The EMI TG12345 was a mixing console designed by EMI for their Abbey Road Studios, which was used to mix several influential albums, including The Beatles' Abbey Road and Pink Floyd's The Dark Side of the Moon . [1]
The EMI TG12345 was a mixing console designed by EMI for their Abbey Road Studios, which was used to mix several influential albums, including The Beatles' Abbey Road and Pink Floyd's The Dark Side of the Moon . [1]
The TG12345 was installed in Abbey Road Studio Two in late 1968, [2] making it possible for the studio to double the number of tracks it could record simultaneously, from four to eight. The mixer had twenty-four microphone inputs and eight tape outputs, [3] a significant increase over the eight microphone inputs and four tape outputs of the REDD .51 mixing console that it replaced. [4] This also enabled the studio to replace its four-track Studer J37 multitrack tape recorder with the eight-track 3M M23. [5]
The TG12345 was Abbey Road Studios' first solid state mixing console and, unlike its vacuum tube-based predecessors, it featured a compressor as well as equalization built into each channel.
Several influential albums were mixed on the console, including The Beatles' Abbey Road and Pink Floyd's The Dark Side of the Moon . [6]
In 2011, Chandler Limited released the Curve Bender, a rackmount recreation of the TG12345's EQ section. [7] In 2014, Waves Audio released a plug-in that emulates two channels of the TG12345. [8]
Abbey Road Studios is a music recording studio at 3 Abbey Road, St John's Wood, City of Westminster, Greater London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited.
A recording studio is a specialized facility for recording and mixing of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties.
Solid State Logic (SSL) is a British company based in Begbroke, Oxfordshire, England that designs and markets audio mixing consoles, signal processors, and other audio technologies for the post-production, video production, broadcast, sound reinforcement and music recording industries. SSL employs over 160 people worldwide and has regional offices in Los Angeles, Milan, New York City, Paris, and Tokyo, with additional support provided by an international network of distributors. Solid State Logic is part of the Audiotonix Group.
The Complete Beatles Recording Sessions is a 1988 reference book on the English rock band the Beatles written by Mark Lewisohn. It was published by Hamlyn in the UK and by Harmony Books in the US.
Waves Audio Ltd. is a developer and supplier of professional digital audio signal processing technologies and audio effects, used in recording, mixing, mastering, post production, broadcast, and live sound. The company's corporate headquarters and main development facilities are located in Tel Aviv, with additional offices in the United States, China, and Taiwan, and development centers in India and Ukraine.
"Come Together" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. The song is the opening track on their 1969 album Abbey Road and was also released as a single coupled with "Something". The song reached the top of the charts in the United States and Australia, but peaked at No. 4 in the United Kingdom.
Trident Studios was a British recording facility, located at 17 St Anne's Court in London's Soho district between 1968 and 1981. It was constructed in 1967 by Norman Sheffield, drummer of the 1960s group the Hunters, and his brother Barry.
Toe Rag Studios is an analogue recording studio located in Hackney, London, England.
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."
Recording The Beatles: The Studio Equipment and Techniques Used To Create Their Classic Albums is a book by Kevin Ryan and Brian Kehew, published by Curvebender Publishing in September 2006. Written over the course of a decade, the book addresses the technical side of the Beatles' sessions and was written with the assistance of many of the group's former engineers and technicians, chief among them Peter K. Burkowitz, designer of the REDD mixing console.
Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other. Because they are carried on the same medium, the tracks stay in perfect synchronization, while allowing multiple sound sources to be recorded at different times.
Arthur Rupert Neve was a British-American electronics engineer and entrepreneur, who was a pioneering designer of professional audio recording equipment. He designed analog recording and audio mixing equipment that was sought after by professional musicians and recording technicians. Some of his customers were music groups The Beatles, Aerosmith and Nirvana, and recording studios Sound City Studios and Abbey Road Studios. Companies that he was associated with included Neve Electronics, Focusrite, AMS Neve, and Rupert Neve Designs.
The recordings made by the Beatles, a rock group from Liverpool, England, from their inception as the Quarrymen in 1957 to their break-up in 1970 and the reunion of their surviving members in the mid-1990s, have huge cultural and historical value. The studio session tapes are kept at Abbey Road Studios, formerly known as "EMI Recording Studios," where the Beatles recorded most of their music. While most have never been officially released, their outtakes and demos are seen by fans as collectables, and some of the recordings have appeared on countless bootlegs. Until 2013, the only outtakes and demos to be officially released were on The Beatles Anthology series and its tie-in singles and anniversary editions.Bits of some previously unreleased studio recordings were used in The Beatles: Rock Band video game as ambient noise and to give songs studio-sounding beginnings and endings. In 2013, Apple Records released the album The Beatles Bootleg Recordings 1963, which includes previously unreleased outtakes and demos from 1963, to stop the recordings from falling into the public domain.
The Beatles in Mono is a boxed set compilation comprising the remastered monaural recordings by the Beatles. The set was released on compact disc on 9 September 2009, the same day the remastered stereo recordings and companion The Beatles were also released, along with The Beatles: Rock Band video game. The remastering project for both mono and stereo versions was led by EMI senior studio engineers Allan Rouse and Guy Massey.
Send tape echo echo delay is a technique used in magnetic tape sound recording to apply a delay effect using tape loops and echo chambers.
A tape operator or tape op, also known as a second engineer, is a person who performs menial operations in a recording studio in a similar manner to a tea boy or gopher. They may act as an apprentice or an assistant to a recording engineer and duties can consist of threading audio tape, setting up microphones and stands, configuring MIDI equipment and cables, and sometimes pressing the relevant transport controls on the recorder or digital audio workstation. Abbey Road Studios always assigned at least one tape op to each recording session.
The EMI REDD .17, .37 and .51 were vacuum-tube-based mixing consoles designed by EMI for their Abbey Road Studios. They were used to mix several influential albums, including most of the Beatles' albums and the first two Pink Floyd albums.
Peter Cobbin is an Australian audio engineer and producer. He served as chief engineer of Abbey Road Studios from 1995 to the mid-2010s, during which he became the first engineer to remix music by the Beatles, remixing their 1999 compilation album Yellow Submarine Songtrack. He has recorded and mixed scores for a number of films, including The Lord of the Rings: The Return of the King (2002), several entries in the Harry Potter and Wizarding World franchise, and the Hobbit trilogy (2012–14).
Helios was a brand of mixing consoles custom-designed and built for use in recording studios. Produced from 1969 to 1979, Helios consoles were utilized by many key recording studios to produce numerous notable recordings and played a vital part in the history of British rock.
The Solid State Logic SL 4000 is a series of large-format analogue mixing consoles designed and manufactured by Solid State Logic (SSL) from 1976 to 2002. 4000 Series consoles were widely adopted by major commercial recording studios in the 1980s.