Dundee Public Art Programme

Last updated

The Dundee Public Art Programme was the first city-wide public art initiative in Scotland. [1] It grew out of the success of the Blackness Public Art Programme (1982-1985) which focused on the use of art to revitalise an area of industrial decline in the city of Dundee, Scotland.

Contents

Origins

The Blackness Public Art Programme was a three-year initiative jointly funded by the Scottish Development Agency, the Scottish Arts Council and Dundee District Council. Dundee District Council extended the project to other parts of the city. The co-ordinator for the programme, artist Robert McGilvray, was asked to produce a feasibility report which suggested various locations that would benefit and set out key aims. This led in 1985 to the establishment of the Dundee Public Art Programme (DPAP). [2]

Early projects

The DPAP received annual project funding from the Scottish Arts Council but its success was dependent on support from a broader initiative, the Dundee Project, initiated in 1982, which took a partnership approach to issues of economic development and physical improvement of the city. It was superseded by the current Dundee Partnership in 1991. [3]

The DPAP received most of its early commissions from the Dundee Project partners, with the Scottish Development Agency providing much of the funding. Artworks were therefore sited in areas already targeted for wider environmental and economic development. [4] Early projects included Dunsinane industrial estates (artworks by Chris Kelly and Mike Windle), the new Dundee Technology Park (artwork by David Annand) [5] and Whitfield housing estate (artwork by Chris Biddlecombe, Chris Kelly and Martha Macdonald). [6]

City centre developments

Early projects in or near the city centre included a fence design by Rod Chisholm outside the refurbished railway station (1987), the Wave Wall by David F Wilson by Meadowside St Paul’s Church (1988–89) [7] and sculptural plaques for the fountains in City Square by Lizanne Kempsell (1988). [8] In 1992, bespoke street furniture was commissioned: David F Wilson designed a bollard at the top of Couttie’s Wynd, which led to a whole range of bollards, railings, benches, tree guards, flower baskets and information boards appearing around the city centre the next few years. [9]

As the first part of the city centre to be pedestrianised, Murraygate was the initial focus of the DPAP’s central area programme. As well as Wilson’s street furniture they commissioned ground mosaics from Elizabeth McFall, Chris Biddlecombe and Chris Kelly and a sculpture of a dragon from Alastair Smart (completed after Smart’s death by Tony Morrow). [10]

Less successful were attempts to create a landmark sculptural piece for the centre of the High Street between City Square and Reform Street. Various proposals were considered during the 1990s including by David Mach, Doug Cocker, Jake Harvey and William Pye, but no agreement could be reached by funding partners and eventually the project was dropped. [4] It would not be until 2001 that a major piece of sculpture was unveiled near this site: Tony and Susie Morrow’s statues of Desperate Dan and Minnie the Minx. [11]

National acclaim

In 1987 Luke Rittner, the secretary-general of the Arts Council of Great Britain, visited the city and described the public art programme as “an example for the rest of Britain to follow”. [12] Later that year the Upper Dens Urban Renewal Project won the Royal Town Planning Institute’s prestigious Silver Jubilee Award, public art again being noted as an important component. [13] In 1992 and 1994 the DPAP was shortlisted for the Arts Council / British Gas Working for Cities award and in 1998 Dundee won a national award for the best shopping environment in the UK from the British Council of Shopping Centres, the contribution of public art being singled out as a major factor. [14] An influential national report by the Public Art Forum described Dundee as having “one of the highest profiles in the UK” for public art. [15]

The Dundee model was widely imitated across the country, and an important source of income for the programme came from the many feasibility studies they were asked to undertake for other public art initiatives – for example in Inverness, Nairn, Ullapool, Coatbridge and Inverclyde. [4] The DPAP helped to establish the Perthshire Public Art Trust and also took on commissions for the development of major one-off sculptural pieces around Scotland. [4]

Later projects

The late 1990s saw the DPAP unveiling landmark sculptures, mosaics, stained glass and other artworks across the city, including:

The Dundee Public Art Programme ceased trading in 2003 due to a lack of funding to support the organisation as a full time concern for which it had been operating since 1998. Inspired by the arrival of Dundee Contemporary Arts, the company grew in that period to deliver a wider range of activity including moving into DCA's Visual Research Centre to run its office and a small gallery to showcase proposals from local and nationally acclaimed artists such as Simon Patterson and Adrian Wizniewski. The DPAP gallery was also used by Scottish Enterprise Tayside to engage the public in early plans for the Waterfront. In this time DPAP worked on developments with The Rep, The Space and Dundee Science Centre and attracted commissions from further afield in Glasgow, Caithness and Tyneside (such as Dudes by Permindar Kaur for the North Sea Ferry Terminal). It also delivered events for Scottish Natural Heritage and the Year of the Artist in 2000 but this growth was not sustainable long term particularly given the low level of core support that the organisation received and which had not increased in that period. It was also understood that The Scottish Arts Council were to make significant changes that year to the core funding that it had been providing to all public art agencies in Scotland. SAC would look to identify new ways of funding public art and commissioned The Roberts Knight Leeds Metropolitan University Consultancy (RKL) to provide recommendations by evaluating National Lottery schemes which had been supporting the work of artists in the public realm. This period saw a number of reports commissioned by funding bodies in an attempt to understand how best to take forward this field of practice and which are documented on the Public Art On Line website.

In 2002 Dundee City Council adopted a Percent for Art Scheme, which has allowed major public art projects to continue in the city. In 2014, Dundee was awarded UNESCO City of Design status, its wealth of public art being an important factor. [20]

Related Research Articles

<span class="mw-page-title-main">Dundee</span> City and council area in Scotland

Dundee is Scotland's fourth-largest city and the 51st-most-populous built-up area in the United Kingdom. The mid-year population estimate for 2016 was 148,210, giving Dundee a population density of 2,478/km2 or 6,420/sq mi, the second-highest in Scotland. It lies within the eastern central Lowlands on the north bank of the Firth of Tay, which feeds into the North Sea. Under the name of Dundee City, it forms one of the 32 council areas used for local government in Scotland.

<span class="mw-page-title-main">Arts Council England</span> Arts organization in London, England

Arts Council England is an arm's length non-departmental public body of the Department for Digital, Culture, Media and Sport. It is also a registered charity. It was formed in 1994 when the Arts Council of Great Britain was divided into three separate bodies for England, Scotland and Wales. The arts funding system in England underwent considerable reorganisation in 2002 when all of the regional arts boards were subsumed into Arts Council England and became regional offices of the national organisation.

<span class="mw-page-title-main">Abertay University</span> University in Scotland, United Kingdom

Abertay University, formerly the University of Abertay Dundee, is a public university in the city of Dundee, Scotland. In 1872, Sir David Baxter, 1st Baronet of Kilmaron, left a bequest for the establishment of a mechanics' institute in Dundee and the Dundee Institute of Technology was formed in 1888. As early as 1902 it was recognised by the Scottish Education Department as an educational hub, and was one of the first to be designated a central institution, akin to an "industrial university". Abertay gained University status in 1994.

<span class="mw-page-title-main">Overgate Centre</span> Shopping centre in Dundee, Scotland, United Kingdom

The Overgate Centre is a shopping centre in Dundee, Scotland. Built in the 1960s to replace buildings erected in the 18th and 19th centuries, most of the original structure was demolished and redeveloped from 1998 to 2000.

<span class="mw-page-title-main">Hew Lorimer</span> Scottish sculptor

Hew Martin Lorimer, OBE was a Scottish sculptor.

<span class="mw-page-title-main">Dundee Contemporary Arts</span>

Dundee Contemporary Arts (DCA) is an art centre in Dundee, Scotland, with two contemporary art galleries, a two-screen cinema, a print studio, a learning and public engagement programme, a shop and a café bar.

<span class="mw-page-title-main">Art on the Underground</span>

Art on the Underground, previously called Platform for Art, is Transport for London's (TfL) contemporary public art programme. It commissions permanent and temporary artworks for London Underground, as well as commissioning artists to create covers for the Tube map, one of the largest public art commissions in the UK.

Until the industrial revolution, the current City Centre represented the full extent of the City of Dundee, Scotland. Now roughly encircled by the market gait dual carriageway, the city centre is now the main shopping and commercial district. Unlike the city centre of Glasgow, many of the city centre's streets are not built on a grid plan and in that way have more in common with the street plan of the Old Town of Edinburgh.

<span class="mw-page-title-main">Nathan Coley</span> British artist

Nathan Coley is a contemporary British artist who was shortlisted for the Turner Prize in 2007 and has held both solo and group exhibitions internationally, as well as his work being owned by both private and public collections worldwide. He studied Fine Art at Glasgow School of Art between 1985 and 1989 with the artists Christine Borland, Ross Sinclair and Douglas Gordon amongst others.

<span class="mw-page-title-main">Royal Arch, Dundee</span>

The Royal Arch or Victoria Arch was a structure erected in Dundee, Scotland, between 1849 and 1853 and demolished in 1964. The monumental archway formerly stood over the access to the pier between Earl Grey Dock and King William IV Dock on the city's waterfront.

The Edinburgh Art Festival is an annual visual arts festival, held in Edinburgh, Scotland, during August and coincides with the Edinburgh International and Fringe festivals. The Art Festival was established in 2004, and receives public funding from Creative Scotland. In 2022, Kim McAleese was appointed Festival Director, succeeding Sorcha Carey. Carey is now Director at Collective, Edinburgh.

<span class="mw-page-title-main">Mike Stubbs</span>

Mike Stubbs is a curator/director and filmmaker based in the UK, currently, the Creative Producer at Doncaster Creates. For 11 years he was the Director/CEO of FACT, the Foundation for Art and Creative Technology, a leading arts organisation for the commissioning and presentation of new media art forms. He has been a key contributor to the development of culture and cultural policy in Liverpool, UK. Stubbs was jointly appointed in May 2007 by Liverpool John Moores University, where he is Professor of Art, Media and Curating. He is father to two daughters Saskia and Lola Czarnecki-stubbs.

Shape Arts or Shape is a London-based arts charity, working across the UK and internationally. funded by Arts Council England, that provides opportunities for disabled individuals wanting to work in the arts and cultural sector. It trains participants and runs arts and development programmes across all of the creative arts: visual arts, music, dance, writing and acting.

Sylvia Grace Borda is a Canadian artist working in photography, video and emergent technologies. Borda has worked as a curator, a lecturer, a multimedia framework architect with a specialization in content arrangement (GUI) and production. Born and raised in Vancouver, Borda is currently based in Vancouver, Helsinki, and Scotland. Her work has been exhibited locally, nationally, and internationally.

<span class="mw-page-title-main">Ross Sinclair (artist)</span> Scottish visual artist, musician and writer

Professor Ross Sinclair is a Scottish visual artist, musician and writer. He lives and works in Kilcreggan, Argyll and is currently Reader in Contemporary Art Practice at The Glasgow School of Art, whilst also maintaining his professional practice. Sinclair was one of the key figures in the movement of contemporary artists in Glasgow in the 1990s, dubbed the 'Glasgow Miracle' by art curator and critic Hans-Ulrich Obrist.

<span class="mw-page-title-main">Paintings in Hospitals</span>

Paintings in Hospitals is an arts in health charity in the United Kingdom. Founded in 1959, the charity's services include the provision of artwork loans, art projects and art workshops to health and social care organisations. The charity's activities are based on clinical evidence demonstrating health and wellbeing benefits of the arts to patients and care staff.

<span class="mw-page-title-main">City Art Centre</span> Art gallery in Edinburgh, Scotland

The City Art Centre is part of the Museums & Galleries Edinburgh, which sits under the Culture directorate of the City of Edinburgh Council. The City Art Centre has a collection which include historic and modern Scottish painting and photography, as well as contemporary art and craft. It is an exhibition based venue with no permanent displays.

<span class="mw-page-title-main">Usher Gallery</span> Art gallery in Lincoln, England

The Usher Gallery is an art museum in Lincoln, England. The gallery displays a collection of artworks by painters such as J. M. W. Turner and L. S. Lowry. Established in 1927, it is run as part of the Collection.

Fanny Lam Christie is a Hong Kong-born artist who specializes in sculpture and works in Scotland. She currently works from her studio in Perthshire, Scotland.

Elizabeth Ogilvie is a Scottish environmental artist renowned for her work exploring the impact of climate change. Her work is held in several public and private collections and she exhibits internationally. Ogilvie is considered one of the most significant Scottish artists of her generation.

References

  1. i Matthew Jarron, “Art, Artists and their Public from 1900”, in J Tomlinson & C A Whatley (eds), Jute No More: Transforming Dundee (Dundee University Press, 2011) pp.179-184.
  2. Malcolm Miles, Art for Public Places (WSA, 1989) pp130-2.
  3. "Dundee Partnership". Dundee City Council. Retrieved 25 March 2021.
  4. 1 2 3 4 Bob McGilvray, Dundee Public Art Programme 1892-2003 (Duncan of Jordanstone College, 2004).
  5. "Deer Leap | Art UK". artuk.org. Retrieved 25 March 2021.
  6. "Butterfly | Art UK". artuk.org. Retrieved 25 March 2021.
  7. "Wave Wall | Art UK". artuk.org. Retrieved 25 March 2021.
  8. "City Square Fountains | Art UK". artuk.org. Retrieved 25 March 2021.
  9. "Street Furniture | Art UK". artuk.org. Retrieved 25 March 2021.
  10. "The Dragon | Art UK". artuk.org. Retrieved 25 March 2021.
  11. "Desperate Dan, Dawg and Minnie the Minx | Art UK". artuk.org. Retrieved 25 March 2021.
  12. Dundee Courier , 16 October 1987.
  13. Dundee Courier , 19 November 1987.
  14. Evening Telegraph , 5 November 1998.
  15. Phyllida Shaw, The Public Art Report (Public Art Forum, 1990)
  16. "On the Wing | Art UK". artuk.org. Retrieved 25 March 2021.
  17. "Ring o' Roses | Art UK". artuk.org. Retrieved 25 March 2021.
  18. "Gates and Fence | Art UK". artuk.org. Retrieved 25 March 2021.
  19. "Overgate Bronzes | Art UK". artuk.org. Retrieved 25 March 2021.
  20. Lyall (26 January 2015). "City of Design Dundee - The UK's first and only UNESCO City of Design". cityofdesigndundee.com. Retrieved 25 March 2021.