Double Negative is a piece of land art located in the Moapa Valley on Mormon Mesa (or Virgin River Mesa) near Overton, Nevada. Double Negative was created in 1969 by artist Michael Heizer, and consists of a trench dug into the earth.
Double Negative is a piece of land art located in the Moapa Valley on Mormon Mesa (or Virgin River Mesa) near Overton, Nevada. Double Negative was created in 1969 by artist Michael Heizer, and consists of a trench dug into the earth.
The work consists of a long trench in the earth, 30 feet (9 m) wide, 50 feet (15 m) deep, and 1500 feet (457 m) long, created by the displacement of 244,000 tons of rock, mostly rhyolite and sandstone. Two trenches straddle either side of a natural canyon (into which the excavated material was dumped). The "negative" in the title thus refers in part to both the natural and man-made negative space that constitutes the work. The work essentially consists of what is not there, what has been displaced.
Double Negative can be reached by following Mormon Mesa Road north-eastward from Overton to the top of the mesa, continuing across it for 2.7 miles, turning left at the opposite edge onto a smaller path that extends along the rim of the mesa, and then following the path north for 1.3 miles.
In 1969 the art dealer Virginia Dwan funded the purchase of the 60-acre site for Double Negative and in turn, the artist transferred the property deeds to Dwan. In 1971 Heizer prevented the Dwan Gallery from selling the work. Dwan then donated Double Negative to the Museum of Contemporary Art, Los Angeles (MoCA) in 1984, with Heizer’s blessing, to coincide with “In Context: Michael Heizer, Geometric Extraction”. [1] Among the terms of the agreement with the museum is the fact that, according to the artist's wishes, MoCA will undertake no conservation of the piece as Heizer indicated that nature should eventually reclaim the land through weather and erosion. [2] Since then, Heizer has expressed a contrasting wish to restore the piece, perhaps in opposition to Robert Smithson's support for the principle of entropy. [3]
For the solo exhibition "In Context: Michael Heizer, Geometric Extraction", MoCA was able to include a photographic panorama of Heizer’s work. For the large-scale, historical survey of land art “Ends of the Earth” at MoCA in 2012, Heizer did not want any representation of Double Negative to be included in the exhibition. [4] A good aerial photograph appears in the catalogue, but Heizer reportedly worried that documentation in a museum gallery would misrepresent a sculpture that he felt could be known only through physical experience. [5]
In 2021, plans for a solar development project near Double Negative were rejected due to resident protests against the project's impact on the artwork. [6] [7] The work is currently owned by MoCA and is accessible by four-wheel drive vehicle or motorcycle.
Allan Dwan was a pioneering Canadian-born American motion picture director, producer, and screenwriter.
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Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.
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Michael Heizer is an American land artist specializing in large-scale and site-specific sculptures. Working largely outside the confines of the traditional art spaces of galleries and museums, Heizer has redefined sculpture in terms of size, mass, gesture, and process. A pioneer of 20th-century land art or Earthworks movement, he is widely recognized for sculptures and environmental structures made with earth-moving equipment, which he began creating in the American West in 1967. He currently lives and works in Hiko, Nevada, and New York City.
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Virginia Dwan was an American art collector, art patron, philanthropist, and founder of the Dwan Light Sanctuary in Montezuma, New Mexico. She was the former owner and executive director of Dwan Gallery, Los Angeles (1959–1967) and Dwan Gallery New York (1965–1971), a contemporary art gallery closely identified with the American movements of Minimalism, Conceptual Art, and Earthworks.
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