|045 –The Mind Robber|
|Doctor Who serial|
The Doctor talks with Rapunzel and the Karkus
|Directed by||David Maloney|
|Written by|| Derrick Sherwin (episode 1, uncredited)|
|Script editor||Derrick Sherwin|
|Produced by||Peter Bryant|
|Incidental music composer||Stock music by Anton Bruckner|
|Length||5 episodes, approximately 20 minutes each|
|First broadcast||14 September 1968|
|Last broadcast||12 October 1968|
The Mind Robber is the second serial of the sixth season of the British science fiction television series Doctor Who , which was first broadcast in five weekly parts from 14 September to 12 October 1968.
The sixth season of British science fiction television series Doctor Who began on 10 August 1968 with the first story of season 6 The Dominators and ended Patrick Troughton's reign as the Doctor with its final story The War Games. Only 37 out of 44 episodes are held in the BBC archives; 7 remain missing. As a result, 2 serials are incomplete.
The serial is set outside of time and space in a world where fictional characters and mythological creatures including Medusa and the Minotaur exist. In the serial, the English fiction writer "the Master" (Emrys Jones) tries to recruit the time traveller the Second Doctor (Patrick Troughton) to replace the Master's role as the creative power in this realm because of the Master's advancing age.
In Greek mythology, Medusa was a monster, a Gorgon, generally described as a winged human female with living venomous snakes in place of hair. Those who gazed upon her face would turn to stone. Most sources describe her as the daughter of Phorcys and Ceto, though the author Hyginus makes her the daughter of Gorgon and Ceto. According to Hesiod and Aeschylus, she lived and died on an island named Sarpedon, somewhere near Cisthene. The 2nd-century BCE novelist Dionysios Skytobrachion puts her somewhere in Libya, where Herodotus had said the Berbers originated her myth, as part of their religion.
In Greek mythology, the Minotaur is a mythical creature portrayed in Classical times with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus.
Emrys Jones was an English actor.
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In defeating the Dominators on Dulkis, the Doctor sets off a volcanic eruption. He leaves the TARDIS in the way and it gets buried in lava, blowing a fluid link in the TARDIS in the process. This forces the Doctor to use an emergency unit to take the TARDIS along with his companions, Jamie and Zoe, away from danger but out of reality itself.
The Dominators is the first serial of the sixth season of the British science fiction television series Doctor Who, which originally aired in five weekly parts from 10 August to 7 September 1968.
The TARDIS is a fictional time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs.
James Robert McCrimmon, usually simply called Jamie, is a fictional character played by Frazer Hines in the long-running British science fiction television series Doctor Who. A piper of the Clan McLaren who lived in 18th-century Scotland, he was a companion of the Second Doctor and a regular in the programme from 1966 to 1969. The spelling of his surname varies from one script to another; it is alternately rendered as Macrimmon and McCrimmond.
They land in a white void and as the Doctor fixes the TARDIS, Jamie and Zoe are lured outside after believing they both saw their separate homes and are confronted by white robots. The Doctor gets them back inside but, as they try to return to reality, the TARDIS explodes and the travellers are scattered into nothingness.
They end up in a forest where the trees become letters when seen from above. The Doctor, after facing a series of riddles, finds Jamie, but accidentally changes his face. They are soon reunited with Zoe and then encounter Lemuel Gulliver, who gives them away to life-sized toy soldiers. They are taken to the edge of the forest, where a unicorn charges at them. They manage to turn it into a statue by loudly declaring that ‘it doesn’t exist.’
Lemuel Gulliver is the fictional protagonist and narrator of Gulliver's Travels, a novel written by Jonathan Swift, first published in 1726.
The unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiraling horn projecting from its forehead. The unicorn was depicted in ancient seals of the Indus Valley Civilization and was mentioned by the ancient Greeks in accounts of natural history by various writers, including Ctesias, Strabo, Pliny the Younger, Aelian and Cosmas Indicopleustes. The Bible also describes an animal, the re'em, which some versions translate as unicorn.
They continue on and reach a house, where the Doctor brings Jamie back to normal. They discover that the house is the entrance to a labyrinth. Here, while leaving Jamie behind, the Doctor and Zoe encounter the Minotaur and Medusa, whom they deal with in the same way as the unicorn.
Jamie, pursued by a soldier, climbs up a rock face with the help of Rapunzel’s hair and enters a citadel through a window, triggering an alarm. He hides and finds Gulliver, who cannot see the White Robots who are chasing Jamie.
"Rapunzel" is a German fairy tale in the collection assembled by the Brothers Grimm, and first published in 1812 as part of Children's and Household Tales. The Grimm Brothers' story is an adaptation of the fairy tale Rapunzel by Friedrich Schulz published in 1790. The Schulz version is based on Persinette by Charlotte-Rose de Caumont de La Force originally published in 1698 which in turn was influenced by an even earlier Italian tale, Petrosinella by Giambattista Basile, published in 1634. Its plot has been used and parodied in various media and its best known line is an idiom of popular culture. In volume I of the 1812 annotations (Anhang), it is listed as coming from Friedrich Schulz's Kleine Romane, Book 5, pp. 269–288, published in Leipzig 1790.
The Doctor and Zoe exit the labyrinth and encounter the Karkus, a cartoon character from Zoe’s home era. The Doctor accidentally manages to dispel the Karkus' "anti-molecular ray disintegrator" by commenting that no such weapon exists, and the Karkus attacks them. Unfortunately the Doctor can't get rid of the Karkus, because he has never heard of the character before and cannot say for certain that the Karkus is not real. Zoe, however, beats the Karkus into submission with her martial arts skills, and he allies himself with them. He takes them to the citadel, where they find Jamie. Zoe accidentally sets off the alarm again, but the trio do not hide and instead let the robots take them to the main control room.
Here, they meet the Master, a kidnapped Earth writer who underwent the same tests as they when he first arrived. He explains that he is getting old and needs the Doctor to replace him as creative source for the Land of Fiction. While he is talking, Jamie and Zoe sneak into a library area where they encounter the White Robots again and become trapped in a giant book, turning them into fictional characters. The Doctor refuses the Master’s offer and climbs out through a skylight. The Master uses Jamie and Zoe to trap the Doctor and links him up to the Master Brain. The two battle, summoning up various fictional characters to fight against one another. The Doctor prevails, releasing Jamie and Zoe who overload the Master Brain, leaving the White Robots with only the final order to destroy.
The Doctor unplugs the Master from the Brain and they all retreat to a side room. The White Robots destroy the Master Brain, the TARDIS comes back together and normality is restored.
Working titles for this story included Man Power, Another World and The Fact of Fiction. The Mind Robber was originally composed of four episodes, but the preceding serial, The Dominators , was reduced from six to five episodes. This resulted in a sparse first episode being written, as they had to use the limited budget of the replaced episode. This stretching of the story also resulted in the first four episodes only running between 19 and 22 minutes in length, and Episode 5 being the shortest Doctor Who episode ever at slightly over 18 minutes.
During production, actor Frazer Hines contracted chickenpox and was hurriedly replaced by Hamish Wilson for episode 2. This also meant that a scene had to be quickly written to explain Jamie's sudden change in appearance. On both occasions before Jamie gets turned into a cut-out, he shouts, "creag an tuire". Frazer Hines joked on the DVD commentary that this is Scottish Gaelic for "vodka and tonic". It is close to the MacLaren clan's slogan "Creag an tuirc" ("the rock of the boar").
Location filming for The Mind Robber took place in June 1968 at Harrison's Rocks in Sussex and Kenley Aerodrome in Croydon.Other filming took place in the same month in Ealing Studios, while studio recording for episodes one and two also took place in June. Studio recording for episodes three, four, and five took place in July 1968. The white robots that close in on Jamie and Zoe in the void outside the TARDIS had been loaned from a previous use in the British science fiction television series Out of the Unknown .
Bernard Horsfall later played a Time Lord in The War Games (1969), Taron in Planet of the Daleks (1973) and Chancellor Goth in The Deadly Assassin (1976). He also played Arnold Baynes in the audio play Davros . Christopher Robbie appeared in Revenge of the Cybermen (1975), playing the Cyberleader. Ian Hines, who plays one of the soldiers, is the brother of Frazer Hines.
|Episode||Title||Run time||Original air date||UK viewers|
|1||"Episode 1"||21:27||14 September 1968||6.6||16mm t/r|
|2||"Episode 2"||21:39||21 September 1968||6.5||16mm t/r|
|3||"Episode 3"||19:29||28 September 1968||7.2||16mm t/r|
|4||"Episode 4"||19:14||5 October 1968||7.3||16mm t/r|
|5||"Episode 5"||18:00||12 October 1968||6.7||35mm film|
Although a caption at the end of Episode 5 advertised The Invasion for the next week, it would be three weeks before it was broadcast due to the BBC's coverage of the 1968 Summer Olympics. The story was repeated on BBC2 on consecutive Fridays from 31 January – 28 February 1992, achieving viewing figures of 2.57, 2.64, 1.5, 1.5 and 3.46 million respectively.
The BBC's Audience Research Report showed a mostly negative reaction from viewers, with "just under a third" reacting favourably. The complaints mainly were around the story being more fantasy-oriented rather than the more dignified science fiction, making it seem "silly". Others liked the concept, but felt it was too complicated for children.
Paul Cornell, Martin Day, and Keith Topping wrote of the serial in The Discontinuity Guide (1995), "The combination of disturbing images (Jamie having his face taken away), superb literalism ('When is a door not a door?') and set pieces (the mental battle for control of Jamie and Zoe) makes this is one of the most memorable stories of the era." — in which the TARDIS breaks apart — as one of the greatest cliffhangers in the history of Doctor Who.In The Television Companion (1998), David J. Howe and Stephen James Walker praised the story's inventiveness, stating that it "remains a hugely enjoyable story, and one that stands up to repeated viewing". However, they said that the various characters that did not contribute much made the story "a bit of a jumble", and the fact that the serial was elongated by an episode had added padding. Howe and Walker also felt that the story went "downhill" after the "wonderful" first episode. In 2009, Mark Braxton of Radio Times praised the story's "brave" premise and its "delightful" but subtle humour. He also wrote that the inhabitants of the Land of Fiction were "well cast", despite being "middle-class" and "bookish". The A.V. Club reviewer Christopher Bahn described it as "one of the series' most genre-breaking and forward-thinking stories", with the various elements "creepy and frightening" rather than played for camp. While he noted the confusion of where reality ended and the Land of Fiction began and the ambiguous ending that did not seem to affirm if they had escaped it or not, Bahn felt that it had a "weird effect" of strengthening the theme of the danger being the Doctor's ongoing story. In 2010, Charlie Jane Anders of io9 listed the cliffhanger to the first episode
|Cover artist||David McAllister|
|Series|| Doctor Who book:|
|November 1986 (Hardback) 16 April 1987 (Paperback)|
A novelisation of this serial, written by Peter Ling, was published by Target Books in November 1986.
The Mind Robber was released on VHS in May 1990, and released on Region 2 DVD on 7 March 2005, and in North America on 6 September 2005.
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The Space Pirates is the mostly missing sixth serial of the sixth season of the British science fiction television series Doctor Who, which originally aired in six weekly parts from 8 March to 12 April 1969. This is the second story written by Robert Holmes, one of the show's most successful scriptwriters, who would subsequently rise to become Script Editor on the show in the Tom Baker era. Only one of the six episodes is held in the BBC archives; five remain missing.
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