"Divestment" | |
---|---|
The Americans episode | |
Episode no. | Season 3 Episode 8 |
Directed by | Dan Attias |
Written by | Joshua Brand |
Cinematography by | Richard Rutkowski |
Editing by | Marnee Meyer |
Production code | BDU308 |
Original air date | March 18, 2015 |
Running time | 46 minutes |
Guest appearances | |
| |
"Divestment" is the eighth episode of the third season of the American period spy drama television series The Americans . It is the 34th overall episode of the series and was written by consulting producer Joshua Brand, and directed by Dan Attias. It was released on FX on March 18, 2015.
The series is set during the Cold War, the show follows Elizabeth and Philip Jennings, two Soviet KGB intelligence officers posing as an American married couple living in Falls Church, a Virginia suburb of Washington, D.C., with their American-born children Paige and Henry. It also explores the conflict between Washington's FBI office and the KGB Rezidentura there, from the perspectives of agents on both sides, including the Jennings' neighbor Stan Beeman, an FBI agent working in counterintelligence. In the episode, Elizabeth and Philip interrogate two men that may be involved in an attack, while Martha is interrogated by Taffet.
According to Nielsen Media Research, the episode was seen by an estimated 1.13 million household viewers and gained a 0.3 ratings share among adults aged 18–49. The episode received extremely positive reviews from critics, who praised the performances, character development and atmosphere.
Elizabeth (Keri Russell), Philip (Matthew Rhys) and Reuben (Dwayne A. Thomas) interrogate Todd (Will Pullen) and Venter (Neil Sandilands) at an abandoned warehouse. The men refuse to disclose any information even under the promise of new identities, prompting them to torture them. In prison, Nina (Annet Mahendru) is informed that her cooperation in proving Sneijder's guilt reduced her sentence to ten years. She is then offered a pardon, if she can get Russian physicist Anton Baklonov to increase his productivity.
Taffet (Jefferson Mays) questions Gaad's staff, including Martha (Alison Wright), about the bug found at his office. At his office, Arkady (Lev Gorn) is called by Igor Burov (Boris Krutonog), the Minister of Railways. Igor wants Oleg back in the Soviet Union and tells Arkady to make him reconsider his intent in staying. Arkady talks with Oleg over his father's desires, but tells him he will convince him in allowing him to stay.
Back at the warehouse, Todd states that he only helped Venter in watching over people involved in the anti-apartheid movement. When Venter refuses to cooperate, Reuben sets him on fire to kill him. This prompts Todd to confess that he was supposed to set a bomb on a campus, but eventually decided against it. After he leads them to the bomb in his apartment, Reuben suggests killing Todd, but Philip and Elizabeth decide to release him for his cooperation, deeming him as a non-threat.
Paige (Holly Taylor) finds a photograph of Gregory in the library in microfiche records, which reveals that he was a drug dealer. When she asks Elizabeth about it, she explains that Gregory went through a difficult phase and did what he could to go forward with his life. Nina is transferred to a facility, where she meets Vasili (Peter Von Berg). He states that he will work with her, even if he cannot forgive her for her betrayal. She then meets with Anton (Michael Aronov), who ignores her as she is not a scientist.
Elizabeth visits Gabriel (Frank Langella), asking for his help in getting Philip's son, Mischa, out of his position during the Soviet–Afghan War. Philip, as Clark, visits Martha at their house. She reveals her meeting with Taffet and questions his real identity. He reiterates he loves her and that she must trust him, consoling her as she sobs. The episode ends with Philip and Martha in the bed, unable to sleep.
In February 2015, FX confirmed that the eighth episode of the season would be titled "Divestment", and that it would be written by consulting producer Joshua Brand, and directed by Dan Attias. This was Brand's seventh writing credit, and Attias' first directing credit. [1]
In its original American broadcast, "Divestment" was seen by an estimated 1.13 million household viewers with a 0.3 in the 18-49 demographics. This means that 0.3 percent of all households with televisions watched the episode. [2] This was a 8% decrease in viewership from the previous episode, which was watched by 1.22 million household viewers with a 0.4 in the 18-49 demographics. [3]
"Divestment" received extremely positive reviews from critics. Erik Adams of The A.V. Club gave the episode an "A–" grade and wrote, "To me, 'Divestment' is all about that 'di'—as in the Greek root for 'two.' Every crucial moment of this episode, every potentially explosive exchange, occurs between two characters. It’s hard to pick up on at first, but 'Divestment' is one of the most cleverly structured episodes of The Americans' third season." [4]
Alan Sepinwall of HitFix wrote, "Another great episode that managed to keep the tension and ugliness high even as the two teenage girls who've been at the center of so much of this season's drama were shunted off to the side for a week." [5] Laura Hudson of Vulture gave the episode a 3 star rating out of 5 and wrote, "This week, many of our favorite spies, kids, and administrative assistants struggle with some tough questions: Who are the good guys and who are the bad guys? Whom do we protect, and whom do we sacrifice? When do you give someone a second chance, and when do you burn them?" [6]
Joshua Rivera of Entertainment Weekly wrote, "It feels strange to call an episode where so many things happen 'slow,' especially on a show like The Americans, where slow is very much the point. But that's how 'Divestment' feels, mostly because it spends its time moving a number of this season's plots forward just the slightest bit, without much in the way of that fraught tension the show is known for. Nonetheless, the moves made tonight are important ones — all things to add to the powder keg at the end of a very long fuse." [7] Alec Bojalad of Den of Geek gave the episode a 3.5 star rating out of 5 and wrote, "That's the beauty of The Americans. It really is a carefully-paced slow emotional drama but then out of nowhere a diplomat's folded up body is being shoved into a suitcase or a South African terrorist is screaming as flames engulf him." [8]
Ben Travers of IndieWire gave the episode an "A" grade and wrote, "'Divestment' featured more confrontation than perhaps any television episode before it, and it certainly left us the most uncertain of where those discussions will lead." [9] Matt Brennan of Slant Magazine wrote, "Revelation by revelation, The Americans continues to strip each character of what they think they know, until all that's left is bone." [10]
"Trust Me" is the sixth episode of the first season of the period drama television series The Americans. It originally aired on FX in the United States on March 6, 2013.
"Safe House" is the ninth episode of the first season of the period drama television series The Americans. It originally aired on FX in the United States on April 3, 2013.
"Covert War" is the eleventh episode of the first season of the period drama television series The Americans. It originally aired on FX in the United States on April 17, 2013.
"The Oath" is the twelfth episode of the first season of the period drama television series The Americans. It originally aired on FX in the United States on April 24, 2013.
"The Colonel" is the thirteenth episode and the season finale of the first season of the period drama television series The Americans. It originally aired on FX in the United States on May 1, 2013.
"The Deal" is the fifth episode of the second season of the American television drama series The Americans, and the 18th overall episode of the series. It originally aired on FX in the United States on March 26, 2014.
"Behind the Red Door" is the sixth episode of the second season of the American television drama series The Americans, and the 19th overall episode of the series. It originally aired on FX in the United States on April 2, 2014.
"Arpanet" is the seventh episode of the second season of the American television drama series The Americans, and the 20th overall episode of the series. It originally aired on FX in the United States on April 9, 2014.
"Martial Eagle" is the ninth episode of the second season of the American television drama series The Americans, and the 22nd overall episode of the series. It originally aired on FX in the United States on April 23, 2014.
"Stealth" is the eleventh episode of the second season of the American television drama series The Americans, and the 24th overall episode of the series. It originally aired on FX in the United States on May 7, 2014.
The third season of the American television drama series The Americans, consisting of 13 episodes, premiered on FX on January 28, 2015, and concluded on April 22, 2015. The series was renewed for the third season on April 16, 2014.
"EST Men" is the third season premiere of the American television drama series The Americans, and the 27th overall episode of the series. It originally aired on January 28, 2015 in the United States on FX.
"Open House" is the third episode of third season of the American television drama series The Americans, and the 29th overall episode of the series. It originally aired on February 11, 2015 in the United States on FX.
"Do Mail Robots Dream of Electric Sheep?" is the ninth episode of the third season of the American period spy drama television series The Americans. It is the 35th overall episode of the series and was written by consulting producer Joshua Brand, and directed by Stephen Williams. It was released on FX on March 25, 2015.
"Walter Taffet" is the seventh episode of third season of the American television drama series The Americans, and the 33rd overall episode of the series. It originally aired on March 11, 2015, in the United States on FX.
"One Day in the Life of Anton Baklanov" is the eleventh episode of the third season of the American period spy drama television series The Americans. It is the 37th overall episode of the series and was written by co-executive producer Stephen Schiff and story editor Tracey Scott Wilson, and directed by Andrew Bernstein. It was released on FX on April 8, 2015.
"Glanders" is the first episode of the fourth season of the American period spy drama television series The Americans. It is the 40th overall episode of the series and was written by executive producer Joel Fields and series creator Joe Weisberg, and directed by Thomas Schlamme. It was released on FX on March 16, 2016.
"Clark's Place" is the fifth episode of the fourth season of the American period spy drama television series The Americans. It is the 44th overall episode of the series and was written by co-producer Peter Ackerman, and directed by main cast member Noah Emmerich. It was released on FX on April 13, 2016.
"The Rat" is the sixth episode of the fourth season of the American period spy drama television series The Americans. It is the 45th overall episode of the series and was written by consulting producer Joshua Brand, and directed by Kari Skogland. It was released on FX on April 20, 2016.
"Travel Agents" is the seventh episode of the fourth season of the American period spy drama television series The Americans. It is the 46th overall episode of the series and was written by Tanya Barfield, and directed by Dan Attias. It was released on FX on April 27, 2016.