The Indian Queen (opera)

Last updated

The Indian Queen
Semi-opera by Henry Purcell
Henry Purcell by John Closterman.jpg
The composer, portrait by John Closterman , c. 1695
Based on The Indian Queen (play) by Sir Robert Howard
Premiere

The Indian Queen (Z. 630) is a largely unfinished semi-opera with music by Henry Purcell, first performed at the Theatre Royal, Drury Lane, London, in 1695. The exact date is unknown, but Peter Holman surmises it may have been in June. [1]

Contents

It was created as a revised version of the 1664 play The Indian Queen , in a prologue and five acts, by John Dryden and his brother-in-law Sir Robert Howard. More specifically, in 1694, Thomas Betterton was given £50 to transform the play into an opera, and he commissioned Purcell to compose the music. [2] [3] Purcell, who died in November 1695, left music only for the Prologue and Acts II and III. His brother Daniel completed a masque for Act V. [4]

The Indian Queen is one of Purcell's less often performed stage works. This is probably more a reflection of the incomplete state of the score than of its quality.

Sellars' 2013 realization

In the twenty-first century there was a major new production by Tchaikovsky Perm Opera and Ballet Theatre (Perm), Teatro Real (Madrid), and English National Opera (London). Peter Sellars completely rewrote the text to tell the story of the Spanish Conquista. He drew on a book by the Nicaraguan writer Rosario Aguilar. This version, with designs by Gronk, was premiered at Perm in 2013. It was performed at the Teatro Real in 2014, when Sellars said spectators who responded negatively, especially to the end of the first part where Indians are machine-gunned by Spanish soldiers, “don’t understand that a work like this is about trying to complete a journey together through difficult issues and history.” [5]

Synopsis

Some years before the Spanish Conquest in Mesoamerica—the court then war conflict between kings of Peru and Mexico.

Musical numbers

Recordings

Related Research Articles

<span class="mw-page-title-main">Henry Purcell</span> English composer (1659–1695)

Henry Purcell was an English composer of Baroque music.

The English mezzo-soprano Carolyn Watkinson is a singer of baroque music. Her voice is alternately characterized as mezzo-soprano and contralto.

<i>Dido and Aeneas</i> Opera by Purcell

Dido and Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil's Aeneid. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, Dido and Aeneas is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow's Venus and Adonis, both in structure and in overall effect.

<span class="mw-page-title-main">Rodion Shchedrin</span> Soviet and Russian composer and pianist

Rodion Konstantinovich Shchedrin is a Soviet and Russian composer and pianist, winner of USSR State Prize (1972), the Lenin Prize (1984), and the State Prize of the Russian Federation (1992), and is a former member of the Inter-regional Deputies Group (1989–1991). He is also a citizen of Lithuania and Spain.

<span class="mw-page-title-main">Roger Voisin</span> American trumpeter (1918–2008)

Roger Louis Voisin was an American classical trumpeter. In 1959, The New York Times called him "one of the best-known trumpeters in this country."

<i>King Arthur</i> (opera) 1691 semi-opera by Dryden and Purcell

King Arthur, or The British Worthy, is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691.

<i>The Fairy-Queen</i> Semi-opera by Henry Purcell

The Fairy-Queen is a semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's comedy A Midsummer Night's Dream. First performed in 1692, The Fairy-Queen was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century.

<i>Esther</i> (Handel) Oratorio by George Frideric Händel

Esther is an oratorio by George Frideric Handel. It is generally acknowledged to be the first English oratorio. Handel set a libretto after the Old Testament drama by Jean Racine. The work was originally composed in 1718, but was heavily revised into a full oratorio in 1732.

<i>Undina</i> (Tchaikovsky) Opera fragment by Tchaikovsky

Undina is an opera in three acts by Pyotr Ilyich Tchaikovsky. The work was composed in 1869. The libretto was written by Vladimir Sollogub, and is based on Vasily Zhukovsky's translation of Friedrich de la Motte Fouqué's novella Ondine.

<i>The Wurst of P. D. Q. Bach</i> 1971 compilation album by P. D. Q. Bach

The Wurst of P. D. Q. Bach is a collection of works by Peter Schickele under his comic pseudonym of P. D. Q. Bach originally recorded on the Vanguard Records label by the composer. It includes "lowlights" from four different Vanguard albums: Peter Schickele Presents an Evening with P. D. Q. Bach (1807–1742)?, An Hysteric Return: P.D.Q. Bach at Carnegie Hall, Report from Hoople: P. D. Q. Bach on the Air, and P. D. Q. Bach's half-act opera The Stoned Guest. Wurst is the German word for sausage, with the album cover photograph set in a sausage shop.

<i>The Flood</i> (Stravinsky) 1962 musical stage production by Igor Stravinsky

The Flood: A musical play (1962) is a short biblical drama by Igor Stravinsky on the story of Noah and the flood, originally conceived as a work for television. It contains singing, spoken dialogue, and ballet sequences. It is in Stravinsky's late, serial style.

Abdelazer; or, The Moor's Revenge is a 1676 play by Aphra Behn, an adaptation of the c. 1600 tragedy Lust's Dominion. It is Behn's only tragic play.

Psyche is a semi-opera in five acts with music by Matthew Locke to a libretto by Thomas Shadwell with dances by Giovanni Battista Draghi. It was first performed at Dorset Garden Theatre, London on 27 February 1675 by the Duke's Company with choreography the French dancing-master Saint-André. Stage machinery was by Thomas Betterton and the scenery by Stephenson. The work is loosely based on Molière's 1671 tragédie-balletPsyché with incidental music by Lully.

April Rosemary Cantelo is an English soprano.

<span class="mw-page-title-main">Teodor Currentzis</span> Greek conductor, musician and actor

Teodor Currentzis is a Greek conductor, musician and actor.

<i>Utrecht Te Deum and Jubilate</i> Choral composition by George Frideric Handel

Utrecht Te Deum and Jubilate is the common name for a sacred choral composition in two parts, written by George Frideric Handel to celebrate the Treaty of Utrecht, which established the Peace of Utrecht in 1713, ending the War of the Spanish Succession. He composed a Te Deum, HWV 278, and a Jubilate Deo, HWV 279. The combination of the two texts in English follows earlier models. The official premiere of the work was on 13 July 1713 in a service in St Paul's Cathedral in London.

Come Ye Sons of Art, Z.323, also known as Ode for Queen Mary's Birthday, is a musical composition by Henry Purcell. It was written in 1694, and is one of a series of odes in honour of the birthday of Queen Mary II of England. The text of the ode is often attributed to Nahum Tate, who was poet laureate at the time.

Hervey Alan was an English operatic bass and voice teacher. During his career he sang leading roles with most of Great Britain's major opera institutions, including the Edinburgh Festival, the Glyndebourne Festival, the Royal Opera House, the Sadler's Wells Opera, and the Welsh National Opera. He is best known for creating the role of Mr. Redburn in the world premiere of Benjamin Britten's Billy Budd at the Royal Opera House, London, on 1 December 1951. Music critic Elizabeth Forbes wrote that his voice was "dark toned, resonant", and "especially effective as Zaccaria in Nabucco.

References

Notes
  1. Peter Holman Henry Purcell (Oxford University Press, 1994) p.219
  2. King, Robert (1994), Henry Purcell, London: Thames and Hudson Ltd, p. 219, ISBN   9780500016251
  3. C.A. Price. Henry Purcell and the London Stage
  4. Peter Holman Henry Purcell (Oxford University Press, 1994) p.219
  5. Minder, R. (2014). "Spain's Conquest of America as Opera". New York Times. Retrieved 21 October 2014.
Sources