Ear to the Ground is a Canadian music television series, which was broadcast on CBC Television from 1992 to 1995. [1] Focusing on a single Canadian musician or band each week, the series mixed interview segments and live performance clips in a documentary style. [2] It was a spinoff of the network's daily series Video Hits , which had in its final years sometimes devoted special episodes to a single musician or band under the name Video Hits Presents. [3] The series was produced by Faith Feingold and directed and written by Faith Feingold and Marla Digiacomo.
Although artists across all popular music genres were featured, the show was considered especially effective and important as a showcase for artists in genres such as country or folk, which did not typically have high rotation on MuchMusic. [2] The series format was hostless, but Dan Gallagher did the intros for a few episodes, and Karen Gordon did the majority of the intros.
The series premiered on June 21, 1992, with an episode devoted to Barenaked Ladies. [4] Other artists profiled on the series during its run included Sloan, [5] Eric's Trip, [6] Meryn Cadell, [7] Kashtin, [8] Skydiggers, [9] Lost Dakotas, [10] The Rankin Family, [11] Bob Wiseman, [12] Me Mom and Morgentaler, [13] The Lowest of the Low, [14] Vern Cheechoo, [15] Blue Rodeo, [16] Punjabi by Nature, [17] Tom Jackson, [18] The Barra MacNeils, [19] Big Rude Jake, [20] Ashley MacIsaac, [2] Change of Heart, [21] hHead, [22] Lori Yates, [22] Moist, [22] Susan Aglukark, [1] Bob Snider, [1] Patricia Conroy [23] and Bourbon Tabernacle Choir. [24]
The series was cancelled in April 1995, [25] on the grounds that the live performance aspect of the show was now partially duplicated by the network's variety series Rita and Friends . [1] In its place, CBC launched the new series Music Works. [26]
At the 7th Gemini Awards in 1993, Barenaked Ladies won the award for Best Performance in a Performing Arts Program or Series for their episode. [27] At the 9th Gemini Awards in 1995, the series was nominated for Best Music Variety Program or Series. [28]
Kashtin were a Canadian folk rock duo in the 1980s and 1990s, one of the most commercially successful and famous musical groups in First Nations history.
Nothing Too Good for a Cowboy is a Canadian television drama series, which aired on CBC from 1998 to 2000. The series, which is set in the 1940s, was based on the memoirs of author and rancher Richmond P. Hobson, Jr. and set on a ranch in rural northern British Columbia.
Friday Night! with Ralph Benmergui was a Canadian television variety show, which aired on CBC Television from 1992 to 1993. The show initially aired at 10 p.m., following Prime Time News, but was moved to 11 p.m. in January 1993 and aired in the later time slot for the remainder of its run.
The John Drainie Award was an award given to an individual who has made a significant contribution to broadcasting in Canada. Although meant to be presented annually, there have been years where it was not presented.
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The Canadian Screen Award for Best Supporting Actor in a Drama Series or Program is an annual Canadian television award, presented by the Academy of Canadian Cinema and Television to the best supporting performance by an actor in a Canadian dramatic television series or television film. Previously presented as part of the Gemini Awards, since 2013 it has been presented as part of the Canadian Screen Awards.
The Canadian Screen Award for Best Supporting Actress in a Drama Series or Program is an annual Canadian television award, presented by the Academy of Canadian Cinema and Television to the best supporting performance by an actress in a Canadian dramatic television series or television film. Previously presented as part of the Gemini Awards, since 2013 it has been presented as part of the Canadian Screen Awards.
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Scales of Justice was a Canadian series of docudrama television films, which aired on CBC Television between 1991 and 1995. Based on an earlier CBC Radio series of the same name, the films dramatized notable Canadian court cases, with actors reenacting the real-life events of the trial.
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