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Dunedin Double | ||||
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EP (Double)by | ||||
Released | June 1982 | |||
Recorded | 1–18 March 1982 | |||
Genre | Dunedin sound | |||
Length | 49:45 | |||
Label | Flying Nun | |||
Producer | Doug Hood | |||
Flying Nun Records chronology | ||||
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The Dunedin Double EP is a 1982 compilation EP by The Chills, Sneaky Feelings, The Stones, and The Verlaines, released on the Christchurch label Flying Nun. An unusual format, it contain two 45rpm 12" discs. At nearly 50 minutes length, it was longer than many compilations of the time period. The EP's release publicised Flying Nun as a major alternative record label for the first time. [1] It has become regarded as one of the earliest seminal works of the Dunedin sound, which heavily influenced the development of indie rock.
Dunedin Double established the names of four of these groups, each of which was represented on the double EP by one side. The Chills' song 'Kaleidoscope World' in particular became very popular, gaining considerable airplay for the band. It later provided the title for the band's first album, a compilation of their early singles and EP tracks.
The EP was conceived by Flying Nun founder Roger Shepherd in early 1982, alongside friend and musician Chris Knox of Toy Love. After seeing the Chills, led by lead singer Martin Phillipps, and the Verlaines perform at the Gladstone Hotel in Durham Street, Central Christchurch, [2] [3] [4] Shepherd wanted to compile an album of Dunedin's up-and-coming bands, in the vein of Factory Records and their founder Tony Wilson. Shepherd, however, did not want to release a 7'' single, as he felt there was an overabundance of 7'' singles on the New Zealand music market at the time, pushing the value down. He asked The Stones to play shortly after; after being recommended by David Kilgour of The Clean, Shepherd picked Sneaky Feelings as the fourth band. [5] Meanwhile, Chris Knox became actively involved on the album after leaving Christchurch for Auckland; he had initially desired to move to Australia but had stubbornly changed his mind. On a contemporary Flying Nun poster Knox had drawn, he had encouraged listeners to "discover REAL GOOD New Zealand (NO, repeat, NO relation to Australia – diametrically opposed, in fact) music". [6]
Recording lasted from 1 to 18 March 1982 in Christchurch, with all four bands booking various gigs to cover their costs. [6] Paul Kean, formerly of Toy Love, allowed the groups to record in his parent's spacious home in Longfellow Street; recording also unfolded in the kitchen of Flying Nun associate Jane Walker, and the bedrooms of local musicians Rex Vizables and Alec Bathgate. [7] Contrary to popular belief, technician Doug Hood was the primary producer, not Chris Knox. [8] Shepherd would later describe Knox's role as "[pointing] out any mistakes or potential improvements with the actual playing: tuning, timing and the like, as well as act as cheerleader, keeping everything going and to schedule", as opposed to monitoring the admittedly rudimentary recording equipment. [7]
Released in June 1982, [9] the compilation was a sign of the success to come for the newly formed Flying Nun Records label (catalogue number DUN-1), which over the course of the next ten years was to become the biggest independent record label in the South Island. Many of the label's top groups came from Dunedin, and established that southern city's music scene as the leading source of guitar-based bands in New Zealand throughout much of the decade. The bands from the city which had music released on Flying Nun were grouped under the loose banner of Dunedin sound, and several of them went on to not only national but also international success.
Though the sound quality of the Dunedin Double EP was distinctly lo-fi (it was recorded on portable 4-track by Chris Knox and Doug Hood), the release of this record provided a major impetus both for Flying Nun records and for the four bands involved, as well as providing inspiration and momentum to the music scene in Dunedin.
Flying Nun Records is a New Zealand independent record label formed in Christchurch in 1981 by music store manager Roger Shepherd. Described by The Guardian as "one of the world's great independent labels", Flying Nun is notable for bringing global attention to the Dunedin sound, a cultural and musical movement in early 1980s Dunedin.
The Dunedin sound was a musical and cultural movement in Dunedin, Otago, in the early 1980s. It helped found indie rock as a genre. The scene is associated with Flying Nun Records, an independent label.
The Verlaines are a New Zealand rock band from Dunedin. Formed in 1981 by Graeme Downes, Craig Easton, Anita Pillai, Phillip Higham and Greg Kerr, the band went through multiple line-ups.
Sneaky Feelings are a New Zealand pop rock band which releases on the Flying Nun Records music label. The band formed in 1980 with the line-up of Matthew Bannister, David Pine, Kat Tyrie and Martin Durrant. Tyrie was replaced by John Kelcher in 1984. Durrant was temporarily replaced by Ross Burge in 1988 for the band's second tour of Europe.
The Clean was a New Zealand indie rock band formed in Dunedin in 1978. They have been described as the most influential band to come from the Flying Nun label, which recorded many artists associated with the "Dunedin sound", and one of the first bands to be described as "indie rock".
The Chills are a New Zealand indie rock band that formed in Dunedin in 1980. The band were fronted by founding mainstay singer-songwriter, guitarist Martin Phillipps. During the mid-1990s they were billed as Martin Phillipps & the Chills. Their top ten studio albums in their homeland are Submarine Bells (1990), Soft Bomb (1992), Snow Bound (2018) and Scatterbrain (2021). The Chills were a cult band in other parts of the world as one of the earliest proponents of the Dunedin sound. Their top 20 singles are "Pink Frost", "Doledrums", "I Love My Leather Jacket" (1986), "Heavenly Pop Hit" (1990) and "Male Monster from the Id" (1992).
The Bats are an influential New Zealand rock band formed in 1982 in Christchurch by Paul Kean (bass), Malcolm Grant (drums), Robert Scott and Kaye Woodward. Though primarily a Christchurch band, The Bats have strong links to Dunedin and are usually grouped in with the Dunedin sound musicians that emerged in the early 1980s. The band has retained the same four members from 1982 to the present day.
Able Tasmans were an indie pop band from Auckland, New Zealand, initially formed as a duo in 1983. They released four albums and two EPs on Flying Nun Records before splitting up in 1996.
Peter James Stapleton was a musician from New Zealand, best known as the drummer and co-founder of the alternative rock band The Terminals. Stapleton was also a member of the groups Vacuum, The Pin Group, Dadamah, Flies Inside the Sun, Eye, and Scorched Earth Policy.
The Stones were a New Zealand band from Dunedin named after the Rolling Stones. One of the earliest bands to record on the Flying Nun label, they helped form the style of music known as the Dunedin sound, along with label mates such as the Chills, the Verlaines and Sneaky Feelings, all of whom appeared alongside the Stones on the seminal Flying Nun release the Dunedin Double EP.
"Death and the Maiden" is a song by New Zealand rock band The Verlaines, who are one of a number of 1980s bands signed to Flying Nun Records and attributed to the Dunedin Sound. It was released as a single in 1983 and is arguably the most popular song in their discography. The 'B' side of the record was "CD, Jimmy Jazz & Me."
Andrew Mark Brough was a singer, songwriter and guitarist from Dunedin, New Zealand. Best known for his work with the Straitjacket Fits, he later led the band Bike. In 1996 he was shortlisted for the APRA Silver Scroll and in 2008 he was inducted into the New Zealand Music Hall of Fame.
The Venus Trail is an album by the New Zealand band the 3Ds, released in 1993. The album was released by Merge Records in the United States.
Under the Influence — 21 Years of Flying Nun Records is a double album that includes tracks by various bands signed or related to the Flying Nun Records label.
Garage was a music fanzine based in Dunedin, New Zealand, which was created and edited by journalist Richard Langston. Six issues were published during the 1980s. The first issue was only 18 photocopied pages and produced in a very small edition, but the final issue was printed in a run of more than a thousand.
Loves Ugly Children were a New Zealand indie rock band on Flying Nun Records, amongst other labels, during the 1990s. They released two albums, many EPs, singles and videos and toured extensively through their home country of New Zealand, as well as Australia and England.
Jane Dodd is a New Zealand musician and contemporary jeweller. She is well known for her role as a bass player in early Dunedin-based Flying Nun Records groups The Chills and The Verlaines, was a long-standing member of Auckland group Able Tasmans, and occasionally played with side-project The Lure of Shoes.
"Kaleidoscope World" is an early song by New Zealand band The Chills. It appeared as the first track on the Dunedin Double, a seminal EP shared between four bands, which launched those bands' careers nationally and internationally. The track was recorded in Christchurch in March 1982, possibly in Toy Love bassist Paul Kean’s home in Longfellow Street in Sydenham.
The Pin Group was a post-punk band formed in 1980 in Christchurch, New Zealand. They were the first band released on Flying Nun Records, and featured Roy Montgomery, Peter Stapleton, Ross Humphries, Mary Heney, and Peter Fryer.
Martin John James Phillipps was a New Zealand singer-songwriter and musician. He was the lead singer and rhythm guitarist for The Chills. As part of the Dunedin sound, Phillipps and the Chills helped lay the groundwork for modern indie rock, and the band's innovative approach to alternative rock and lo-fi formed his legacy. After he died suddenly in 2024, Split Enz and Crowded House frontman Neil Finn said Phillips was a "true original, fascinated by and devoted to the magic and mystery of music".