Double Indemnity | |
---|---|
Genre | |
Based on | |
Teleplay by | Steven Bochco |
Directed by | Jack Smight |
Starring | |
Music by | Billy Goldenberg |
Country of origin | United States |
Original language | English |
Production | |
Executive producer | David Victor |
Producer | Robert F. O'Neill |
Cinematography | Haskell B. Boggs |
Editor | Edward A. Biery |
Running time | 74 minutes |
Production companies | Groverton Productions Universal City |
Original release | |
Network | ABC |
Release | October 13, 1973 |
Double Indemnity is a 1973 American made-for-television crime film directed by Jack Smight and starring Richard Crenna, Lee J. Cobb, Robert Webber and Samantha Eggar. It was a remake of Double Indemnity (1944) based on the film rather than the original novel.
A scheming wife lures an insurance salesman into helping murder her husband and then declare it an accident. The salesman's boss, not knowing his man is involved in it, suspects murder and sets out to prove it.
Producer Charles Egelman got Steven Bochco to update the film but did not substantially change it. They showed the script to Billy Wilder who gave his approval. [1]
The New York Times said the film "amounts to a flattish copy". [2]
Double Indemnity is a 1944 American film noir directed by Billy Wilder and produced by Buddy DeSylva and Joseph Sistrom. Wilder and Raymond Chandler adapted the screenplay from James M. Cain's novel of the same name, which ran as an eight-part serial in Liberty magazine in 1936.
Richard Donald Crenna was an American actor and television director.
Victoria Louise Samantha Marie Elizabeth Therese Eggar is a retired English actress. After beginning her career in Shakespearean theatre she rose to fame for her performance in William Wyler's thriller The Collector (1965), which earned her a Golden Globe Award, a Cannes Film Festival Award and an Academy Award nomination for Best Actress.
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The Lady in the Car with Glasses and a Gun is a 1970 psychological thriller film directed by Anatole Litvak starring Samantha Eggar, Oliver Reed and John McEnery. It is based on the 1966 novel of the same name by Sébastien Japrisot. This was Litvak's final film. The film was remade in 2015.