011 –The Rescue | |||
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Doctor Who serial | |||
Cast | |||
Others
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Production | |||
Directed by | Christopher Barry | ||
Written by | David Whitaker | ||
Script editor | Dennis Spooner (uncredited) [4] | ||
Produced by | Verity Lambert | ||
Music by | Tristram Cary [lower-alpha 3] | ||
Production code | L | ||
Series | Season 2 | ||
Running time | 2 episodes, 25 minutes each | ||
First broadcast | 2 January 1965 | ||
Last broadcast | 9 January 1965 | ||
Chronology | |||
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The Rescue is the third serial of the second season of the British science fiction television series Doctor Who . Written by outgoing story editor David Whitaker and directed by Christopher Barry, the serial was broadcast on BBC1 in two weekly parts on 2 January and 9 January 1965. In the serial, the time travellers the First Doctor (William Hartnell), Ian Chesterton (William Russell), and Barbara Wright (Jacqueline Hill) befriend Vicki (Maureen O'Brien), an orphan girl marooned on the planet Dido who is being threatened by an apparent native of Dido called Koquillion (Ray Barrett) while awaiting rescue.
The Rescue was written as a short vehicle to introduce Vicki as the new companion, replacing the Doctor's granddaughter, Susan. Vicki underwent several name changes throughout production. The serial was produced in a six-episode block with the following, The Romans , and was the first story produced in Doctor Who's second production block. For the score, Barry reused the work of Tristram Cary from his previous serial, The Daleks . The Rescue maintained the high viewership of the previous serial, with 12 and 13 million viewers. Reviews were generally positive, with praise for the performances and dialogue, despite some criticism of the simple plot and obvious resolution. The serial was later novelised and released on VHS and DVD.
The First Doctor (William Hartnell), Ian Chesterton (William Russell), and Barbara Wright (Jacqueline Hill) are still missing the Doctor's granddaughter Susan Foreman when the TARDIS lands on a planet the Doctor eventually recognises as Dido, a world he has visited before. The trio soon encounter two survivors of a space crash, Vicki (Maureen O'Brien) and Bennett (Ray Barrett), who are awaiting a rescue ship that is due to arrive in three days time. Vicki and Bennett live in fear of Koquillion (Barrett), a bipedal inhabitant of Dido, who is stalking the area. Koquillion encounters the time travellers and attacks, pushing Barbara over a cliff and temporarily trapping Ian and the Doctor. Vicki finds Barbara injured and rescues her from Koquillion, and they share reminiscences. Vicki's father was among those who died when the survivors of the crash, save Bennett and Vicki, were lured to their deaths by the natives of Dido. She is evidently very lonely, having befriended an indigenous Sand Beast (Tom Sheridan) for company. However, when Ian and the Doctor reach the ship, tempers are fraught because Barbara mistook the Sand Beast for a threat and killed it.
The Doctor enters Bennett's room, and finds things are not as they seem. The supposedly crippled Bennett is missing, and a tape recorder hides his absence. He finds a trap door in the floor of the cabin and follows it to a temple carved from rock where he unmasks Koquillion as Bennett. Bennett reveals he killed a crewmember on board the ship and was arrested, but the ship crashed before the crime could be radioed to Earth. It was he who killed the crash survivors and the natives of Dido to cover his crime. He has been using the Koquillion alias so that Vicki would back up his story, and had hoped the planet would be destroyed when his version of events was given. Just as Bennett is about to kill the Doctor, two surviving native Didonians arrive and force Bennett to his death over a ledge. They then stop the signal to prevent the Rescue Ship reaching their planet. With no living family and nothing left for her on Dido, Vicki is welcomed aboard the TARDIS.
The Rescue was written as a short vehicle to introduce Vicki as the new companion, replacing the Doctor's granddaughter, Susan. [5] Producer Verity Lambert had originally booked Pamela Franklin to portray Jenny (originally called Saida) in the previous serial, The Dalek Invasion of Earth , and continue as Susan's replacement; however, Lambert soon changed her mind, [6] and outgoing script editor David Whitaker was commissioned to write a two-part serial to introduce Vicki. Whitaker was officially commissioned on 1 November 1964, the day after his script editor contract with the BBC had expired. [5] The Rescue was the first story under new script editor Dennis Spooner, though he was not credited. [4] Earlier names given to Vicki were Valerie, Lukki, and Millie; [5] [7] the latter was inspired by Millie Small, but the name was considered too similar to comedian Millicent Martin. The draft script for the serial was titled Doctor Who and Tanni, referring to another name considered for Vicki. [5]
The Rescue used the same production team as the following serial, The Romans , and the two were formed to create a single six-episode production block. Christopher Barry was selected to direct the two serials; he was unimpressed with the scripts for The Rescue. With budgeting tight, Barry decided to reuse the score from his previous serial, The Daleks , composed by Tristram Cary. Cary was initially hesitant, having had negative experiences with the reuse of his music in the past. [8] Music from the first, fourth, fifth, sixth, and seventh episodes of The Daleks were used in The Rescue; the sound of a Dalek death was reused for the death of Sandy the sand beast in the second episode. [7]
After the potential for Franklin's casting expired, Lambert requested camera tests for Maureen O'Brien and Denise Upson to portray Vicki; the two auditioned on 14 September 1964 at the BBC Television Centre, and O'Brien was eventually cast. [9] When O'Brien met with the show's creator Sydney Newman, he told her that they were considering having her cut her hair and dye it black. O'Brien refused, saying, "Why don't you just get Carole Ann Ford back?" [7] O'Brien had just come out of drama school when she was cast as Vicki; [10] it was her first television acting job. [9] Barry originally offered the role of Bennett to Bernard Archard, but he was unavailable. [11] Ray Barrett was cast in the role, described as a "Jekyll and Hyde character". [7] Barry had seen Barrett on television and noted his name due to his rugged face, and "dug him out of the book" when the time came. [12] Barrett played Bennett as a "normal, straight human being" so as not to give the ending away. [13] To preserve the mystery, Koquillion was credited in the first episode as being played by "Sydney Wilson", a name made up by the production team in tribute to two of the creators of Doctor Who, Sydney Newman and Donald Wilson. [14] When designing Koquillion, costume designer Daphne Dare took inspiration from a close-up of a fly. [1] Tom Sheridan was cast to play the voice communicating from the rescue ship, the sand creature, and a Didonian. An agreement was made for Sheridan to be credited as 'Space Captain' only, and he ultimately did not portray a Didonian. [15]
The Rescue was the first in a new production block of Doctor Who; the first production block had lasted for 52 weeks, with the final two stories— Planet of Giants and The Dalek Invasion of Earth—held back to open the second season. The regular cast took a six-week break before beginning production on The Rescue. [16] Model filming for the serial began on 16 November 1964 at BBC Television Film Studios on Stage 2. The model spaceships were designed by Raymond Cusick—both in flight and wrecked—and created by Shawcraft Models in ten days. [17] Cusick had found a cheap material he called "reeded hardboard", which was spray-painted silver and used for the outside of the craft prop. [18] Model shots of the TARDIS falling off the mountain were filmed on 17 November. [17]
Rehearsals for the first episode took place from 30 November to 3 December 1964 at the London Transport Assembly Rooms in Wood Green. O'Brien encountered difficulties learning her lines, and became worried when other cast members were able to rehearse without their scripts by the second day. Carole Ann Ford visited on O'Brien's first day to wish her luck. [4] The first episode was recorded on 4 December at Riverside Studios; [19] it overran by 15 minutes. [20] There was a happy atmosphere among the cast, including a picnic in Hartnell's dressing room. After Barrett fell asleep in the studio, the cast and crew left and switched off the lights to make him believe that he had slept all night. [19] Rehearsals for the second episode took place from 7–10 December, with recording on 11 December. In the scene where Barbara shoots the sand beast, the powder in the prop detonated prematurely, and Hill was treated for shock and a sore face. [20] The Dido temple was a large set that was lit in such a way to create a dark atmosphere; dark drapes and smoke were also used. [21]
Episode | Title | Run time | Original air date | UK viewers (millions) | Appreciation Index |
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1 | "The Powerful Enemy" | 26:15 | 2 January 1965 | 12.0 | 57 |
2 | "Desperate Measures" | 24:36 | 9 January 1965 | 13.0 | 59 |
The Rescue was broadcast on BBC1 in two weekly parts on 2 January and 9 January 1965. It continued the high ratings of The Dalek Invasion of Earth, with 12 million viewers for the first episode. [22] It was the eleventh most-watched programme of the week, [23] and the top-rated BBC1 show in London and northern England. [22] The second episode had higher ratings, with 13 million viewers, ranking it eighth for the week. The Appreciation Index rose from 57 to 59 across the two episodes. [22] On 13 December 1966, a retention order was issued that included both episodes of The Rescue to be retained by the BBC. However, both episodes were wiped: the first on 17 August 1967 and the second on 31 January 1969. BBC Enterprises had retained telerecordings of both episodes and returned them to the BBC in 1978. [24]
After the first episode's broadcast, T.C. Worsley of the Financial Times felt that the Koquillion was lacking compared to the Daleks, but appreciated its name. At the BBC's Programme Review Board after the second episode, Sydney Newman said that O'Brien had "made a great impact" on the show, noting that her performance had improved others. [22]
Retrospective reviews were generally positive. In The Discontinuity Guide (1995), Paul Cornell, Martin Day, and Keith Topping wrote that the serial "just about works" as an introduction to Vicki, "but it's too inconsequential to sustain any real interest". [25] In The Television Companion (1998), David J. Howe and Stephen James Walker described the story as "one of the best examples of character-driven drama from this period of the series' history", praising the character of Vicki, though noting that some parts of the plot remained unexplained. [26] In A Critical History of Doctor Who (1999), John Kenneth Muir lauded O'Brien's performance despite Vicki being "a fairly obvious Susan surrogate", and enjoyed the emotional scenes and climax. [27] In 2008, Patrick Mulkern of Radio Times described the serial as a "neglected gem" with a strong debut for Vicki and many production improvements, though noted that the mystery was "a tad obvious". [28] In 2009, DVD Talk 's Stuart Galbraith IV felt that the story was strong with a "smart, if somewhat predictable climax and resolution" that worked due to the dialogue. [29] Cliff Chapman of Den of Geek found the serial "charming" and praised the performances, writing that the serial was only let down by its "weak and convenient resolution". [30] Dreamwatch appreciated the pacing but felt that the story was lacking in comparison to The Romans. [31]
Author | Ian Marter |
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Cover artist | Tony Clark |
Series | Doctor Who book: Target novelisations |
Release number | 124 |
Publisher | Target Books |
Publication date | August 1987 |
ISBN | 0-491-03317-6 |
Ian Marter began adapting the script from The Rescue into a novelisation, but died near completion; Nigel Robinson completed the manuscript. [32] Robinson recalled having to make very few changes to Marter's work, but noted that he cut an entire scene from the first chapter discussing fellatio, as Marter "did have a tendency to see how much he could get away with". [33] The novelisation was published in August 1987 in paperback by Target Books and in hardback by W. H. Allen. The cover was designed by Tony Clark. An audiobook version of the novelisation was published by AudioGO on 1 April 2013, read by Maureen O'Brien. [32]
The Rescue was released on VHS as a double-pack with The Romans by BBC Video in September 1994, with the cover designed by Andrew Skilleter. It was released on DVD in a slipcase with The Romans on 23 February 2009; [32] the Region 1 release followed on 7 July 2009. [29] The serial was released on Blu-ray on 5 December 2022, alongside the rest of the show's second season as part of The Collection. [34] [35]
An Unearthly Child is the first serial of the British science fiction television series Doctor Who. It was first broadcast on BBC TV in four weekly parts from 23 November to 14 December 1963. Scripted by Australian writer Anthony Coburn, the serial introduces William Hartnell as the First Doctor and his original companions: Carole Ann Ford as the Doctor's granddaughter, Susan Foreman, with Jacqueline Hill and William Russell as school teachers Barbara Wright and Ian Chesterton. The first episode deals with Ian and Barbara's discovery of the Doctor and his time-space ship, the TARDIS, in a junkyard in contemporary London. The remaining episodes are set amid a power struggle between warring Stone Age factions who have lost the secret of making fire.
The Daleks is the second serial in the British science fiction television series Doctor Who, which was first broadcast on BBC TV in seven weekly parts from 21 December 1963 to 1 February 1964. Written by Terry Nation and directed by Christopher Barry and Richard Martin, this story marks the first appearance of the show's most popular villains, the Daleks, and the recurring Skaro people, the Thals. In the serial, the First Doctor, his granddaughter Susan Foreman, and her teachers Ian Chesterton and Barbara Wright land in an alien jungle and are captured by the Daleks, a race of mutated creatures who survive off the radiation that remains in the atmosphere after a nuclear war with their enemies. As the group attempt to escape the Daleks, they discover more about the planet and the ensuing war, and attempt to broker a peace.
Barbara Wright is a fictional character in the British science fiction television series Doctor Who and a companion of the First Doctor. She was one of the programme's first regulars and appeared in the bulk of its first two seasons from 1963–65, played by Jacqueline Hill. Prior to Hill being cast the part had originally been offered to actress Penelope Lee, who turned the role down. Barbara appeared in 16 stories. In the film version of one of the serials, Dr. Who and the Daleks (1965), Barbara was played by actress Jennie Linden, but with a very different personality and backstory, which includes her being a granddaughter of "Dr Who".
The Dalek Invasion of Earth is the second serial of the second season in the British science fiction television series Doctor Who. Written by Terry Nation and directed by Richard Martin, the serial was broadcast on BBC1 in six weekly parts from 21 November to 26 December 1964. In the serial, the First Doctor, his granddaughter Susan Foreman, and teachers Ian Chesterton and Barbara Wright discover that the Earth in the 22nd century has been occupied by Daleks. They work with a human resistance group to stop the Daleks from mining out the Earth's core as part of their plan to pilot the planet through space.
"Mission to the Unknown" is the second serial of the third season of the British science fiction television series Doctor Who. Written by Terry Nation and directed by Derek Martinus, the single episode was broadcast on BBC1 on 9 October 1965. The only standalone regular episode of the show's original run, it serves as an introduction to the 12-part story The Daleks' Master Plan. It is notable for the complete absence of the regular cast and the TARDIS; it is the only serial in the show's history not to feature the Doctor at all. The story focuses on Space Security Agent Marc Cory and his attempts to warn Earth of the Daleks' plan to take over the Solar System.
Steven Taylor is a fictional character played by Peter Purves in the long-running British science fiction television series Doctor Who. A space pilot from Earth in the future, he was a companion of the First Doctor and a regular in the programme from 1965 to 1966. Steven appeared in 10 stories. Only three of the serials in which Steven appeared as a regular are complete in the BBC archive.
The Web Planet is the fifth serial of the second season in the British science fiction television series Doctor Who. Written by Bill Strutton and directed by Richard Martin, the serial was broadcast on BBC1 in six weekly parts from 13 February to 20 March 1965. In the serial, the First Doctor and his travelling companions Ian Chesterton, Barbara Wright, and Vicki ally themselves with the Menoptra, the former inhabitants of the planet Vortis, as they struggle to win back the planet from the malignant Animus and its Zarbi slaves.
Planet of Giants is the first serial of the second season in the British science fiction television series Doctor Who. Written by Louis Marks and directed by Mervyn Pinfield and Douglas Camfield, the serial was first broadcast on BBC1 in three weekly parts from 31 October to 14 November 1964. In the serial, the First Doctor, his granddaughter Susan Foreman, and her teachers Ian Chesterton and Barbara Wright are shrunk to the size of an inch after the Doctor's time machine the TARDIS arrives in contemporary England.
The Romans is the fourth serial of the second season in the British science fiction television series Doctor Who. Written by Dennis Spooner and directed by Christopher Barry, the serial was broadcast on BBC1 in four weekly parts from 16 January to 6 February 1965. In the serial, the First Doctor and his new companion Vicki investigate intrigue surrounding the death of a lyre player en route to perform at the palace of Nero in Rome, while companion Ian Chesterton travels to Nero's palace to save his fellow schoolteacher Barbara Wright, who had been sold to Nero's wife Poppaea as a slave.
The Crusade is the sixth serial of the second season in the British science fiction television series Doctor Who. Written by David Whitaker and directed by Douglas Camfield, the serial was broadcast on BBC1 in four weekly parts from 27 March to 17 April 1965. In this serial, the First Doctor and his travelling companions Ian Chesterton, Barbara Wright, and Vicki arrive in 12th century Palestine during the Third Crusade, and find themselves entangled in the conflict between King Richard the Lionheart and Saladin. They also meet King Richard's sister Lady Joanna and Saladin's brother Saphadin.
The Space Museum is the seventh serial of the second season in the British science fiction television series Doctor Who. Written by Glyn Jones and directed by Mervyn Pinfield, it was broadcast on BBC1 in four weekly parts from 24 April to 15 May 1965. In the serial, the First Doctor and his travelling companions Ian Chesterton, Barbara Wright, and Vicki arrive in a Space Museum on the planet Xeros, where they seek to change their fate after seeing themselves turned into museum exhibits in the future. They also become entangled in a conflict between the militaristic Moroks who run the museum, and the servile indigenous Xerons who work for them.
The Chase is the eighth serial of the second season in the British science fiction television series Doctor Who. Written by Terry Nation and directed by Richard Martin, the serial was broadcast on BBC in six weekly parts from 22 May to 26 June 1965. Set in multiple time periods on several different planets, including Aridius, Earth, and Mechanus, the serial features the Dalek race travelling through time while pursuing the time machine the TARDIS and its occupants—the First Doctor and his companions Ian Chesterton, Barbara Wright, and Vicki —to kill them and seize the TARDIS for themselves. The Doctor and companions encounter several characters, including monsters Dracula and Frankenstein's monster, human astronaut Steven Taylor, and an android replica of the Doctor.
The Time Meddler is the ninth and final serial of the second season of the British science fiction television series Doctor Who. Written by Dennis Spooner and directed by Douglas Camfield, the serial was broadcast on BBC1 in four weekly parts from 3 to 24 July 1965. Set in Northumbria in 1066, before the Battle of Stamford Bridge, the serial features the time traveller the First Doctor and his companions Vicki and Steven Taylor as they attempt to outwit the time traveller the Monk, who is plotting to change the course of European history by wiping out King Harald Hardrada's Viking invasion fleet, leaving Harold Godwinson and the Saxon soldiers fresh to defeat William of Normandy and the Norman soldiers at the Battle of Hastings.
Galaxy 4 is the first serial of the third season of the British science fiction television series Doctor Who. Written by William Emms and directed by Derek Martinus, the serial was broadcast on BBC1 in four weekly parts from 11 September to 2 October 1965. In the serial, the First Doctor and his travelling companions Vicki and Steven arrive on an arid planet, where they encounter the beautiful but dangerous Drahvins and the hideous but friendly Rills, two crash-landed species in conflict with one another. Both species wish to escape as the planet is set to explode in two dawns, but the Drahvin leader Maaga only wants her people to make it out alive.
The Myth Makers is the third serial of the third season of the British science fiction television series Doctor Who. Written by Donald Cotton and directed by Michael Leeston-Smith, the serial was broadcast on BBC1 in four weekly parts from 16 October to 6 November 1965. In the serial, based on Homer's Iliad, the First Doctor and his travelling companions Vicki and Steven land in Troy during the Trojan War. The Doctor is captured by the Greeks and forced to formulate a plan for taking the city, while Steven and Vicki are captured by the Trojans and forced to devise a means of banishing the Greeks; the latter duo meet Katarina, who becomes a companion by the serial's end.
The First Doctor is the original incarnation of the Doctor, the protagonist of the BBC science fiction television series Doctor Who. He was portrayed by actor William Hartnell.
Vicki is a fictional character played by Maureen O'Brien in the long-running British science fiction television series Doctor Who. An orphan from the 25th century, she was a companion of the First Doctor and a regular in the programme in Seasons 2 and 3 in 1965. Her last name was never revealed during the series. Vicki appeared in 9 stories.
The third season of British science fiction television series Doctor Who began on 11 September 1965 with the story Galaxy 4 and ended on 16 July 1966 with The War Machines. Only 17 out of 45 episodes survive in the BBC archives; 28 remain missing. As a result, only 3 serials are complete.
The second season of British science fiction television series Doctor Who was originally broadcast on BBC1 between 1964 and 1965. The season began on 31 October 1964 with Planet of Giants and ended with The Time Meddler on 24 July 1965. Like the first season, production was overseen by the BBC's first female producer Verity Lambert. Story editor David Whitaker continued to handle the scripts and stories during early production, handing over to Dennis Spooner as the season began to air; Spooner subsequently left his role by the season's end, and was replaced by Donald Tosh for its final serial. By the season's end, Lambert was the only remaining production member from the team responsible for creating the series.
The first season of British science fiction television programme Doctor Who was originally broadcast on BBC TV between 1963 and 1964. The series began on 23 November 1963 with An Unearthly Child and ended with The Reign of Terror on 12 September 1964. The show was created by BBC Television head of drama Sydney Newman to fill the Saturday evening timeslot and appeal to both the younger and older audiences of the neighbouring programmes. Formatting of the programme was handled by Newman, head of serials Donald Wilson, writer C. E. Webber, and producer Rex Tucker. Production was overseen by the BBC's first female producer Verity Lambert and story editor David Whitaker, both of whom handled the scripts and stories.