"Hello" is a song by British group the Beloved, released as the second single from their debut album, Happiness (1990). Peaking at Number 19 in the UK charts on 17 February 1990, it was band's highest charting single until "Sweet Harmony" reached number eight in 1993.
49ers were an Italian house and Eurodance act, featuring producers and DJs Gianfranco Bortolotti, Luca Cittadini, Diego Leoni and Pieradis Rossini with vocalist Ann-Marie Smith. They were named after the San Francisco 49ers American football team, and because former vocalist Dawn Mitchell was the 49th vocalist to audition.
"Groove Is in the Heart" is a song by American dance band Deee-Lite, released in August 1990 as their debut and lead single from their first album, World Clique (1990). Written and produced by the band, it was a hit in many countries, reaching number-one in Australia and on both the Canadian RPM and US Billboard dance charts. Today it is widely recognized as a classic of its genre.
"Thieves in the Temple" is a song by American musician Prince from the 1990 soundtrack album Graffiti Bridge. Added at the last minute, it was the final song recorded for the album. "Thieves in the Temple" topped the US R&B chart and became a number six hit in the US, and a number seven hit in the UK. The single also peaked at number nine on the dance chart.
"Good Life" is a song by American electronic music group Inner City, featuring vocals by Paris Grey, and was released in November 1988 as the second single from their debut album, Paradise (1989). It is written and produced by Kevin Saunderson, and became a hit, reaching number-one in Finland and number four in the UK. In the US, it peaked at number-one on the Billboard Hot Dance Club Play chart. "Good Life" with "Big Fun" has been considered for being prototypes for Belgian act Technotronic's 1989 hit "Pump Up The Jam".
"Move Any Mountain" is a song by Scottish electronic music group the Shamen, first released under the title "Pro›gen". With an official remix by the Beatmasters, the song was re-released in the UK in summer 1991 and was their first top-10 single, reaching number four in the UK Singles Chart. It was included on the band's second album, En-Tact (1990), and is also their only top-40 hit in the US, where the song peaked at number 38 on the Billboard Hot 100 in February 1992.
"Ride on Time" is a song by the Italian dance group Black Box. It was released as a single in July 1989 and included on Black Box's debut album, Dreamland (1990).
"Dub Be Good to Me" is a song by British dub group Beats International featuring singer Lindy Layton, released on 24 January 1990 as the first single from their debut album, Let Them Eat Bingo (1990). It was written by frontman Norman Cook and interprets the SOS Band's 1983 hit "Just Be Good to Me", which it is named after. It also samples the songs "The Guns of Brixton" by the Clash, the Once Upon a Time in the West theme by Ennio Morricone, and "Jam Hot" by Johnny Dynell.
"He's on the Phone" is a song by British pop group Saint Etienne in collaboration with French singer-songwriter Étienne Daho, released in October 1995. A fast-paced dance track, it is one of Saint Etienne's biggest hits, reaching number 11 on the UK Singles Chart, number 31 in Iceland, number 41 in Sweden and number 33 on the US Billboard Dance Club Songs chart. The lyrics tell of an "academia girl" trying to escape from a relationship with a married man: "He's on the phone / And she wants to go home, / Shoes in hand, / Don't make a sound, / It's time to go." At the centre of the track is a spoken-word section by Daho.
"I Don't Know Anybody Else" is a song by Italian music group Black Box. It was the second single from their debut album, Dreamland (1990), and was originally released in the United States in December 1989. It was released worldwide in the early months of 1990 and had a great success in record charts, including Ireland, Switzerland, Norway and the United Kingdom, where it reached the Top 5. In other countries, it peaked between number 5 and number 10. It entered the UK Singles Chart on February 17, 1990 and remained for eight weeks.
"Melody of Love (Wanna Be Loved)" is a song recorded by American singer and songwriter Donna Summer, released in November 1994 by Mercury Records and Casablanca Records as a new track for her 1994 hits compilation album Endless Summer. It was written by Summer, David Cole, Robert Clivillés and Joe Carrano, and produced by Summer and Welcome Productions. The song just missed the top 20 in the United Kingdom (#21) and was a top 40 hit in Belgium. It was formed with several remixes and was her tenth number one hit on the US Billboard Hot Dance Club Songs chart. In Australia, the single peaked at #79 in December 1994. It was awarded the ASCAP Dance Song of the Year prize in 1996.
"You Make Me Feel (Mighty Real)" is a 1978 song by American disco/R&B singer Sylvester. It was written by James Wirrick and Sylvester, and released as the second single from Sylvester's fourth album, Step II (1978). The song was already a largely popular dance club hit in late 1978, as the B-side of his previous single "Dance (Disco Heat)", before it was officially being released in December. Music critic Robert Christgau has said the song is "one of those surges of sustained, stylized energy that is disco's great gift to pop music".
"Get Up! " is a song by Belgian musical group Technotronic featuring Ya Kid K. It was released in January 1990 as the second single from the band's debut album, Pump Up the Jam: The Album (1989), on which it features as the second track. The single was successful in many countries, becoming a top 10 hit in Australia, Canada, and the US and topping the chart in Belgium, Finland, Spain and Switzerland. When the song entered the UK chart at number three, it completed the first ever UK top 3 composed entirely of acts from outside the UK or US, alongside the Australian Kylie Minogue and the Irish Sinéad O'Connor.
"1-2-3" is the debut single of British dance music trio the Chimes, written by group members Pauline Henry, Mike Peden, and James Locke. Along with the track "Underestimate", their debut single reached number one for two weeks on the US Billboard Dance Club Songs chart and is also their biggest single. "1-2-3" was the Chimes' only Billboard Hot 100 hit, peaking at number 82. Although the song stalled at number 60 in the band's native UK, it found chart success in New Zealand, where it peaked at number four. In 1990, the song was featured on their debut and only album, The Chimes.
"Touch Me" is a Italo house song by Italian group 49ers. Produced by Gianfranco Bortolotti, it was released on 4 December 1989 as the third single from their debut album, 49ers (1990). The song reached number three on the UK Singles Chart and was a top 10 hit in at least 10 other countries in Europe. Outside Europe, it was the first of four hits on the US Billboard Hot Dance Club Play chart for 49ers. It samples Aretha Franklin's "Rock-A-Lott" and Alisha Warren's "Touch Me".
"Generations of Love" is a song by British band Jesus Loves You, founded by singer Boy George, and was released as the second single from their only album, The Martyr Mantras (1990). The song also features raggamuffin toaster MC Kinky and received favorable reviews from most music critics. It made the UK Singles Chart in two versions; the "Land of Oz Mix" which peaked at number 80 in 1990 and the "La La Gone Gaga Mix" which peaked at number 35 in 1991. The 1990 version also peaked at number 11 on the US Billboard Hot Dance Club Play chart, while the 1991 version peaked within the top 20 in the Netherlands and the top 30 in Austria and Belgium. British magazine Mixmag ranked "Generations of Love" number 100 in its "100 Greatest Dance Singles Of All Time" list in 1996.
"Ooops Up" is a song by German Eurodance group Snap!, released in June 1990 as the second single from their debut studio album, World Power (1990). The song is a re-working of "I Don't Believe You Want to Get Up and Dance (Ooops!)"; a 1980 hit by The Gap Band, with which band member Penny Ford was a former backing singer. The single was a world-wide hit and reached number-one in Greece. Lyrically the song is about Murphy's Law. The narrator talks about it and everything that went wrong during his day. Its music video was directed by Liam Kan.
"Don't Give Me Your Life" is a song recorded by Italian electronic dance music group Alex Party. It is produced by Italian producer brothers Paolo and Gianni Visnadi with DJ Alex Natale, and was released in February 1995 as the first single from their first and only album, Alex Party (1996). The vocals are performed by British singer Robin 'Shanie' Campbell, who also wrote the lyrics and melody. The song peaked at number two in the UK and number five on the Billboard Hot Dance Club Play chart in the US. It also topped the Club Record category at Music Week's 1995 Awards. Today, it is widely regarded as one of the biggest dance anthems of the 1990s. Idolator ranked it number 21 in their list of "The 50 Best Pop Singles of 1995" in 2015.
"U & Me" is a song by Italian Eurodance group Cappella, released on 6 June 1994 via Axis Records and Red Bullet labels as the sixth single from their second studio album, U Got 2 Know (1994). Co-written and produced by Gianfranco Bortolotti, it features vocals by Vikki Sheperd, sampled from her song "Love Has Changed My Mind". The single experienced success in many European countries, particularly in Finland, where it peaked at number one for two weeks. It was also a top-10 hit in Italy, the Netherlands, and the UK.
"A Dream's a Dream" is a song by British R&B band Soul II Soul, released in 1990 as the second single from their second album, Vol. II: 1990 – A New Decade (1990). It features American-born British singer Victoria Wilson-James and received favorable reviews from music critics. The single was successful all over Europe, reaching number-one in Greece and the top 10 in Finland, Italy, the Netherlands, Norway and the UK. Additionally, it was a top 20 hit in Austria, Belgium, Germany, Ireland, Sweden and Switzerland. Outside Europe, it peaked at number three on the Billboard Dance Club Songs chart in the US, number eight in New Zealand and number 27 in Australia.
