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Doctor Who in Australia refers to the history and culture surrounding the British Broadcasting Corporation science fiction programme Doctor Who since its first broadcast in Australia in January 1965.
Additionally, the Australian Broadcasting Commission (ABC) was one of the first and longest term purchasers of the series from the BBC, initially planning its Australian debut for May 1964, only six months after the UK premiere.
In 1979 the ABC organised a nationwide promotional tour by then-current Doctor Tom Baker and, in 1983, it co-funded the 20th anniversary special The Five Doctors .
Australia was also a key market for the many products licensed by BBC Enterprises and the success of the series in Australia was an important factor in its worldwide penetration; English-speaking countries in the Asia-Pacific region generally bought whatever episodes the ABC had cleared for its own use, and BBC Enterprises' office for the entire region was in Sydney and dealt with the censors and marketing.
Doctor Who was first broadcast in Australia by the ABC's Perth station, ABW-2, on Tuesday 12 January 1965. [1] The ABC had intended to begin broadcasting the series in April 1964, but had been forced to delay it because censors had classified the first three Doctor Who serials as suitable for adults only. [2] During this era, the ABC often had to make cuts to Doctor Who episodes to make them suitable for early evening general viewing broadcast, although some serials, such as Mission to the Unknown and The Daleks' Master Plan, were not transmitted at all due to not being able to be suitably edited. [2] The cuts made to William Hartnell and Patrick Troughton-era stories would later prove to be significant for the series' legacy, as for some of the serials that were subsequently wiped by the BBC, the removed material by Australian censors is the only footage of the stories still in existence. [3]
In Sydney in 1975, the ABC screened just fourteen weekly instalments of Doctor Who – The Time Warrior , Death to the Daleks and The Monster of Peladon – between March and June. These were the first episodes to be broadcast by the ABC in colour. (Due to the BBC's accidental wiping of the master tape of Invasion of the Dinosaurs' first episode, that story was not screened at all by the ABC until November 1984, when they simply broadcast it – without any preceding explanation – as a five-part story, starting from episode 2. They never actually broadcast the full six episode story until 2004). [4]
The period from 1978 through to the mid-1980s saw the ABC continue to strip Doctor Who in an early-evening weekday timeslot; typically it was Monday-Thursday or Monday–Friday, at either 6:00 or 6:30 pm. It would almost always screen throughout the year and, more often than not, it was paired with another program at 6:00pm, most notably The Goodies . [5] [6] In February 1986, the ABC broadcast repeats of The Mind Robber and The Krotons, the first time that black and white Doctor Who serials had been broadcast on the network following its adoption of colour broadcasting in 1975. [7]
On 31 October 1988, stripped weekday transmissions of new episodes of Doctor Who recommenced, with the show now in the 5:30 pm timeslot and broadcast under the umbrella of the children's magazine-style program The Afternoon Show , starting with Sylvester McCoy's debut in Time and the Rani , almost fourteen months after it first screened on BBC1. [8] After Season 24 finished, as a gesture to fans in recognition of Doctor Who's 25th anniversary, the ABC also screened the first story of Season 25, Remembrance of the Daleks , only a little more than a month since its UK debut. Apparently, The Afternoon Show's host, James Valentine, was influential in getting this serial added to the ABC's broadcast run. [9] Three of the four episodes were preceded by a Doctor Who quiz on The Afternoon Show itself, featuring a group Sydney-based fans from the Australasian Doctor Who Fan Club, including future Doctor Who author, Kate Orman, to further celebrate the anniversary date. This is covered in further detail in a 2023 Australian documentary, I Was A Teenage Time Lord. [10]
After all of Sylvester McCoy's serials had been broadcast, the ABC recommenced its screenings of Tom Baker-era Doctor Who episodes until 20 October 1989 when the remainder of season 25 was transmitted, in production order rather than UK broadcast order. [11] As a result, the ABC's transmission began with The Greatest Show in the Galaxy and ended with The Happiness Patrol. These stories were repeated in 1990 prior to the broadcast of the classic era's final season, season 26, on 29 October 1990. [11]
The first attempt to revive Doctor Who was with a made-for-TV movie in 1996. It featured Sylvester McCoy in his final portrayal of the Seventh Doctor and introduced Paul McGann as the Eighth Doctor. The ABC premiere of the movie was on Sunday 7 July at 8.30 pm, nearly two months after its Canadian and US debut and almost six weeks after its first airing in the UK. The ABC had originally planned a 3 July airdate, but did not want to clash with The X-Files , which was already established in the 8:30 pm Wednesday timeslot and was achieving its peak success in Australia at the time. [12]
Material in the movie was cut in the US to allow for extra advertising time, but these cuts were largely restored for the ABC's Australian broadcast. A publicity screening of the cut version had been held on 5 June at Planet Hollywood in Sydney, with several fan-built Daleks operated by fan club members acting as ushers. [13]
When the BBC revived Doctor Who in 2005 with Christopher Eccleston as the Doctor and with Russell T. Davies as producer, the ABC responded by scheduling the series in the prime-time 7:30 pm Saturday slot. Following the UK broadcast by less than two months, Series 1 of the new Doctor Who premiered in Australia with the first episode, Rose , on 21 May 2005, [14] [15] going on to win its timeslot in four out of five capital cities. [16]
Following the ABC's premiere of The Runaway Bride at 8:35 pm on Thursday 28 June 2007, Series 3 was again broadcast in the 7:30 pm Saturday slot from 30 June. [17]
On 26 October 2022 the ABC announced that Jodie Whittaker's final episode, The Power of the Doctor , would be the last first-run episode of Doctor Who to be broadcast on the ABC, with the series moving to Disney+ from 2023 onwards. [18]
Unlike the classic series, which saw innumerable instances of censorship, both societal changes as well as changes to the television ratings classification system itself have meant that networks have been more free to show material that may not have been allowed to air at all in the 1960s or 1970s. Aside from some early references to violence or horror that was toned down or removed altogether in post-production [19] the new series has generally been free from censorship.
In 1996, about 25 minutes worth of some very short censored black and white 16mm film clips were recovered from the National Archive vaults, snipped by the censor from a variety of 1960s episodes, these cut portions of 16mm film had not been in the hands of the ABC, and had been impounded by the Australian censors. The classification for the series Doctor Who is PG 13. [20] [21]
Other stray items have been "Show Bags" full of ephemeral bits and pieces, usually of a fairly poor quality for children, and sold at major "shows" (usually related to rural production with fun fairs and other activities) such as the "Royal Easter Show" in Sydney where the stall holder also distributed some leaflets to promote the national club, and he had plans to tour many rural towns throughout the state of New South Wales, and maybe to go further afield. A similar (or even identical) product was sold at the Royal Melbourne Show. [22]
There may have been some isolated Australian branches of Keith Miller's British Doctor Who club, [23] and there was at least one small suburban club-ette in Sydney around 1974 (recalled by Kerrie Dougherty),[ citation needed ] as well as occasional signs of fan activity here and there (e.g. a fan organised film screening in Sydney of Daleks - Invasion Earth 2150 AD in 1975,[ citation needed ] and an issue of a Tolkien fanzine devoted to Doctor Who, issued as "Macra" in late 1975). [24] [ citation needed ] But before 1976 there was no solid fan organisation.[ citation needed ] The last three of these strands came together at Sydney University in 1975–76, which led to the formation of a national club in August 1976. Members of the Sydney University Science Fiction Association ("SUSFA"), decided to build a Dalek to enter in a planned Dalek race to be held over Easter 1976 year to race other Daleks at a University Science Fiction Convention "Unicon 2" at Melbourne University over Easter (for photos of these Daleks and others, go to "External Links" below for the site "Daleksdownunder").[ citation needed ] Although the Melbourne students had built their Dalek in 1975, and Adelaide students also built one, there is no evidence either group went on to form a Doctor Who club. However, after winning this race the SUSFA members were fired up and organised screenings of both Dalek films, and arranged a number of other activities involving the Dalek around campus at Sydney University during 1976. [25]
But why this led to a dedicated Doctor Who club at Sydney University and not elsewhere must remain a mystery. Perhaps their Daleks were just student pranks, and not signs of dedicated fan obsession. The change at Sydney into a Doctor Who fanclub with fanzine (Zerinza) requires an outline of some of the broadcasting context as it related to fans (in more detail above). By the mid-1970s the series was not rating well and the ABC used less and less new material every year, slowly getting well over a year behind the BBC's screenings in Britain, and missing several stories. Fed up with such sporadic sequencing during 1974–77, a Sydney fan, Antony Howe, began to agitate to have the series shown in full, and soon after the premieres in Britain rather than being screened years later. Other demands were to stop the censorship of whole stories (many had been rated "A" by the censor, limited to screening after 7.30 pm which the ABC refused to do), and to have more repeats. Such criticisms were made public in the special "Dalek Soit" science fiction edition of the famous student newspaper Honi Soit which featured news and photographs of the club Dalek's conquest of the campus, and an appreciative quasi-academic article on the Doctor Who TV series, by local science fiction author Terry Dowling. [26] Also flagged was the launch of a Doctor Who fanzine (see Zerinza) and addresses were given for overseas Doctor Who fan clubs, so a local club was not yet envisaged.
During the vacation Antony Howe learned the ABC had actually decided to cease purchasing any new episodes of the series, and the planned "Dalek Demo" now had a more urgent goal – to "Save Doctor Who". Organised by Howe, SUSFA members and others, the "Dalek Demo" of 24 August 1976 helped create a small core of people who formed fandom in Sydney, then the rest of Australia, but only about 20 turned up at the peak, with a dozen people or so were present at other times. Even ABC Programme Dept. staff said they knew nothing about the top level decision. Management's decision was also widely revealed in the student newspaper and fans urged to begin a letter writing campaign, and to join the new Australasian Dr Who Fan Club, and attend a screening of the film Doctor Who and the Daleks where further details were announced. [27] Thus was a longer term campaign to "Save Doctor Who" had been launched: complete with posters and leaflets; networking with existing Science Fiction enthusiasts around the country; a radio interview; and letter writing campaigns to the rest of the media, not just the ABC. The "Demo" and other efforts are widely thought by fans and others to have encouraged the broadcaster to change its mind. [28] Howe, however, has doubts that such a small "Demo", and club, had much effect on a huge bureaucracy like the ABC. Eventually the ABC did buy the new series (season 2 and 3 of Tom Baker), Howe believes this was probably due to the high ratings in Britain, rather than to his own efforts.
The campaign did however, lead to a fan magazine and club. Reporting on the "Demo" and associated activities, Howe formed a club, linked up with the UK club (DWAS), and launched his fanzine "Zerinza: the Australasian Doctor Who Fanzine" in August 1976 at a Sydney University screening of "Dr. Who and the Daleks" he had organised for SUSFA (on 21 Sept. 1976). [29]
The Supreme Council of Time Lords introduced the first Australian and New Zealand fan award system, the Double Gammas, [30] open to all Australia and New Zealand Doctor Who fanzines, fan writers, fan artists, with fans members of any Australian or New Zealand Doctor Who club or readers of any Australian or New Zealand Doctor Who fanzine or newsletter, able to nominate and vote. These awards were first presented in 1984 at "Who Do 84", during the Time Lord Ball.
Australia also has a number of regional state-based clubs. [31]
The Queensland Doctor Who Fan Club was formed in about 1978. It closed in late 1980, [32] but other successor clubs almost immediately sprang up, usually affiliated to the national club, such as the Brisbane Doctor Who Fan Club (closed 2000). [33]
Doctor Who is a British science fiction television series broadcast by the BBC since 1963. The series, created by Sydney Newman, C. E. Webber and Donald Wilson, depicts the adventures of an extraterrestrial being called the Doctor, part of a humanoid species called Time Lords. The Doctor travels in the universe and in time using a time travelling spaceship called the TARDIS, which externally appears as a British police box. While travelling, the Doctor works to save lives and liberate oppressed peoples by combating foes. The Doctor often travels with companions.
The Daleks are a fictional extraterrestrial race of extremely xenophobic mutants principally portrayed in the British science fiction television programme Doctor Who. They were conceived by writer Terry Nation and first appeared in the 1963 Doctor Who serial The Daleks, in casings designed by Raymond Cusick.
Sydney Cecil Newman was a Canadian film and television producer, who played a pioneering role in British television drama from the late 1950s to the late 1960s. After his return to Canada in 1970, Newman was appointed acting director of the Broadcast Programs Branch for the Canadian Radio and Television Commission (CRTC) and then head of the National Film Board of Canada (NFB). He also occupied senior positions at the Canadian Film Development Corporation and Canadian Broadcasting Corporation, and acted as an advisor to the Secretary of State.
An Unearthly Child is the first serial of the British science fiction television series Doctor Who. It was first broadcast on BBC TV in four weekly parts from 23 November to 14 December 1963. Scripted by Australian writer Anthony Coburn, the serial introduces William Hartnell as the First Doctor and his original companions: Carole Ann Ford as the Doctor's granddaughter, Susan Foreman, with Jacqueline Hill and William Russell as school teachers Barbara Wright and Ian Chesterton. The first episode deals with Ian and Barbara's discovery of the Doctor and his time-space ship, the TARDIS, in a junkyard in contemporary London. The remaining episodes are set amid a power struggle between warring Stone Age factions who have lost the secret of making fire.
The Daleks is the second serial in the British science fiction television series Doctor Who, which was first broadcast on BBC TV in seven weekly parts from 21 December 1963 to 1 February 1964. Written by Terry Nation and directed by Christopher Barry and Richard Martin, this story marks the first appearance of the show's most popular villains, the Daleks, and the recurring Skaro people, the Thals. In the serial, the First Doctor, his granddaughter Susan Foreman, and her teachers Ian Chesterton and Barbara Wright land in an alien jungle and are captured by the Daleks, a race of mutated creatures who survive off the radiation that remains in the atmosphere after a nuclear war with their enemies. As the group attempt to escape the Daleks, they discover more about the planet and the ensuing war, and attempt to broker a peace.
Day of the Daleks is the first serial of the ninth season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from 1 to 22 January 1972. It was the first of four Third Doctor serials to feature the Daleks, which returned to the series for the first time since The Evil of the Daleks (1967).
"Mission to the Unknown" is the second serial of the third season of the British science fiction television series Doctor Who. Written by Terry Nation and directed by Derek Martinus, the single episode was broadcast on BBC1 on 9 October 1965. The only standalone regular episode of the show's original run, it serves as an introduction to the 12-part story The Daleks' Master Plan. It is notable for the complete absence of the regular cast and the TARDIS; it is the only serial in the show's history not to feature the Doctor at all. The story focuses on Space Security Agent Marc Cory and his attempts to warn Earth of the Daleks' plan to take over the Solar System.
The Daleks' Master Plan is the mostly missing fourth serial of the third season in the British science fiction television series Doctor Who, which originally aired in twelve weekly parts from 13 November 1965 to 29 January 1966. This twelve-part serial is the longest with a single director and production code (The Trial of a Time Lord was longer but was made in three production blocks, with separate codes, and with four separate story lines each with their own authors and working titles).
Planet of Giants is the first serial of the second season in the British science fiction television series Doctor Who. Written by Louis Marks and directed by Mervyn Pinfield and Douglas Camfield, the serial was first broadcast on BBC1 in three weekly parts from 31 October to 14 November 1964. In the serial, the First Doctor, his granddaughter Susan Foreman, and her teachers Ian Chesterton and Barbara Wright are shrunk to the size of an inch after the Doctor's time machine the TARDIS arrives in contemporary England.
Revelation of the Daleks is the sixth and final serial of the 22nd season in the British science fiction television series Doctor Who, which was first broadcast in two weekly parts on 23 and 30 March 1985. This was the final serial to be broadcast in 45-minute episodes; this format would return 20 years later when the series resumed in 2005. Revelation of the Daleks is the only time the Sixth Doctor encountered the Daleks in a television story.
The Myth Makers is the third serial of the third season of the British science fiction television series Doctor Who. Written by Donald Cotton and directed by Michael Leeston-Smith, the serial was broadcast on BBC1 in four weekly parts from 16 October to 6 November 1965. In the serial, based on Homer's Iliad, the First Doctor and his travelling companions Vicki and Steven land in Troy during the Trojan War. The Doctor is captured by the Greeks and forced to formulate a plan for taking the city, while Steven and Vicki are captured by the Trojans and forced to devise a means of banishing the Greeks; the latter duo meet Katarina, who becomes a companion by the serial's end.
Death to the Daleks is the third serial of the 11th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 23 February to 16 March 1974.
The First Doctor is the original incarnation of the Doctor, the protagonist of the British science fiction television series Doctor Who. He was portrayed by actor William Hartnell in the first three series from 1963 to 1966 and the tenth anniversary story The Three Doctors from 1972 to 1973. The character would occasionally appear in the series after Hartnell's death, most prominently as portrayed by Richard Hurndall in the 1983 multi-doctor special The Five Doctors, and as portrayed by David Bradley in the 2017 Twelfth Doctor episodes "The Doctor Falls" and "Twice Upon a Time" and in the 2022 Thirteenth Doctor episode "The Power of the Doctor", the latter previously having portrayed Hartnell himself in the 2013 biopic An Adventure in Space and Time.
Fans of the long-running British science fiction television series Doctor Who are referred to as Whovians, or collectively as the Doctor Who fandom.
Zerinza was the first, and for many years the only regular Australian Doctor Who fanzine. It ran continuously from 1976 to 1986 when edited and published by Antony Howe, for the Australasian Doctor Who Fan Club (ADWFC), reaching issue number 35. Since then, there have been several isolated issues on special topics, sporadically up to mid-2000, edited by others but most with some degree of input from Howe. Reviews, articles and interviews in this "high-quality" fanzine were authoritative and are cited in serious studies of Doctor Who and some have been republished in books of interviews. The fanzine was for a decade the journal for the ADWFC and it played a key role in creating and expanding Doctor Who fandom in Australia, reaching about 1,000 subscribers by the mid-1980s. It was partly founded to rally fans against the Australian Broadcasting Commission's decision to cease purchasing the Doctor Who series, launching a "Save Doctor Who Campaign" with the first issue, it contained relating news items thereafter. Zerinza, and Howe, were often credited by fans with the subsequent decision by the ABC to resume and increase screening the series.
The twenty-fifth season of British science fiction television series Doctor Who began on 5 October 1988. It comprised four separate serials, beginning with Remembrance of the Daleks and ending with The Greatest Show in the Galaxy. To mark the 25th anniversary season, producer John Nathan-Turner brought back the Daleks and the Cybermen. The American New Jersey Network also made a special behind-the-scenes documentary called The Making of Doctor Who, which followed the production of the 25th anniversary story Silver Nemesis. Andrew Cartmel script edited the series.
The second season of British science fiction television series Doctor Who was originally broadcast on BBC1 between 1964 and 1965. The season began on 31 October 1964 with Planet of Giants and ended with The Time Meddler on 24 July 1965. Like the first season, production was overseen by the BBC's first female producer Verity Lambert. Story editor David Whitaker continued to handle the scripts and stories during early production, handing over to Dennis Spooner as the season began to air; Spooner subsequently left his role by the season's end, and was replaced by Donald Tosh for its final serial. By the season's end, Lambert was the only remaining production member from the team responsible for creating the series.
The first season of British science fiction television programme Doctor Who was originally broadcast on BBC TV between 1963 and 1964. The series began on 23 November 1963 with An Unearthly Child and ended with The Reign of Terror on 12 September 1964. The show was created by BBC Television head of drama Sydney Newman to fill the Saturday evening timeslot and appeal to both the younger and older audiences of the neighbouring programmes. Formatting of the programme was handled by Newman, head of serials Donald Wilson, writer C. E. Webber, and producer Rex Tucker. Production was overseen by the BBC's first female producer Verity Lambert and story editor David Whitaker, both of whom handled the scripts and stories.
David J. Howe is a British writer, journalist, publisher, and media historian.