Donald Roller Wilson

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Two Sweet Singers in the Woods, by Donald Roller Wilson, 1973, oil on canvas, 167.6 x 152.4 cm. Donald Roller Wilson, Two Sweet Singers in the Woods,1973, oil on canvas, 167.6 x 152.4 cm.jpg
Two Sweet Singers in the Woods, by Donald Roller Wilson, 1973, oil on canvas, 167.6 x 152.4 cm.

Donald Roller Wilson (born 1938) is an American artist, known for his paintings of people and anthropomorphized chimpanzees, orangutans, cats, and dogs, set in southern gothic interiors, twilight forests, and nocturnal graveyards, often amidst complex still lifes or floral arrangements, with levitating pickles, olives, asparagus, wooden matches, and cigarette butts. His images are often comical and at times disquieting. His paintings are executed using techniques and a style reminiscent of the old masters, or what the artist himself has called "kind of Victorian". [1] :11 p. He gained national recognition in the mid-1970s and his work is included in the collections of several museums throughout the United States.

Contents

Life

The artist wrote "Roller Wilson was born in Houston, Texas on November 23, 1938, 10:55 A.M. His mother, a descendent of German–Dutch Jews who prospered during the Oklahoma Land Rush, had run off and married his father, an Episcopalian wildcatter who had been laying pipe in the Oklahoma plains." [2] :280 p. He was the youngest of three siblings and significantly younger than his brother and sister, in effect growing up as an only child. His family moved to Nebraska about 1944 where his father started a business that made combine harvesters, and then to Wichita, Kansas, in 1945. His earliest involvement with art was sign painting on trucks. [3] He attended Wichita State University where he earned both B.A. and M.F.A. degrees. After completing his education he spent one year (1966–67) as an assistant professor at Peru State College, Nebraska. He moved to Fayetteville, Arkansas, in the summer of 1967, "expecting it would be a short-lived venture" [1] :7 p. as a professor at the University of Arkansas, although Wilson ended up teaching at the university for eight years. In the mid-1970s he was able to devote himself to painting fulltime, and he and his wife Kathleen, also an artist, have remained in Fayetteville for well over fifty years. [1] [4]

Art

According to The New York Times, "Donald Roller Wilson's goofy, hallucinogenic, old master-style painting of monkeys, dogs and cats dressed up in antique costumes may be kitsch, but it's high-quality kitsch, like good beach reading." [5]

Some of the characters he has created include Cookie the Baby Orangutan, Jane the Pug Girl, Jack the Jack Russell "Terror", Loretta the Actress Cat, Miss Dog America, and Patricia the Seeing Eye Dog of Houston.

He created album cover art for musician Frank Zappa during the 1980s and 1990s. Among these: Boulez Conducts Zappa: The Perfect Stranger (1984), Francesco Zappa (1984) and Them Or Us (1984). [6]

The artist has written about his work stating –

The dreams of my waking hours are superimposed against an almost unbroken background of imagery. I have a threshold mind, assembling materials from several conceptual sources–frontiers–welding them together. But I don't know exactly what it is that moves the directions of my thoughts, and I wonder almost constantly about the shaping spirit that works through me. For there is some forming process accompanying me which sweeps like a selective magnet across an utter chaos of patterns in my thinking, and the result is that an otherwise aimless flow of association–of mental wanderings–becomes documented. The documentations are what you see in paintings. I can say with absolute truth and authority that I am a bystander, and the things that stream together in my work set up a kind of subconscious existence of their own. And the only real control, on my part, is an ability to revive–voluntarily–that to which I have been exposed. Once, after and exhibition of my work in New York, I was quoted: "My paintings are reports which I bring home from my wanderings. Thay are maps." That is still true. Donald Roller Wilson (1979) [1]

Selected public collections

Selected solo exhibitions

Bibliography

Monographs

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References

  1. 1 2 3 4 Coe, Ralph T. 1979. The Dreams of Donald Roller Wilson. Hawthorn Books, Inc. Publishers. New York, New York. 127 pp. ISBN   0-8015-0353-1
  2. Wilson, Donald Roller, 1995. A Strong Night Wind. Wright Publishing. Palm Beach, Florida. 280 pp. ISBN   0-9646254-1-5
  3. 1 2 Branham, Erin. 2021. Donald Roller Wilson (1938–). Encyclopedia of Arkansas (accessed August 15, 2022)
  4. Artnet: Donald Roller Wilson (American, born 1938) , accessed August 14, 2022
  5. Johnson, Ken (1999-06-18). "ART IN REVIEW; Donald Roller Wilson". The New York Times. ISSN   0362-4331 . Retrieved 2023-02-14.
  6. Neil Slaven, Electric Don Quixote: The Definitive Story of Frank Zappa, Omnibus Press, 2003, p. 332. ISBN   0-7119-9436-6.
  7. Museum of Contemporary Art, Chicago: Collection; Donald Roller Wilson, Transformation of Helen's Brother Larry (1980)
  8. Blanton Museum of Art: Collection; Donald Roller Wilson, Mrs. Jenkins' Late Night Dinner (1984)
  9. Brooklyn Museum: Collection; Donald Roller Wilson, Car Sized Shark for White (1974)
  10. Crystal Bridges Museum of American Art: Collection; Object; Donald Roller Wilson, Forest Street Afternoon (1969)
  11. Hirshhorn Museum and Sculpture Garden: Donald Roller Wilson, The Man has Left the Moon Tonight (1974)
  12. Davis Museum at Wellesley College: Donald Roller Wilson, Grapes for Mrs. White's Car
  13. Sheldon Museum of Art: Collection; Donald Roller Wilson
  14. Wichita Art Museum: Collection Explorer; Donald Roller Wilson