Duffy | |
---|---|
Directed by | Robert Parrish |
Screenplay by | Donald Cammell Harry Joe Brown Jr. |
Story by | Donald Cammell Harry Joe Brown Jr. Pierre de la Salle |
Produced by | Martin Manulis |
Starring | James Coburn James Mason James Fox Susannah York |
Cinematography | Otto Heller |
Edited by | Willy Kemplen Alan Osbiston |
Music by | Ernie Freeman |
Production company | Martin Manulis Productions |
Distributed by | Columbia Pictures |
Release dates |
|
Running time | 101 minutes |
Countries | United Kingdom United States |
Language | English |
Budget | $3 million [1] |
Duffy is a 1968 British-American comedy crime film directed by Robert Parrish and starring James Coburn, James Mason, James Fox and Susannah York. [2] The screenplay was by Donald Cammell and Harry Joe Brown Jr. Originally called "Avec-Avec", French for "with-it", according to 1967 press reports, Columbia Pictures changed the title of the movie, despite the protests of the stars. [3] [1]
Duffy is a cunning aristocrat of criminals who is hired by Stefane, a young playboy, to hijack a boat carrying several million dollars of his father's fortune. The plot succeeds, with a little help from Segolene, Stefane's girlfriend, but also with an unexpected, sudden turn of events.
The script was originally written by Donald Cammell, but was rewritten. Cammell later said he thought the fiinal film "might have been done a little better. I should never criticise other people’s movies actually, because I know how hard it is to be faithful to a story, and you can actually transform a story making a film and make it much better. So anybody who tries that. I’m aU for it. I don’t believe in being specifically faithful to any scripts." Out of the experience Cammell mate James Fox which led to the latter being ast in Performance. [4]
Coburn's casting was announced in August 1966. [5] He was reportedly paid $534,000 for his role. [1]
It was shot at Shepperton Studios and on location in Almería. [1] The film's sets were designed by the art director Philip Harrison.
Coburn, Fox and York were all unhappy with the new title. Coburn refused to do any publicity for the film until it was called Avec Avec again. [1]
The Monthly Film Bulletin wrote: "When hippydom gets the Midas touch from Hollywood finance, it's predictable that the result should be embarrassing, if not downright painful. Instead of developing an interesting plot or giving the characters plausibility, Robert Parrish's film moves jerkily through a succession of set pieces – like the white Mediterranean beach-club where everyone is coloured brown and drinks Cinzanos out of tall glasses, or Duffy's pad filled with pop-art assemblages. The waves of percussive sub-Nashville music merely add to the unfortunate impression of watching an advertisement for an international brand of tipped cigarette. Only James Coburn as Duffy is a cool enough actor to be able to remark "Just do your thing, baby" and get away with it. The rest of the cast – even James Mason as Calvert – succumb to the palpable inanity of the script." [6]
Variety felt if the film "did not try so hard in its compulsion to be supergroovy and switched-on... [t] might have been a more entertaining story... Instead, weak writing, heavy-handed direction... eliciting only tepid performances by James Coburn, James Mason, James Fox and Susannah York combine to snuff out much interest before the genuinely perky climactic switcheroo. End result is an over-produced, overlong programmer." [7]
James Neville Mason was an English actor. He achieved considerable success in British cinema before becoming a star in Hollywood. He was the top box-office attraction in the UK in 1944 and 1945; his British films included The Seventh Veil (1945) and The Wicked Lady (1945). He starred in Odd Man Out (1947), the first recipient of the BAFTA Award for Best British Film.
James Harrison Coburn III was an American film and television actor who was featured in more than 70 films, largely action roles, and made 100 television appearances during a 45-year career.
Performance is a 1970 British crime drama film directed by Donald Cammell and Nicolas Roeg, written by Cammell and filmed by Roeg. The film stars James Fox as a violent and ambitious London gangster who, after killing an old friend, goes into hiding at the home of a reclusive rock star.
Donald Seton Cammell was a Scottish painter, screenwriter, and film director. He has a cult reputation largely due to his debut film Performance, which he wrote the screenplay for and co-directed with Nicolas Roeg. He died by suicide after the last film he directed, Wild Side, was taken away from him and recut by the production company.
Country Dance is a 1970 British drama film directed by J. Lee Thompson and starring Peter O'Toole, Susannah York and Michael Craig. It is based on the novel Household Ghosts (1961) by James Kennaway which became a three-act stage play in 1967.
André Maranne was a French-born British actor best known for playing roles in English-language films beginning in the mid-1950s.
In Like Flint is a 1967 American spy fi comedy film directed by Gordon Douglas, the sequel to the parody spy film Our Man Flint (1966).
The Man in Grey is a 1943 British film melodrama made by Gainsborough Pictures; it is considered to be the first of a series of period costume dramas now known as the "Gainsborough melodramas". It was directed by Leslie Arliss and produced by Edward Black from a screenplay by Arliss and Margaret Kennedy that was adapted by Doreen Montgomery from the 1941 novel The Man in Grey by Eleanor Smith. The film's sets were designed by Walter Murton.
Sebastian is a 1968 British spy film directed by David Greene, produced by Michael Powell, Herbert Brodkin and Gerry Fisher, and distributed by Paramount Pictures. The film is based on a story by Leo Marks, and Gerald Vaughan-Hughes wrote the screenplay.
Night Train to Paris is a 1964 British-American spy film directed by Robert Douglas and starring Leslie Nielsen, Aliza Gur and Dorinda Stevens.
Lock Up Your Daughters! is a 1969 British comedy film directed by Peter Coe and starring Christopher Plummer, Susannah York and Glynis Johns. It is an adaptation of the 1959 stage musical of the same name set in 18th-century Britain, which in turn is based on the 1730 comedy, Rape upon Rape, by Henry Fielding It lacks all the songs from the original stage production. It was one of a number of British costume films released in the wake of the success of the Tom Jones (1963).
Nobody Runs Forever, also called The High Commissioner, is a 1968 British political neo noir spy thriller action film directed by Ralph Thomas and based on Jon Cleary's 1966 novel The High Commissioner. It stars Rod Taylor as Australian policeman Scobie Malone and Christopher Plummer as the Australian High Commissioner in Britain caught up in corrupt dealings, during delicate negotiations. Taylor's production company was involved in making the film, as was the American company Selmur Productions.
Broken Journey is a 1948 British drama film directed by Ken Annakin and featuring Phyllis Calvert, James Donald, Margot Grahame, Raymond Huntley and Guy Rolfe. Passengers and crew strugge to survive after their airliner crashes on top of a mountain; based on a true-life accident in the Swiss Alps.
The Upturned Glass is a 1947 British film noir psychological thriller directed by Lawrence Huntington and starring James Mason, Rosamund John and Pamela Kellino. The screenplay concerns a leading brain surgeon who murders a woman he believes to be responsible for the death of the woman he loved.
A Nice Girl Like Me is a 1969 British comedy film directed by Desmond Davis and starring Barbara Ferris and Harry Andrews. It was written by Millard Lampell, based on the 1959 novel Marry at Leisure by Anne Piper.
Dutchman is a 1966 British drama film directed by Anthony Harvey and starring Shirley Knight and Al Freeman, Jr. It was based on the 1964 play Dutchman by Amiri Baraka, who wrote the screenplay adaptation. John Barry wrote the score. The movie tells the story of a black man who meets a white woman while riding the subway in New York City.
Sky Riders is a 1976 American action film directed by Douglas Hickox and starring James Coburn, Susannah York and Robert Culp.
Two Wives One Wedding is a low budget 1961 British crime film directed by Montgomery Tully and starring Gordon Jackson, Christina Gregg, and Lisa Daniely. It was written by Brian Clemens and Eldon Howard and produced by The Danzigers.
The Touchables is a 1968 British crime drama film directed by Robert Freeman and starring Judy Huxtable, Esther Anderson and James Villiers. It was written by Ian La Frenais from a story by Donald Cammell. Cammell, who shares screenplay credit, would later rework its themes in Performance (1970).
Rogue's Yarn is a 1957 British second feature crime drama film directed by Vernon Sewell and starring Nicole Maurey, Derek Bond and Elwyn Brook-Jones. It was written by Sewell and Ernle Bradford, and distributed by the independent Eros Films.