Drew Hayden Taylor | |
---|---|
Born | Curve Lake, Ontario, Canada | 1 July 1962
Occupation(s) | Playwright, author, journalist |
Website | http://www.drewhaydentaylor.com/ |
Drew Hayden Taylor (born 1 July 1962) is an Indigenous Canadian playwright, author and journalist.
Born in Curve Lake, Ontario, Taylor is of both Ojibwe and white ancestry. About his background Taylor says: "I plan to start my own nation. Because I am half Ojibway half Caucasian, we will be called the occasions. And of course, since I’m founding the new nation, I will be a special occasion." [1] He also mused in a Globe and Mail essay: "Fighting over status/non-status, Métis, skin colour etc., only increases the sense of dysfunction in our community." [2]
He writes about First Nations culture and has also been a frequent contributor to various magazines including This Magazine . His writing includes plays, short stories, essays, newspaper columns and film and television work. In 2004 he was appointed to the Ontario Ministry of Culture Advisory Committee.
As well as his writing, Taylor has been the artistic director of Native Earth Performing Arts, and has taught at the Centre for Indigenous Theatre. He co-created the series Mixed Blessings for APTN in 2007, and has been a writer for The Beachcombers , Street Legal and North of 60 , and has made documentary films for CBC Television, including Searching for Winnetou, Cottagers and Indians and The Pretendians . [3]
Taylor has held writer-in-residence positions at Native Earth Performing Arts, Cahoots Theatre, the University of Michigan, The University of Western Ontario, the Stephen Leacock Festival, the Blyth Festival, Lüneburg University, and Ryerson University (now Toronto Metropolitan University). [4]
Le Baiser de Nanabush, the French translation of Taylor's Motorcycles & Sweetgrass, was selected for the 2023 edition of Le Combat des livres , where it will be defended by social media personality Xavier Watso. [5]
(By year of first production)
Anishinaabe traditional beliefs cover the traditional belief system of the Anishinaabeg peoples, consisting of the Algonquin/Nipissing, Ojibwa/Chippewa/Saulteaux/Mississaugas, Odawa, Potawatomi and Oji-Cree, located primarily in the Great Lakes region of North America.
In some Native American and First Nations cultures, a dreamcatcher is a handmade willow hoop, on which is woven a net or web. It may also be decorated with sacred items such as certain feathers or beads. Traditionally, dreamcatchers are hung over a cradle or bed as protection. It originates in Anishinaabe culture as "the spider web charm" – asubakacin 'net-like' ; bwaajige ngwaagan 'dream snare' – a hoop with woven string or sinew meant to replicate a spider's web, used as a protective charm for infants.
The Centre for Indigenous Theatre is a non-profit theater educational institution located in Toronto, Ontario. It focuses on performance art from an Indigenous cultural foundation.
Nanabozho, also known as Nanabush, is a spirit in Anishinaabe aadizookaan, particularly among the Ojibwe. Nanabozho figures prominently in their storytelling, including the story of the world's creation. Nanabozho is the Ojibwe trickster figure and culture hero.
Saugeen First Nation is an Ojibway First Nation band located along the Saugeen River and Bruce Peninsula in Ontario, Canada. The band states that their legal name is the "Chippewas of Saugeen". Organized in the mid-1970s, Saugeen First Nation is the primary "political successor apparent" to the Chippewas of Saugeen Ojibway Territory; the other First Nation that is a part of Chippewas of Saugeen Ojibway Territory is Cape Croker. The Ojibway are of the Algonquian languages family. The First Nation consist of four reserves: Chief's Point 28, Saugeen 29, Saugeen Hunting Grounds 60A, and Saugeen and Cape Croker Fishing Islands 1.
Native Earth Performing Arts is a Canadian theatre company located in Toronto, Ontario. Founded in 1982, Native Earth is Canada's oldest professional Indigenous theatre company. Native Earth is dedicated to developing, producing and presenting professional artistic expressions of the Indigenous experience in Canada.
Joseph Boyden is a Canadian novelist and short story writer. He is best known for writing about First Nations culture. Three Day Road, a novel about two Cree soldiers serving in the Canadian military during World War I, was inspired by Ojibwa Francis Pegahmagabow, the legendary First World War sniper. Joseph Boyden's second novel, Through Black Spruce, follows the story of Will, son of one of the characters in Three Day Road. The third novel in the Bird family trilogy was published in 2013 as The Orenda.
The Anisininew or Oji-Cree are a First Nation in the Canadian provinces of Ontario and Manitoba, residing in a band extending from the Missinaibi River region in Northeastern Ontario at the east to Lake Winnipeg at the west.
Kenneth Thomas Benjamin Chee Chee , known as Benjamin Chee Chee, was an Ojibwa Canadian artist born in Temagami, Ontario. He is best known for his modern, simplified, and graceful depictions of birds and animals.
Basil H. Johnston was an Anishinaabe (Ojibwa) and Canadian writer, storyteller, language teacher and scholar.
This is a discography for Peter Green, the founder and original lead guitarist of Fleetwood Mac in the late 1960s. During the late 1970s and early 1980s, he had a brief solo career, before further success in the late 1990s with the Peter Green Splinter Group.
Leo Yerxa is a Canadian visual artist, medallist, and writer. As an illustrator of children's picture books he won the Governor General's Award in 2006. He lived in Ottawa, Ontario, then. He died on September 1, 2017.
Richard Wagamese was an Ojibwe Canadian author and journalist from the Wabaseemoong Independent Nations in Northwestern Ontario. He was best known for his novel Indian Horse (2012), which won the Burt Award for First Nations, Métis and Inuit Literature in 2013, and was a competing title in the 2013 edition of Canada Reads.
Indian Horse is a novel by Canadian writer Richard Wagamese, published by Douglas & McIntyre in 2012. The novel centres on Saul Indian Horse, a First Nations boy from Ontario who survives the residential school system and becomes a talented ice hockey player, only for his past traumas to resurface in his adulthood.
Indigenous peoples of Canada are culturally diverse. Each group has its own literature, language and culture. The term "Indigenous literature" therefore can be misleading. As writer Jeannette Armstrong states in one interview, "I would stay away from the idea of "Native" literature, there is no such thing. There is Mohawk literature, there is Okanagan literature, but there is no generic Native in Canada".
Cheyanne Turions, self-styled as cheyanne turions, is a Canadian art curator, artist, and writer.
Lenore Keeshig-Tobias is an Anishinabe storyteller, poet, scholar, and journalist and a major advocate for Indigenous writers in Canada. She is a member of the Chippewas of Nawash Unceded First Nation. She was one of the central figures in the debates over cultural appropriation in Canadian literature in the 1990s. Along with Daniel David Moses and Tomson Highway, she was a founding member of the Indigenous writers' collective, Committee to Reestablish the Trickster.
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants is a 2013 nonfiction book by Potawatomi professor Robin Wall Kimmerer, about the role of Indigenous knowledge as an alternative or complementary approach to Western mainstream scientific methodologies.
Pretendian is a pejorative colloquialism describing a person who has falsely claimed Indigenous identity by professing to be a citizen of a Native American or Indigenous Canadian tribal nation, or to be descended from Native American or Indigenous Canadian ancestors. As a practice, being a pretendian is considered an extreme form of cultural appropriation, especially if that individual then asserts that they can represent, and speak for, communities from which they do not originate. It is sometimes also referred to as a form of fraud, ethnic fraud or race shifting.