Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four new masters. While essentially an expanded re-release of 1990s The Blanton–Webster Band, the packaging, sound and updated notes make this, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York noted that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
McCoy Tyner Plays Ellington is the sixth album by jazz pianist McCoy Tyner. It was recorded in December 1964 and released on the Impulse! label in 1965. It features performances by Tyner with Jimmy Garrison and Elvin Jones, with Latin percussion added on four of the tracks. It would be Tyner's last effort for the label, before signing with Blue Note.
A Meeting of the Times is an album by jazz multi-instrumentalist Rahsaan Roland Kirk and vocalist Al Hibbler recorded in March 1972 in New York City. It features performances by Kirk and Hibbler with Hank Jones, Ron Carter and Grady Tate with an additional track recorded by Kirk with Leon Thomas, Lonnie Liston Smith, Major Holley and Charles Crosby from the sessions that produced Here Comes the Whistleman (1965).
Togo Brava Suite is an album by American pianist, composer, and bandleader Duke Ellington. It was recorded in England and released by United Artists Records in 1971. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1972. The album was later reissued on CD by Blue Note in 1994, and studio recordings of the complete "Togo Brava Suite" were released in 2001 by Storyville.
Piano in the Foreground is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1961. It features Ellington in a piano trio setting, emphasising his own keyboard prowess rather than the big band arrangements more typical of his recordings.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Unknown Session is an album by American pianist, composer and bandleader Duke Ellington recorded in 1960 but not released on the Columbia label until 1979.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
The Carnegie Hall Concerts: January 1943 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1943 and released on the Prestige label in 1977.
Phantasies is an album by the American jazz pianist Jaki Byard with the Apollo Stompers, recorded in 1984 and released on the Italian Soul Note label.
Short Life of Barbara Monk is an album by the American jazz pianist Ran Blake featuring saxophonist Ricky Ford recorded in 1986 and released on the Italian Soul Note label. The album's dedicatee (1953–84) died from cancer and was the daughter of the jazz pianist Thelonious Monk.
Epistrophy is an album of solo piano performances of material written by, or associated with, Thelonious Monk by the American jazz pianist Ran Blake recorded in 1991 and released on the Italian Soul Note label.
I Remember Duke, Hoagy & Strayhorn is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1994 and released on the Telarc label.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Duke with a Difference is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 for the Riverside label.
Cue for Saxophone is an album by pianist and composer Billy Strayhorn's Septet comprising members of the Duke Ellington Orchestra recorded in 1959 and originally released on the Felsted label in 1959, then reissued by Vocalion in 1962.
Earl Hines Plays Duke Ellington is a compilation double album set featuring solo recordings by pianist Earl Hines performing compositions by Duke Ellington which were originally released as a series of four LPs that Hines recorded for the Master Jazz label in four separate sessions between 1971 and 1975 and rereleased on the New World label on LP in 1988 and on CD in 1992. It was followed by a second volume in 1997.
Earl Hines Plays Duke Ellington Volume Two is a compilation CD featuring recordings by pianist Earl Hines performing compositions by Duke Ellington on the New World label which follows the first volume in rereleasing tracks from LPs that Hines recorded for the Master Jazz label in sessions between 1971 and 1974.
Memories of Duke is an album by trumpeter Clark Terry performing compositions by, or associated with, Duke Ellington which was released on the Pablo Today label in 1980.
