame de La Fayette set during the sixteenth century. It premiered at the Dorset Garden Theatre in London, staged by the Duke's Company. The original cast included Joseph Williams as Prince of Cleve, Thomas Betterton as Duke Nemours, Anthony Leigh as St. Andre, Thomas Gillow as Vidam of Chartres, James Nokes as Poltrot, Elizabeth Barry as Princess of Cleve, Mary Slingsby as Marguerite, Elinor Leigh as Tournon and Mary Betterton as Elianor. Incidental music was composed by Thomas Farmer. The play was not published until 1689.
Alcibiades is a 1675 tragedy by the English writer Thomas Otway, based on the life of the Athenian statesman and general Alcibiades. Staged by the Duke's Company, it premiered at the Dorset Garden Theatre in London with a cast that featured Thomas Betterton as Alcibiades, Matthew Medbourne as Agis, Samuel Sandford as Tissaphernes, John Crosby as Patroclus, Henry Harris as Theramnes, Thomas Gillow as Polyndus, Mary Lee as Deidamia, Mary Betterton as Timandra and Elizabeth Barry as Draxilla.
The Fatal Marriage; Or, The Innocent Adultery is a 1694 tragicomedy by the Anglo-Irish writer Thomas Southerne. It was part of the tradition of She-tragedy which flourished at the time. Incidental music for the work was composed by Henry Purcell.
Boadicea, Queen of Britain is a 1697 tragedy by the English writer Charles Hopkins. Based on the story of Boudica the British ruler who revolved against Roman Rule, it was first staged by Thomas Betterton's company at the Lincoln's Inn Fields Theatre in London.
The She-Gallants is a 1695 comedy play by the English writer George Granville. It was first staged by Thomas Betterton's Company at the Lincoln's Inn Fields Theatre in London.
The Comical Revenge; Or, Love In A Tub is a 1664 comedy play by the English writer George Etherege. First staged by the Duke's Company, it premiered at the Lincoln's Inn Fields Theatre. It is one of the earliest Restoration Comedies.
Friendship in Fashion is a 1678 comedy play by the English writer Thomas Otway. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It was part of the trend of Restoration Comedy that flourished during the era.
The Maid's Last Prayer: Or, Any Rather Than Fail is a 1693 comedy play by the Irish writer Thomas Southerne. It was first staged at the Theatre Royal, Drury Lane by the United Company.
The Massacre of Paris is a 1689 tragedy by the English writer Nathaniel Lee. It was first staged by the United Company at the Theatre Royal, Drury Lane. It is based around the 1572 St. Bartholomew's Day massacre which led the killing of many Huguenots during the French Wars of Religion. The events had previously been portrayed in Christopher Marlowe's Elizabethan play The Massacre at Paris.
The Empress of Morocco is a 1673 tragedy by the English writer Elkanah Settle. It was originally staged by the Duke's Company at the Dorset Garden Theatre in London. The cast included Henry Harris as Muly Labas, William Smith as Muly Hamet, Thomas Betterton as Grimalhaz, Matthew Medbourne as Hametalhaz, John Crosby as Abdelcador, Mary Betterton as Laula and Mary Lee as Mariamne. The published version was dedicated to Henry Howard, Earl of Norwich.
The Destruction of Troy is a 1678 tragedy by the English writer John Banks. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It depicts the Trojan War as inspired by Homer's Iliad.
Love Triumphant; Or, Nature Will Prevail is a 1694 tragicomedy by the English writer John Dryden. It was Dryden's final stage play.
Madam Fickle; Or, The Witty False One is a 1676 comedy play by the English writer Thomas D'Urfey. It was first staged at the Dorset Garden Theatre by the Duke's Company.
