Double Allergic | ||||
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Studio album by | ||||
Released | 2 September 1996 | |||
Recorded | 1995-1996 | |||
Studio | Q Studio, Sydney Sunshine Studio, Brisbane | |||
Genre | Alternative rock | |||
Length | 55:33 | |||
Label | Polydor Records | |||
Producer | Tim Whitten & Powderfinger | |||
Powderfinger chronology | ||||
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Singles from Double Allergic | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Juice | (positive) link |
Double Allergic is the second studio album by Australian alternative rock band Powderfinger. Released in Australia on 2 September 1996 Polydor, the album was produced by Tim Whitten and widely considered Powderfinger's mainstream breakthrough.
Four singles were released from the album: "Pick You Up", "D.A.F.", "Living Type" and "Take Me In". "Pick You Up" was the most successful single from the album, and Powderfinger's first moderate success, reaching #23 on the ARIA charts. "D.A.F." also charted as a moderate success; it reached #39 on the Australian music charts. Both "Living Type" and "Take Me In" did not chart officially, but "Living Type" was voted into the Triple J Hottest 100 in 1996.
Critics were generally favorable in their reviews of Double Allergic. It was praised by Allmusic reviewer Jonathan Lewis as "a cohesive and mature effort". It has also been certified platinum three times, with over 200,000 copies sold. Double Allergic was also nominated for five ARIA awards, with singles from the album nominated for an additional four, however, it won none of the awards it was nominated for.
Double Allergic contained material that had been written by Powderfinger in 1995 and 1996. Prior to its release, guitarist Darren Middleton described it as "by far the best thing we've done", an analogy that would be often made when comparing the album to its predecessor, Parables for Wooden Ears . [1] Middleton praised the album because the band knew how they wanted the record to sound before they began to record; he also described it as "the most concise continuation of who we are down on record". [1]
Lead singer Bernard Fanning noted that another important element of the album was that there "was more space in the songs, it wasn't overcrowded". [2] However, Fanning commented that Powderfinger had not intended to greatly change their sound in creating Double Allergic, instead, the change in sound came as a natural progression. [2] the guitarist Ian Haug agreed, stating the music was "more melodic and sort of simpler", without "so many different time signatures and things". [3] Rolling Stone author Tracey Grimson also commented on this, stating that "Powderfinger have become practical advocates of space" and lauding their acknowledgment that the "absence of sound can be lush, evocative". She noted that even in the "rockers" on the album songs—like "Pick You Up" and "Skinny Jean"—the band were still able to pull back and give the songs additional space. [4]
Powderfinger spent less money producing Double Allergic than on their previous works. Previously, the band had worked with Tony Cohen, whom Fanning stated was expensive due to his success in the industry. For Double Allergic the band chose Tim Whitten, a less well known producer, and because the band knew what they intended to do as they entered the studio they managed to spend less despite the improved sound. [2] Middleton commented on Whitten's capabilities in the recording studio, saying "He's what a band looks for in a producer/engineer, because he's got his own ideas", but stating that Whitten would also listen to and appreciate the band's ideas. [5]
Double Allergic was released on 2 September 1996 in Australia on the Polydor record label. [6] It entered the ARIA chart at #7, and spent ten weeks in the top ten. [7] Over 200,000 copies were sold, [8] and the album is currently[ when? ] certified 3× platinum, asserting at least 210,000 sales. [9] The album finished 1996 at #44 on the ARIA end of year albums chart, [10] and finished 1997 at #53. [11]
"Pick You Up", the first single, was released on 13 April 1996, and entered the ARIA singles chart at #34. By its fifth week, on 30 June, it had reached its peak at #23 – it spent a further seven weeks on the chart before dropping out. [12] "Pick You Up" was described as having a "very professional sound". [5] The song appeared at #6 on the Triple J Hottest 100, 1996. [13] "D.A.F.", the second single, was released on 5 August 1996. It spent four weeks on the ARIA chart, peaking at #39. [14] The title of the song was taken from its chord progression, in the words of the bass guitarist John Collins "because we were stupid". [15] [1] The song appeared at #18 on the Triple J Hottest 100, 1996. [13]
"Living Type" was the third single, released on 11 November 1996. The song peaked at #42 on the ARIA charts and stayed in the top 50 for three weeks. [16] "Living Type" was written by Fanning about the Manson Family cult, and came with an X-Files style music video. [17] The song appeared at #32 on the Triple J Hottest 100, 1996. [13] The fourth single, "Take Me In", was released on 12 May 1997. It failed to chart, and was the least noted single from the album. Fanning wrote "Take Me In" as a response to hypocrisy by police, which he had read about in newspapers. [18]
The album contains three secret tracks placed onto the twelfth track after silence that follows the track's primary song "(The Return of) The Electric Horseman". The first of these is called "Vladimir" which, according to Fanning is about a transvestite. [19] The second song is called "SS" which refers to British cricket bat manufacturer Stuart Surridge, which is often known by those initials. The song refers in part to the bat itself, though mostly to cricket in general, with lyrics "Then we'll race like jets for the fading moon; Then we all fall down", which refers to running for the opposite crease following striking the ball, and then diving to the ground to secure the run. [20] The third and final secret track is called "Come Away" which also appeared as a B-side for the single of "Pick You Up". In a first for the group, it had the guitarist Darren Middleton as lead vocalist, while a spoken sound sample at the end of the song is the bass guitarist John Collins' voice. [21]
Double Allergic was well received by Allmusic , with reviewer Jonathan Lewis claiming that Powderfinger "managed to successfully create an album of melodic pop songs coupled with noisy guitars". The album was summarised as "a cohesive and mature effort". [22]
Sputnikmusic reviewer blueyxd, had mixed feelings about the album. The level of experimentation in the album was praised, with the reviewer stating that "the instrument playing and some of the unusual styles used" were beneficial. However, the main concern was that there wasn't enough experimentation, and that the album was rather "solid", thus earning it its score of 3.5. [23]
Juice magazine reviewed Double Allergic positively, calling it a much more mature album than its predecessor, Parables for Wooden Ears . The "band's mellowing tone", compared to the "aggression" in past works, was also commended, with the review stating that "the result is an album filled with potential and character". The experimentation on "JC", "Glimpse" and "Oipic" was again praised, with comparisons to Motown drawn. The review summarised the album as "proof of a band maturing, streets ahead of anything they've previously recorded". [24]
All music written and arranged by Powderfinger. All lyrics by Fanning, except "Boing Boing" lyrics by Fanning/Haug, "JC" & "Come Away" lyrics by Middleton, "Take Me In" & "(Return Of) The Electric Horseman" lyrics by Fanning/Middleton.
Chart (1996–97) | Peak position |
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Australian Albums (ARIA) [25] | 4 |
Chart (1996) | Position |
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Australian Albums Chart [26] | 44 |
Australian Artist Albums Chart | 6 |
Chart (1997) | Position |
Australian Albums Chart [27] | 53 |
Australian Artist Albums Chart | 12 |
Region | Certification | Certified units/sales |
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Australia (ARIA) [28] | 3× Platinum | 210,000^ |
^ Shipments figures based on certification alone. |
Year | Award | Album/Single | Result [29] |
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1997 | Album of the Year | Double Allergic | Nominated |
Highest Selling Album | Double Allergic | Nominated | |
Best Alternative Release | Double Allergic | Nominated | |
Producer of the Year | Double Allergic | Nominated | |
Best Group | Double Allergic | Nominated | |
Single of the Year | "D.A.F." | Nominated | |
Song of the Year | "D.A.F." | Nominated | |
1996 | Single of the Year | "Pick You Up" | Nominated |
Song of the Year | "Pick You Up" | Nominated |
Powderfinger were an Australian rock band formed in Brisbane in 1989. From 1992 until their break-up in 2010, the line-up consisted of vocalist Bernard Fanning, guitarists Darren Middleton and Ian Haug, bass guitarist John Collins and drummer Jon Coghill. The group's third studio album Internationalist peaked at No. 1 on the ARIA Albums Chart in September 1998. They followed with four more number-one studio albums in a row: Odyssey Number Five, Vulture Street, Dream Days at the Hotel Existence and Golden Rule. Their Top Ten hit singles are "My Happiness" (2000), "(Baby I've Got You) On My Mind" (2003) and "Lost and Running" (2007). Powderfinger earned a total of eighteen ARIA Awards, making them the second-most awarded band behind Silverchair. Ten Powderfinger albums and DVDs certified multiple-platinum, with Odyssey Number Five – their most successful album – achieving eightfold platinum certification for shipment of over 560,000 units.
Parables for Wooden Ears was the first studio album released by the Australian band Powderfinger. It was released on 18 July 1994 by Polydor Records, after recording at the Metropolis Studios in Melbourne during February 1994.
Vulture Street is the fifth studio album by Australian alternative rock band by Powderfinger, released on 29 July 2003 by Universal Music. It won the 2003 ARIA Music Award for Best Rock Album. Produced by Nick DiDia, Vulture Street was certified platinum, and spent 47 weeks on the ARIA Charts and peaked at #1. Singles from the album included "(Baby I've Got You) On My Mind", "Since You've Been Gone", "Love Your Way" and "Sunsets".
Internationalist is the third studio album by Australian alternative rock band Powderfinger. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater experimentation than in previous works.
Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album was the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist.
Bernard Fanning is an Australian musician and singer-songwriter. He is the lead vocalist of Queensland alternative rock band Powderfinger from its formation in 1989.
Darren Middleton is an Australian musician, best known as lead guitarist and songwriter for alternative rock band Powderfinger. He was also lead singer/songwriter for Drag; his current solo tour is 'Splinters', a follow-up to his 2013 solo tour 'Translations.' The 'Splinters' tour is Middleton's tour of Western Australia and Victoria in August and November 2016, respectively.
These Days: Live in Concert is a live album by Australian alternative rock band Powderfinger, released as a CD on 6 September 2004, and as a two disc DVD on 4 October 2004.
Fingerprints: The Best of Powderfinger, 1994–2000 is a greatest hits album by Australian alternative rock band Powderfinger, released on 30 October 2004 in Australia.
Tea & Sympathy is the debut solo album by Australian musician Bernard Fanning. It was released on 31 October 2005, by Dew Process records while Powderfinger—Fanning's main band—were on hiatus. Contrary to Powderfinger's usual alternative style, the album blends alternative and country-folk music. Most of the record was written after the cancer related death of his brother in 2002. His brother's death coincided with the end of Fanning's twelve-year relationship with his partner and both events were instrumental in his move away from his typically political and socially lyrical subject matter.
"Passenger" is a song from Powderfinger's third studio album Internationalist. It was released as a single on 9 August 1999, and reached #30 on the Australian music chart. The single was nominated for Single of the year in 2000 at the Australian ARIA Music Awards. "Passenger" was also featured as the opening song performed by Powderfinger while supporting Crowded House's Farewell to the World charity concert in November 1996.
"D.A.F." is a song by Australian alternative rock band Powderfinger, released as a single from their second studio album, Double Allergic, on 5 August 1996.
"My Happiness" is a song by Australian rock band Powderfinger. It was released via record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result. It was inspired by his love of gospel and soul music. The rest of the band are co-credited with Fanning for composing the track. Despite its melancholy mood, "My Happiness" is considered by many to be a love song, a suggestion Fanning regards as mystifying.
Mr Kneebone is the third EP by the Australian rock band Powderfinger. It was released after their first full-length studio album, Parables for Wooden Ears, and before the album, Double Allergic. It contains five songs, none of which were included on either album. The EP peaked at #83 on the Australian singles chart, and is considered to be "the turning point in Powderfinger's song writing career".
"The Day You Come" is a song from the third studio album by Powderfinger. It was released as a single on 10 August 1998 by Universal Music Group. It won the 1999 ARIA Music Award for Single of the Year.
"Living Type" is the third single released from Powderfinger's second album Double Allergic. The single was released on 11 November 1996. The song, written by Bernard Fanning, the band's lead singer, concerned the victims of Charles Manson. The song was well received by the public, who voted it onto the Triple J Hottest 100, 1996. This was the first time Powderfinger had appeared on the chart.
"Pick You Up" is the first single released from Powderfinger's second album Double Allergic. The single was released on 13 April 1996, and was Powderfinger's first moderate success both on commercial and Indie radio stations, and the most successful single from the album reaching #23 on the ARIA Charts. In 2007, eleven years after its initial release, "Pick You Up" was selected to be included in the soundtrack for Australian SBS soccer television program The World Game. The song is the oldest recording on the compilation album.
"Nobody Sees" is a song by Powderfinger from their sixth album Dream Days at the Hotel Existence. It is the third single from the album and was released in Australia on 1 December 2007. The announcement that it would be released as a single came at the same time as releasing the music video to the internet on the official Universal Records website.
Tim Whitten is an Australian record producer, audio engineer, and mixer. He has worked with numerous successful Australian musicians, in a career spanning 1990—present. Whitten's first recording was Boxcar's Vertigo, where he joined Adrian Bolland as engineer. Whitten has produced records for prominent Australian artists, including Powderfinger, The Go-Betweens, Hoodoo Gurus, and Augie March.