"Don't Call Us, We'll Call You" | ||||
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Single by Sugarloaf | ||||
from the album Don't Call Us — We'll Call You | ||||
B-side | "Texas Two-Lane" | |||
Released | November 1974 | |||
Genre | Rock | |||
Length | 3:25 | |||
Label | Claridge Records | |||
Songwriter(s) | Jerry Corbetta, John Carter | |||
Producer(s) | Frank Slay | |||
Sugarloaf singles chronology | ||||
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"Don't Call Us, We'll Call You" is a hit song by the American rock band Sugarloaf. Co-written by lead vocalist Jerry Corbetta, the song was featured as the title track of the band's fourth and final album. It was their fourth single and was recorded at Applewood Studios in Golden, Colorado. Performing on the track, along with Jerry Corbetta, were session players Paul Humphries (drums), Max Bennett (bass), Ray Payne (guitar), and a group called the "Flying Saucers" (Jason Hickman, Mikkel Saks, and David Queen) on harmony vocals.
The song peaked at number nine on the U.S. Billboard Hot 100 in the winter of 1974-1975 and number 12 on the Cash Box Top 100. The song is their second greatest hit. It spent 21 weeks on the chart, four weeks longer than their bigger hit, "Green-Eyed Lady".
In Canada, "Don't Call Us, We'll Call You" was a bigger hit, where it reached number five for two weeks. [1] "Green-Eyed Lady" had also charted better in Canada (number one versus number three in the U.S.).
The song uses a guitar melody from the Beatles hit, "I Feel Fine" (which is also alluded to in the lyric, "sounds like John, Paul, and George") as well as a riff of Stevie Wonder's hit, "Superstition". An imitation of Wolfman Jack by disc jockey Ken Griffin also is featured briefly; the call sign of a radio station is stated ("Stereo 92" in the nationwide release). Numerous tracks of this line were cut to match local markets.
"Don't Call Us, We'll Call You" was performed on the TV series, The Midnight Special , with Wolfman Jack himself (the host and announcer of the program) making a cameo appearance on the "Stereo 92" line.
The song is a rather cynical view of the music industry, based on the band's real-life experience with CBS Records. It describes the difficulty of breaking into the business and securing a contract from the record company, who claims that the band is good, but too derivative of other popular bands at the time. When the band finally breaks through with a hit ("Green-Eyed Lady") and completes a successful tour, the record company changes course and wants to offer the band their services, only to receive the same line they gave the band before their hit—"don't call us, we'll call you". The references are a practical joke at the expense of CBS Records, which had just turned them down for a recording contract. The song includes the sound of a touch-tone telephone number being dialed near the beginning and ending of the song. Those numbers were an unlisted phone number at CBS Records in Manhattan ("area code 212" stated in the song), and the number of the White House switchboard (in the similar-sounding area code 202).
Sugarloaf was an American rock band that originated under the name Chocolate Hair in 1968. The band, which formed in Denver, Colorado, scored two Top 10 hits, with the singles "Green-Eyed Lady" and "Don't Call Us, We'll Call You".
"If" is a song written by American singer-songwriter David Gates in 1971. Originally popularized by his group Bread, "If" charted at No. 4 on the U.S. Billboard Hot 100 when released as a single in 1971 and No. 6 in Canada. It also spent three weeks at No. 1 on the U.S. Easy Listening chart, and one week at the top of the Canadian AC chart.
Jerry A. Corbetta was an American singer-songwriter, keyboardist and organist, record producer, best known as a frontman for the Colorado rock band Sugarloaf, best known for their classic rock hit "Green-Eyed Lady".
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"Green-Eyed Lady" is a popular single by the American rock band Sugarloaf. Written by Jerry Corbetta, J.C. Phillips and David Riordan, it was featured on the band's debut album, Sugarloaf and was their first single. It peaked at number three on the Billboard Hot 100 in 1970 and was RPM magazine's number one single for two weeks. It has been featured on dozens of compilation albums.
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