014 –The Crusade | |||
---|---|---|---|
Doctor Who serial | |||
Cast | |||
Others
| |||
Production | |||
Directed by | Douglas Camfield | ||
Written by | David Whitaker | ||
Script editor | Dennis Spooner | ||
Produced by | Verity Lambert | ||
Music by | Dudley Simpson | ||
Production code | P | ||
Series | Season 2 | ||
Running time | 4 episodes, 25 minutes each | ||
Episode(s) missing | 2 episodes (2 and 4) | ||
First broadcast | 27 March 1965 | ||
Last broadcast | 17 April 1965 | ||
Chronology | |||
| |||
The Crusade is the sixth serial of the second season in the British science fiction television series Doctor Who . Written by David Whitaker and directed by Douglas Camfield, the serial was broadcast on BBC1 in four weekly parts from 27 March to 17 April 1965. In this serial, the First Doctor (William Hartnell) and his travelling companions Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien) arrive in 12th century Palestine during the Third Crusade, and find themselves entangled in the conflict between King Richard the Lionheart (Julian Glover) and Saladin (Bernard Kay). They also meet King Richard's sister Lady Joanna (Jean Marsh) and Saladin's brother Saphadin (Roger Avon).
Whitaker wrote the serial after departing his role as the show's story editor in 1964. He was fascinated by the Third Crusade, and found the historical figures effective material for a character drama, particularly the relationship between King Richard and his sister. Story editor Dennis Spooner was impressed by the maturity and near-Shakespearean nature of Whitaker's scripts, and Camfield considered them the best he directed for the show. Viewership fell from the previous serial and dropped throughout the four weeks, but was considered acceptable. The Crusade received positive reviews, with praise directed at the writing, performances, and set design. Two of the four episodes remain missing after the BBC wiped them from archives. The story received several print adaptations and home media releases, with the missing episodes reconstructed using off-air recordings.
The TARDIS materialises in 12th century Palestine during the time of the Third Crusade. When the First Doctor (William Hartnell), Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien) emerge, they find themselves in the middle of a Saracen ambush. In the confusion, Barbara is seized by a Saracen from behind while the rest of the TARDIS crew stop the attackers from killing William de Tornebu (Bruce Wightman), an associate of Richard the Lionheart (Julian Glover). Barbara and William des Preaux (John Flint) are presented to Saladin's brother Saphadin (Roger Avon) by El Akir (Walter Randall), who mistakenly believes them to be King Richard and his sister Lady Joanna. When des Preaux reveals their true identities, El Akir is furious; before he can act, Saladin (Bernard Kay) emerges and is intrigued by Barbara. He invites her to entertain him with her stories at supper.
Ian, anxious to rescue Barbara, asks for the King's help, but the irritated monarch tells Ian that Barbara can remain with Saladin until her death. De Tornebu and the Doctor are able to convince the King to change his mind. Ian is knighted so that he may serve as an emissary; he is sent to Saladin's court to both request the release of des Preaux and Barbara, and to offer the hand of the real Lady Joanna (Jean Marsh) in marriage to Saphadin in order to create peace. This makes Joanna indignant and she refuses her consent. Ian delivers his message to Saladin, after which Saladin grants Ian leave to search for Barbara. During his search, Ian is attacked by bandits and knocked out. One of the bandits, Ibrahim (Tutte Lemkow), ties him down with stakes in the hot sun and daubs him with honey, aiming to kill him via scaphism. Barbara twice escapes from El Akir's capture, hiding out in the Emir's harem on the second occasion. El Akir tries to find Barbara, but she is hidden by a sympathetic harem girl named Maimuna (Sandra Hampton).
Ian eventually tricks Ibrahim into untying his feet and overpowers him. Ian convinces the bandit to accompany him to Lydda and aid him in his quest for Barbara. Meanwhile, El Akir bursts in and is about to attack Barbara when Haroun (George Little)—a man who had aided Barbara with shelter—arrives and fatally stabs him. Ian arrives and helps Haroun subdue the guards. Haroun is reunited with Maimuna, his long lost daughter, and Barbara and Ian head for the TARDIS. The Doctor, who has been avoiding involvement in court politics, attempts to make a break for the TARDIS. He is caught by the Earl of Leicester (John Bay), who thinks the Doctor is a spy for Saladin and sentences him to death. Ian arrives and, presenting himself as "Sir Ian of Jaffa", tells the Earl of Leicester that he will carry out the execution himself. The Doctor asks for one last chance to see Jaffa before he dies. The Earl of Leicester agrees, and the Doctor is able to sneak away to the TARDIS with the rest of the crew and leave.
After departing his role as Doctor Who 's story editor in October 1964, David Whitaker moved into freelance work. He was immediately commissioned to write the two-part Doctor Who serial The Rescue to begin the show's second production block. On 1 November 1964, producer Verity Lambert commissioned Whitaker to write a four-part historical serial to balance its science-fiction stories. The scripts were delivered by 15 January 1965, and titled Dr Who and the Crusades; [4] working titles for the serial include Dr Who and the Saracen Hordes and The Lion-heart. [5] [lower-alpha 1] The Third Crusade is a historical setting that had fascinated Whitaker; he found that some of the historical figures—namely King Richard and his sister Joan, whose affectionate relationship he considered "almost incestuous in its intensity"—were effective material for a character drama. [4] Depictions of the sexual relationship between the siblings were cut from the script, partly as Hartnell found it unsuitable for the family show; [6] Glover was disappointed by their removal. [7]
The serial depicts two historical events: King Richard's attempt at peace by offering his sister in marriage to Saladin's brother Saphadin in October 1191, and the ambush of King Richard near Jaffa in November 1191. [8] The timing of the events were rearranged for dramatic purposes. [5] Story editor Dennis Spooner was impressed by the maturity and near-Shakespearean nature of Whitaker's scripts. [5] Douglas Camfield was assigned to direct The Crusade, having worked as a production assistant on earlier serials An Unearthly Child (1963) and Marco Polo (1964) and proven himself a capable director of the third episode of Planet of Giants (1964). [6] Hill enjoyed working with Camfield again, and O'Brien (who was newer to the series) found him dynamic; Hartnell was pleased to work with a director he liked. [9] Camfield praised Whitaker's writing and research, declaring the serial "the best Doctor Who script I've ever worked on". [6]
Barry Newbery worked on the serial's set design. He used the 1962 volume Behind the Veil of Arabia by Jørgen Bitsch for inspiration. The images of the original architecture from the Crusades were particularly useful for Newbery. The props adorning the sets were hired from Old Times Props House. [6] Camfield engaged Dudley Simpson, who had previously scored Planet of Giants, to compose the incidental music of The Crusade. Nine minutes of music was recorded on 1 March 1965, performed by five musicians on a range of instruments. The Crusade was the last collaboration between Camfield and Simpson; a falling out between the two shortly after the serial's airing led to Camfield's refusal to hire Simpson. When he became aware that he had misjudged Simpson many years later, Camfield intended to hire him again, but died before doing so. [10] The serial used sound effects extensively. [11]
Camfield was impressed with Glover's performance in An Age of Kings in 1960, which led to his casting in the serial. Glover expressed excitement to work with Camfield, and to work with Russell again; he found Hill welcoming, but felt that Hartnell was not fond of him. When it appeared that Glover may not be available, Camfield interviewed Nicholas Courtney for the role, having known him at school in Egypt, but felt that he was not suitable. [7] Marsh was cast as Joanna; she had previously worked with Hartnell in Will Any Gentleman...? (1953), during which she met her husband, Third Doctor actor Jon Pertwee. Adrienne Hill was also considered for the role, and read for Camfield and Lambert; they decided that she was not tall enough. Marsh recalled that she and Glover decided to act "slightly too loving for a brother and sister", which Lambert noticed and noted. [12] The European actors in foreign roles were "blacked up" for the serial by the make-up department. [7] Walter Randall was cast as El Akir, having been good friends with Camfield since working together on Gerry Halliday in 1951; Randall previously appeared in the series as Tonila in The Aztecs (1964). [13] Several other actors had also appeared in previous serials, namely Marco Polo. [11] [12] [14]
Early 35mm stock filming took place from 16–18 February 1965 on the sound stages at BBC Television Film Studios. Russell was released from rehearsals for "Invasion" (the fifth episode of the preceding serial, The Web Planet ) to perform action sequences on 16 February to accommodate for his holiday during the filming of the third episode; the first action sequence, a fight with a Saracen warrior, was choreographed by fight arranger Derek Ware. [15] For a shot in which ants advance upon Ian in the fourth episode, assistant floor manager Michael E. Briant arranged for the supply of 75 black ants from London Zoo. Russell refused to perform a shot in which the ants move up Ian's arm to his hand; Camfield's production assistant Viktors Ritelis doubled for Russell instead. Hill was released from rehearsals for "Invasion" on 18 February to film for the serial. [9]
Rehearsals for the first episode began on 1 March 1965. [7] Weekly filming began in Studio 1 at Riverside Studios on 5 March 1965. For the first episode, a trained hawk was supplied by John Holmes of the Formakin Animal Centre in Benson, Oxfordshire. [11] O'Brien was absent from rehearsals for the second episode on 11 March to film for the subsequent serial, The Space Museum (1965). [16] Russell was absent from filming the third episode as he was on holiday. [17] The establishing shot of a desert in the third episode was sourced from 9 feet (2.7 m) of silent 35mm stock footage supplied by the ABPC Film Exchange. During recording of the final episode on 26 March, Lemkow injured himself with a knife, which went to a finger bone on his right hand; he was taken to hospital for a tetanus shot. Camfield arranged for a cow carcass to be present during recording in order to achieve particular shots through the rotting rib cage; the carcass attracted flies and emitted an odour beneath the studio lights. [14]
Episode | Title | Run time | Original air date | UK viewers (millions) | Appreciation Index |
---|---|---|---|---|---|
1 | "The Lion" | 24:56 | 27 March 1965 | 10.5 | 51 |
2 | "The Knight of Jaffa" † | 23:28 | 3 April 1965 | 8.5 | 50 |
3 | "The Wheel of Fortune" | 24:51 | 10 April 1965 | 9.0 | 49 |
4 | "The Warlords" † | 23:40 | 17 April 1965 | 9.5 | 48 |
The serial was broadcast on BBC1 in four weekly parts from 27 March to 17 April 1965. Viewership fell from the previous serial; the first episode dropped to 10.5 million views. The second episode fell to 8.5 million views, and dropped out of the top 20 for the week, as did the following two. The third and fourth episodes received 9 and 9.5 million viewers respectively, which were still considered acceptable. The Appreciation Index recovered briefly from the previous serial, moving from 51 to 48 across the four weeks. [1]
The original tapes for the second episode were wiped in 1967, followed by the first and fourth in 1969; the third was also wiped at an unknown date. The overseas film prints were destroyed around 1972 by BBC Enterprises. A 16mm film print of the third episode was retained by the BBC Film and Videotape Library. [1] A film copy of the first episode was discovered in the ownership of film collector Bruce Grenville in New Zealand in January 1999, and returned to the BBC; [1] [18] it was sourced from the New Zealand Broadcasting Corporation, [18] who had acquired the serial in the 1960s but never screened it. [1] The second and fourth episodes remain missing, existing only through tele-snaps and off-air recordings. [19]
Following the broadcasting of the second episode in April 1965, John Holmstrom of The New Statesman wrote that the show was failing, citing "the wooden charmlessness of the adventures". [1] Following the serial's broadcast, Bill Edmund of Television Today directed praise at Glover's performance and Whitaker's writing, declaring "the dialogue and the story ... one of the best we have had in this series". [1] Conversely, Television Mail wrote that "the appallingly flat dialogue of Dr Who could hardly be heard ... above the creaking of the plot", noting that the show should only be viewed "by people who have a profound contempt for children". [20]
Retrospective reviews were positive. In The Discontinuity Guide (1995), writers Paul Cornell, Martin Day, and Keith Topping praised the ambition, imagination, and maturity of the storyline, noting that it "manages to avoid racism" but not misogyny. [21] In The Television Companion (1998), David J. Howe and Stephen James Walker called The Crusade a "magnificent story", praising Hartnell's performance in the third episode as "one of his best and most intense performances as the Doctor"; they also applauded Barry Newbery's set design work and Simpson's incidental music. [3] In A Critical History of Doctor Who (1999), John Kenneth Muir wrote that The Crusade "lacks the suspense of The Aztecs, the humor of The Romans and even the complexity of The Reign of Terror", calling it "the beginning of Doctor Who's loss of interest in the 'purely' historical adventures", though wrote that he enjoyed the performances of Glover and Marsh. [2] In 2008, Patrick Mulkern of Radio Times said that The Crusade was "arguably the first story where every aspect of the production works to perfection". [19] He praised the decision to split up the TARDIS crew and allow the viewer to see both sides of the Crusades, and lauded the guest cast, noting that "Walter Randall's El Akir is the most sinister character in the series to date". [19]
Author | David Whitaker |
---|---|
Cover artist | Henry Fox (original) Chris Achilleos (reprint) |
Series | Doctor Who novelisations |
Release number | 12 |
Publisher | Frederick Muller Ltd (original) Target Books (reprint) |
Publication date | 1966 (original) 1973 (reprint) |
ISBN | 978-0-426-10137-6 |
A novelisation of this serial, Dr Who and the Crusaders, was written by Whitaker, who added an extensive prologue and action. It was published by Frederick Muller Ltd in 1966, with illustrations by Henry Fox. The novel was republished by Green Dragon/Atlantic in 1967 with new illustrations by an uncredited artist. It was later reprinted by Target Books in 1973 with a cover by Chris Achilleos, by White Lion in 1975, and by W. H. Allen & Co. in 1982; the first two featured Fox's original illustrations, while the third had a new cover by Andrew Skilleter. An updated version of the novel was released in July 2011 by BBC Books, featuring a cover by Achilleos and an introduction by Charlie Higson. [22] An audiobook of the novelisation, read by William Russell, was released by BBC Audio in November 2005 as part of the box set Doctor Who Travels in Time & Space, limited to 8000 copies. [23] A facsimile edition of the original 1966 novel was re-released by BBC Books in November 2016. [24] The serial's scripts, edited by John McElroy, was released in November 1994 by Titan Books. [23]
The third episode of The Crusade was included on The Hartnell Years, when it was released on VHS by BBC Enterprises, in June 1991 alongside the pilot of An Unearthly Child (1963) and the final episode of The Celestial Toymaker (1966) with links by Sylvester McCoy. [22] The serial was released in box set on VHS alongside The Space Museum by BBC Worldwide in June 1999, with postcards, a key ring, and a CD of the soundtrack; Russell performed linking material written by Stephen Cole and directed by Paul Vanezis at Ian Levine's house on 23 February 1999. [25] An audio version of the story was released as a twin CD in May 2005, with narration by Russell; it was also included in The Lost TV Episodes: Collection 1 by BBC Audiobooks in August 2010, alongside an additional CD with interviews and copies of the original scripts. [23]
The first and third episodes were included on the DVD set Lost in Time , [23] released in November 2004. [18] It features Russell's introductions from the VHS release, soundtracks from the second and fourth episodes, and an audio commentary for the third episode with Glover and Gary Russell. [23] The third episode was enhanced using the VidFIRE process; the first episode was badly damaged upon its return, and underwent additional cleanup to reduce the severity of a large scratch on-screen. [26] Charles Norton, director of several animated reconstructions, noted in 2019 that an animated version of The Crusade was unlikely to be produced in the near future due to the resources required, such as costumes and characters. [27] The serial was released on Blu-ray on 5 December 2022, alongside the rest of the show's second season as part of The Collection; [28] [29] the existing episodes are remastered, with the two missing episodes reconstructed using off-air photographs and the original soundtrack. [28]
An Unearthly Child is the first serial of the British science fiction television series Doctor Who. It was first broadcast on BBC TV in four weekly parts from 23 November to 14 December 1963. Scripted by Australian writer Anthony Coburn, the serial introduces William Hartnell as the First Doctor and his original companions: Carole Ann Ford as the Doctor's granddaughter, Susan Foreman, with Jacqueline Hill and William Russell as school teachers Barbara Wright and Ian Chesterton. The first episode deals with Ian and Barbara's discovery of the Doctor and his time-space ship, the TARDIS, in a junkyard in contemporary London, and the remaining episodes are set amid a power struggle between warring Stone Age factions who have lost the secret of making fire.
The Daleks is the second serial in the British science fiction television series Doctor Who, which was first broadcast on BBC TV in seven weekly parts from 21 December 1963 to 1 February 1964. Written by Terry Nation and directed by Christopher Barry and Richard Martin, this story marks the first appearance of the show's most popular villains, the Daleks, and the recurring Skaro people, the Thals.
The Edge of Destruction is the third serial of the British science fiction television series Doctor Who. It was written by David Whitaker, and first broadcast on BBC TV in two weekly parts on 8 February and 15 February 1964. The first episode was directed by Richard Martin, while Frank Cox directed the second. In the story, the Doctor, his granddaughter Susan, and her teachers Ian Chesterton and Barbara Wright are in the Doctor's time and space machine the TARDIS when it appears to be taken over by an outside force. The travellers begin acting strangely and turn against each other.
Marco Polo is the fourth serial of the British science fiction television series Doctor Who. It was first broadcast on BBC TV in seven weekly parts from 22 February to 4 April 1964. It was written by John Lucarotti and directed largely by Waris Hussein; John Crockett directed the fourth episode. The story is set in Yuan-era China in the year 1289, where the Doctor, his granddaughter Susan Foreman, and her teachers Ian Chesterton and Barbara Wright meet the Italian merchant-explorer Marco Polo and Mongolian Emperor Kublai Khan.
The Keys of Marinus is the fifth serial in the British science fiction television series Doctor Who, which was first broadcast on BBC TV/BBC1 in six weekly parts from 11 April to 16 May 1964. Written by Terry Nation and directed by John Gorrie, the serial takes on a "mini-adventures" format, in which the First Doctor, his granddaughter Susan Foreman, and her teachers Ian Chesterton, and Barbara Wright search for four keys to restore the Conscience of Marinus, a computer which maintains law and order. The group travel to two cities, a jungle, and an icy wasteland in search of the keys.
The Aztecs is the sixth serial in the British science fiction television series Doctor Who, which was first broadcast on BBC1 in four weekly parts from 23 May to 13 June 1964. It was written by John Lucarotti and directed by John Crockett. In the serial, the First Doctor, his granddaughter Susan, and teachers Ian Chesterton and Barbara Wright arrive in Mexico during the Aztec empire. Barbara becomes mistaken for the goddess Yetaxa, and accepts the identity in hope of persuading the Aztecs to give up human sacrifice, despite the Doctor's warnings about changing history.
Ian Chesterton is a fictional character in the British science fiction television series Doctor Who and a companion of the First Doctor. He was played in the series by William Russell and was one of the members of the programme's first regular cast, appearing in much of the first two seasons from 1963 to 1965. In a film adaptation of one of the serials, Dr. Who and the Daleks (1965), he was played by Roy Castle, but with a very different personality and backstory. Ian appeared in 16 stories and 77 episodes. He later returned for a cameo appearance, played once again by Russell, in the 2022 episode "The Power of the Doctor".
The Dalek Invasion of Earth is the second serial of the second season in the British science fiction television series Doctor Who. Written by Terry Nation and directed by Richard Martin, the serial was broadcast on BBC1 in six weekly parts from 21 November to 26 December 1964. In the serial, the First Doctor, his granddaughter Susan Foreman, and teachers Ian Chesterton and Barbara Wright discover that the Earth in the 22nd century has been occupied by Daleks. They work with a human resistance group to stop the Daleks from mining out the Earth's core as part of their plan to pilot the planet through space.
The Web Planet is the fifth serial of the second season in the British science fiction television series Doctor Who. Written by Bill Strutton and directed by Richard Martin, the serial was broadcast on BBC1 in six weekly parts from 13 February to 20 March 1965. In the serial, the First Doctor and his travelling companions Ian Chesterton, Barbara Wright, and Vicki ally themselves with the Menoptra, the former inhabitants of the planet Vortis, as they struggle to win back the planet from the malignant Animus and its Zarbi slaves.
The Reign of Terror is the eighth serial in the British science fiction television series Doctor Who, which was first broadcast on BBC1 in six weekly parts from 8 August to 12 September 1964. It was written by Dennis Spooner and directed by Henric Hirsch. In the serial, the First Doctor, his granddaughter Susan, and teachers Ian Chesterton and Barbara Wright arrive in France during the period of the French Revolution known as the Reign of Terror, where they become involved with prisoners and English spies.
Planet of Giants is the first serial of the second season in the British science fiction television series Doctor Who. Written by Louis Marks and directed by Mervyn Pinfield and Douglas Camfield, the serial was first broadcast on BBC1 in three weekly parts from 31 October to 14 November 1964. In the serial, the First Doctor, his granddaughter Susan Foreman, and her teachers Ian Chesterton and Barbara Wright are shrunk to the size of an inch after the Doctor's time machine the TARDIS arrives in contemporary England.
Terror of the Zygons is the first serial of the thirteenth season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 30 August to 20 September 1975. The serial was written by Robert Banks Stewart and directed by Douglas Camfield.
The Romans is the fourth serial of the second season in the British science fiction television series Doctor Who. Written by Dennis Spooner and directed by Christopher Barry, the serial was broadcast on BBC1 in four weekly parts from 16 January to 6 February 1965. In the serial, the First Doctor and his new companion Vicki investigate intrigue surrounding the death of a lyre player en route to perform at the palace of Nero in Rome, while companions Ian Chesterton and Barbara Wright are captured by slave traders and sold respectively as a galley slave and as a body slave to Nero's wife Poppaea.
The Space Museum is the seventh serial of the second season in the British science fiction television series Doctor Who. Written by Glyn Jones and directed by Mervyn Pinfield, it was broadcast on BBC1 in four weekly parts from 24 April to 15 May 1965. In the serial, the First Doctor and his travelling companions Ian Chesterton, Barbara Wright, and Vicki arrive in a Space Museum on the planet Xeros, where they seek to change their fate after seeing themselves turned into museum exhibits in the future. They also become entangled in a conflict between the militaristic Moroks who run the museum, and the servile indigenous Xerons who work for them.
The Chase is the eighth serial of the second season in the British science fiction television series Doctor Who. Written by Terry Nation and directed by Richard Martin, the serial was broadcast on BBC in six weekly parts from 22 May to 26 June 1965. Set in multiple time periods on several different planets, including Aridius, Earth, and Mechanus, the serial features the Dalek race travelling through time while pursuing the TARDIS and its occupants—the First Doctor and his companions Ian Chesterton, Barbara Wright, and Vicki —to kill them and seize the TARDIS for themselves. The Doctor and companions encounter several characters, including monsters Dracula and Frankenstein's monster, human astronaut Steven Taylor, and an android replica of the Doctor.
The Time Meddler is the ninth and final serial of the second season of the British science fiction television series Doctor Who. Written by Dennis Spooner and directed by Douglas Camfield, the serial was broadcast on BBC1 in four weekly parts from 3 to 24 July 1965. Set in Northumbria in 1066, before the Battle of Stamford Bridge, the serial features the time traveller the First Doctor and his companions Vicki and Steven Taylor as they attempt to outwit the time traveller the Monk, who is plotting to change the course of European history by wiping out King Harald Hardrada's Viking invasion fleet, leaving Harold Godwinson and the Saxon soldiers fresh to defeat William of Normandy and the Norman soldiers at the Battle of Hastings.
The Power of the Daleks is the completely missing third serial of the fourth season of British science fiction television series Doctor Who, which was first broadcast in six weekly parts from 5 November to 10 December 1966. It is the first full story to feature Patrick Troughton as the Second Doctor.
The First Doctor is the original incarnation of the Doctor, the protagonist of the British science fiction television series Doctor Who. He was portrayed by actor William Hartnell in the first three series from 1963 to 1966 and the tenth anniversary story The Three Doctors from 1972 to 1973. The character would occasionally appear in the series after Hartnell's death, most prominently as portrayed by Richard Hurndall in the 1983 multi-doctor special "The Five Doctors", and as portrayed by David Bradley in the 2017 Twelfth Doctor episodes "The Doctor Falls" and "Twice Upon a Time" and in the 2022 Thirteenth Doctor episode "The Power of the Doctor", the latter previously having portrayed Hartnell himself in the 2013 biopic An Adventure in Space and Time.
The second season of British science fiction television series Doctor Who was originally broadcast on BBC1 between 1964 and 1965. The season began on 31 October 1964 with Planet of Giants and ended with The Time Meddler on 24 July 1965. Like the first season, production was overseen by the BBC's first female producer Verity Lambert. Story editor David Whitaker continued to handle the scripts and stories during early production, handing over to Dennis Spooner as the season began to air; Spooner subsequently left his role by the season's end, and was replaced by Donald Tosh for its final serial. By the season's end, Lambert was the only remaining production member from the team responsible for creating the series.
The first season of British science fiction television programme Doctor Who was originally broadcast on BBC TV between 1963 and 1964. The series began on 23 November 1963 with An Unearthly Child and ended with The Reign of Terror on 12 September 1964. The show was created by BBC Television head of drama Sydney Newman to fill the Saturday evening timeslot and appeal to both the younger and older audiences of the neighbouring programmes. Formatting of the programme was handled by Newman, head of serials Donald Wilson, writer C. E. Webber, and producer Rex Tucker. Production was overseen by the BBC's first female producer Verity Lambert and story editor David Whitaker, both of whom handled the scripts and stories.