This is a list of composers for science fiction television series Doctor Who . It is sortable by a number of different criteria. The list defaults to ascending alphabetical order the composer's last name.
The Doctor Who theme music was composed by Ron Grainer and initially arranged by Delia Derbyshire of the BBC Radiophonic Workshop. Various composers subsequently arranged it for later versions of the theme.
In the classic series, each serial's director chose the freelance composer for the incidental music in the serial. Some directors chose to use stock music or special soundscapes from the Radiophonic Workshop instead of specially composed music as a cost cutting measure. During the 1970s, the incidental composer primarily associated with the programme was Dudley Simpson, composing most of the decade's music. When John Nathan-Turner became producer of Doctor Who in 1980, he decided that the music needed to be updated, and took Simpson out for a meal telling him how much he appreciated his work on Doctor Who but that it would no longer be required as he intended to have the BBC Radiophonic Workshop provide music from that point. While Simpson was contracted to score Shada , the unfinished nature of that production meant he never started work. As a result, his last broadcast work on Doctor Who was for The Horns of Nimon . [1]
The 1980s saw the music composition brought in house at the BBC by various members of the Radiophonic Workshop, before transitioning back to freelance composers at the end of the original series's run. This decade saw a more heavy use of synthesizers than before.
John Debney was chosen to score the 1996 TV movie, and he achieved this together with his proteges Louis Febre and John Sponsler.
The revived series' scores were entirely composed by Murray Gold for the first ten series. Gold utilised a score created with first with orchestral samples for Series 1, and later with the BBC National Orchestra of Wales from Series 2 onwards; with heavy use of leitmotifs for characters such as the Doctor, the companions and monsters. [2] [3] Gold's music was played at the Proms, such as for the 50th anniversary celebration. [4] Several singers performed in the soundtracks of these series, for instance, Neil Hannon in "Song for Ten". [5] However, the programme had previously had a singers - The Gunfighters featured Lynda Baron singing "The Ballad of the Last Chance Saloon" composed by Tristram Cary in 1966 and Delta and the Bannermen featured "The Lorells", a fictional group created by the show's incidental music composer Keff McCulloch in 1987.
Segun Akinola replaced Gold for the duration of the Thirteenth Doctor's run. Akinola's scores tended to be more ambient than Gold's, with a great variety of instruments for different episodes. [6]
In April 2023, it was announced that Gold would again join Doctor Who as composer. [7] [8]
Instead of using specially composed music, some serials were scored completely with pre-recorded stock music. Some of these serials used music by one composer as noted below:
Composer | Spinoff title(s) |
---|---|
Mark Ayres | Wartime , Shakedown: Return of the Sontarans , P.R.O.B.E. ( The Zero Imperative , The Devil of Winterborne , Unnatural Selection , Ghosts of Winterborne ) |
Nicholas Briggs | Mindgame , Mindgame Trilogy |
Edmund Butt | An Adventure in Space and Time |
Christopher Elves | K9 |
Ben Foster | Torchwood |
Alan Glass | White Witch of Devil's End |
Linzi Gold | White Witch of Devil's End |
Murray Gold | The Sarah Jane Adventures (theme tune), Torchwood (theme tune and incidental music) |
Barry Gray | Dr. Who and the Daleks , Daleks' Invasion Earth 2150 A.D. |
Peter Howell | K-9 and Company |
Erwin Keiles | Downtime |
Ian Levine | K-9 and Company (theme tune), Downtime |
Michael Lira | K9 (theme tune) |
Alistair Lock | Auton Trilogy, Dæmos Rising , Zygon: When Being You Just Isn't Enough , Sil and the Devil Seeds of Arodor |
Malcolm Lockyer | Dr. Who and the Daleks |
Bill McGuffie | Daleks' Invasion Earth 2150 A.D. |
Blair Mowat | Class |
Nigel Stock | Downtime |
Olivia Thomas | P.R.O.B.E. ( When to Die ) |
Fiachra Trench | K-9 and Company (theme tune) |
Dan Watts | The Sarah Jane Adventures |
Sam Watts | The Sarah Jane Adventures, Tales of the TARDIS |
The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as Doctor Who and Quatermass and the Pit during the 1950s and 1960s.
Revenge of the Cybermen is the fifth and final serial of the 12th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 19 April to 10 May 1975. It was the first to feature the Cybermen since The Invasion (1968) and the last until Earthshock (1982).
The Doctor Who theme music is a piece of music written by Australian composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Created in 1963, it was the first electronic music signature tune for television. It is used as the theme for the science fiction programme Doctor Who, and has been adapted and covered many times.
Paddy Kingsland is a composer of electronic music best known for his incidental music for science fiction series on BBC radio and television whilst working at the BBC Radiophonic Workshop. Educated at Eggar's Grammar School in Alton, Hampshire, he joined the BBC as a tape editor before moving on to become a studio manager for BBC Radio 1. In 1970 he joined the Radiophonic Workshop where he remained until 1981. His initial work was mostly signature tunes for BBC radio and TV programmes before going on to record incidental music for programmes including The Changes, two versions of The Hitchhiker's Guide to the Galaxy, as well as several serials of Doctor Who. His work on the latter series included incidental music for several serials in the early 1980s.
The Invasion is the partly missing third serial of the sixth season of the British science fiction television series Doctor Who, which was first broadcast in eight weekly parts from 2 November to 21 December 1968.
Malcolm Clarke was a British composer and experimental electronic musician. He was a member of the BBC Radiophonic Workshop, which was based in Maida Vale, London, for 25 years from 1969 to 1994.
Brian Hodgson is a British television composer and sound technician. Born in Liverpool in 1938, Hodgson joined the BBC Radiophonic Workshop in 1962 where he became the original sound effects creator for the science fiction programme Doctor Who. He devised the sound of the TARDIS and the voices of the Daleks, which he created by distorting the actors' voices and feeding them through a ring modulator. he also effectively scored four serials under the credit of "Special Sound". He continued to produce effects for the programme until 1972 when he left the Workshop, leaving Dick Mills to produce effects for the remainder of the show's run.
Peter Howell is a musician and composer. He is best known for his work on Doctor Who as a member of the BBC Radiophonic Workshop.
Murray Jonathan Gold is an English composer for stage, film, and television and a dramatist for both theatre and radio. He is best known as the musical director and composer of the music for Doctor Who from its revival in 2005 until 2017. In 2023, he was announced to be returning to the series. Gold's other television work includes Queer as Folk, Last Tango in Halifax and Gentleman Jack. He has been nominated for five BAFTAs.
Dudley George Simpson was an Australian composer and conductor. He was the Principal Conductor of the Royal Opera House orchestra for three years and worked as a composer on British television. He worked on the BBC science-fiction series Doctor Who, for which he composed incidental music during the 1960s and 1970s. When Simpson died aged 95 in 2017, The Guardian wrote that he was "at his most prolific as the creator of incidental music for Doctor Who in the 1960s and 1970s, contributing to 62 stories over almost 300 episodes – more than any other composer."
Mark Ayres is an electronic musician, composer and audio engineer.
Carey Blyton was a British composer and writer best known for his song "Bananas in Pyjamas" (1969)—which later became the theme tune for an Australian children's television series—and for his work on Doctor Who. Having had a late start to his career, he mainly worked as a miniaturist, composing short orchestral scores and humorous pieces such as "Return of Bulgy Gogo", "Up the Faringdon Road", "Mock Joplin" and "Saxe Blue"; in addition, he assisted Benjamin Britten as a music editor.
Roger James Limb is a British composer, specialising in electronic music. He was born in 1941 in Hitchin, Hertfordshire, England, UK. He is best known for his work on the television series Doctor Who whilst at the BBC Radiophonic Workshop. He joined the BBC as a studio manager, before going on to become a television announcer. In 1972 he left this position to join the Radiophonic Workshop, where he remained until 1995. Although he had received formal music training, he also spent much time in pop and jazz bands, the influence of which can be heard in much of his music.
Elizabeth Parker is a British film and television composer who worked at the BBC Radiophonic Workshop from 1978 until the workshop's closure.
Doctor Who: The Music is a 1983 compilation of music from the BBC Radiophonic Workshop featuring incidental music from the popular science-fiction television series Doctor Who. The album was the first full-length to feature solely music from the programme. The collection was produced by Workshop member and long-time Doctor Who sound-effects creator Dick Mills. It featured the original Delia Derbyshire arrangement of Ron Grainer's theme tune and music by Malcolm Clarke from the 1972 serial "The Sea Devils", which was only the second to have an incidental score provided completely by the Radiophonic Workshop. Most of the music included came from serials from the previous three years to demonstrate the recent composers' works. For the album, each serial's incidental music was reassembled into short "suites" and although most of the music had been recorded in mono it was, for this compilation, remixed into stereo with sound effects added on to some tracks. The album was re-released in 1992 by Silva Screen records as Earthshock - Classic Music From The BBC Radiophonic Workshop Volume 1, with bonus tracks including "The Worlds of Doctor Who", a track recorded by Mills as a B-side to Dudley Simpson's 1973 "Moonbase 3" single, which featured a mix of music with sound effects from Planet of the Daleks before following with Simpson's "Master's Theme" and finishing with music from the serial The Mind of Evil. Selections from both this compilation and its follow-up, Doctor Who: The Music II, were also re-used on the 1994 Silva Screen compilation The Best of Doctor Who Volume 1: The Five Doctors.
Doctor Who at the BBC Radiophonic Workshop Volume 1: The Early Years 1963–1969 is the first in a series of compilations of Doctor Who material recorded by the BBC Radiophonic Workshop. Compiled and remastered by Mark Ayres, the album features mostly sound effects and atmospheres from the first six years of the programme. Although some incidental music tracks do appear, most of the album's content is by original Doctor Who sound effects creator Brian Hodgson. The compilation also features three Radiophonic Workshop realisations of early Doctor Who composer Dudley Simpson's work.
Doctor Who at the BBC Radiophonic Workshop Volume 2: New Beginnings 1970–1980 is the second in a series of compilations of BBC Radiophonic Workshop music from Doctor Who. The album collected various incidental music from the 1970s including, for the first time, the complete Malcolm Clarke score for the 1972 serial The Sea Devils, only the second scored completely by the Radiophonic Workshop. The compilation also featured a few of Dudley Simpson's compositions as realised by Brian Hodgson, some Delia Derbyshire music as featured in Inferno, two Peter Howell demos from 1979 and a selection of Dick Mills' sound effects from the era.
The seventeenth season of British science fiction television series Doctor Who began on 1 September 1979 with the story Destiny of the Daleks, and ended with The Horns of Nimon. This was Graham Williams' final series producing Doctor Who. The script editor was Douglas Adams.