Soundgarden was an American rock band formed in Seattle, Washington, in 1984 by singer and drummer Chris Cornell, lead guitarist Kim Thayil, and bassist Hiro Yamamoto. Cornell switched to rhythm guitar in 1985, replaced on drums initially by Scott Sundquist, and later by Matt Cameron in 1986. Yamamoto left in 1989 and was replaced initially by Jason Everman and shortly thereafter by Ben Shepherd. The band dissolved in 1997 and reformed in 2010. Following Cornell's death in 2017, Thayil declared in October 2018 that Soundgarden would not continue, though they did reunite in January 2019 for a one-off concert in tribute to Cornell. Cornell, Thayil, and Cameron appeared on all of the band's studio albums.
Grunge is an alternative rock genre and subculture which emerged during the mid-1980s in the U.S. state of Washington, particularly in Seattle and nearby towns. Grunge fuses elements of punk rock and heavy metal. The genre featured the distorted electric guitar sound used in both genres, although some bands performed with more emphasis on one or the other. Like these genres, grunge typically uses electric guitar, bass guitar, drums and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse, neglect, betrayal, social and emotional isolation, addiction, psychological trauma and a desire for freedom.
Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf, Grand Funk, Free, and Deep Purple also produced hard rock.
Sludge metal is an extreme subgenre of heavy metal music that combines elements of doom metal and hardcore punk. The genre generally includes slow tempos, tuned down guitars and nihilistic lyrics discussing poverty, drug addiction and pollution.
Drone metal or drone doom is a style of heavy metal that melds the slow tempos and heaviness of doom metal with the long-duration tones of drone music. Drone metal is sometimes associated with post-metal or experimental metal.
Earth is an American rock band based in Olympia, Washington and led by the guitarist Dylan Carlson. Initially active between 1989 and 1997, their early work is characterized by heavy guitar distortion, drones, and lengthy, minimalist song structures; their 1993 debut album Earth 2 is recognized as a pioneering work of the drone metal genre. The band resurfaced in the early 2000s, with their subsequent output reducing the distortion and incorporating elements of country, jazz rock, and folk. Earth's current lineup consists of Carlson and drummer Adrienne Davies.
Dylan Carlson is an American musician, best known as the guitarist and founder of the drone metal/post-rock group Earth, and the main contributor to his solo project Drcarlsonalbion.
Stag is the eighth studio album by American rock band Melvins, released in 1996 through Atlantic Records. This is the final album the band released under Atlantic before being dropped from the label. Promotional singles were released for the songs "The Bit" and "Bar-X the Rocking M" with the latter having a music video.
Roger "Buzz" Osborne, also known as King Buzzo, is an American guitarist, vocalist and songwriter. He is a founding member of the rock band Melvins, as well as Fantômas and Venomous Concept.
Drone music, drone-based music, or simply drone, is a minimalist genre of music that emphasizes the use of sustained sounds, notes, or tone clusters called drones. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism." Music containing drones can be found in many regional traditions across Asia, Australia, and Europe, but the genre label is generally reserved for music originating with the Western classical tradition. Elements of drone music have been incorporated in diverse genres such as rock, ambient, and electronic music.
"Them Bones" is a song by American rock band Alice in Chains. It was released as the second single from their second studio album, Dirt (1992). "Them Bones" peaked at No. 24 on Billboard's Mainstream Rock chart and at No. 30 on the Modern Rock Tracks chart. The song was included on the band's compilation albums Nothing Safe: Best of the Box (1999), Greatest Hits (2001) and The Essential Alice in Chains (2006). It was also included on the box set Music Bank (1999). A live performance of the song was included on their second live album, Live (2000).
Boris is a Japanese band that draws variously from styles such as sludge metal, drone, noise, psychedelia, and minimalism. Formed in 1992 in Tokyo, the band is composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members sing. Boris has released more than 20 studio albums on various labels around the world, as well as a variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara.
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are often but not always screamed or growled and resemble an additional instrument.
Pentastar: In the Style of Demons is the third full-length studio album by the drone doom band Earth, released in 1996. It has a more rock-oriented sound than their earlier drone doom work, although in a very minimalist style. "Peace in Mississippi" is a cover of the Jimi Hendrix song. The original vinyl release of the album has an alternative take of "Peace in Mississippi".
Hex; Or Printing in the Infernal Method is the fourth full-length studio album by American drone rock band Earth.
Phase 3: Thrones and Dominions is the second studio album by the American drone band Earth, released in 1995.
The Bees Made Honey in the Lion's Skull is the fifth full-length studio album by the American musical group Earth.
Ulrich Krieger is a German contemporary composer, performer, improviser and experimental rock musician based in Los Angeles.
Angels of Darkness, Demons of Light I is the sixth full-length studio album by the band Earth, released on Southern Lord Records. Cello is introduced as a new instrument, along with the usual ones being used since the album Hex. Dylan Carlson describes the album as more melodic and riff oriented. The second part of the album was released in 2012. The album illustrations were created by Stacey Rozich.
Barely Real is the 1992 extended play (EP) by the American indie rock band Codeine. After releasing their previous album Frigid Stars LP in 1990, the group accepted an invitation from the quartet Bastro to tour in Europe in 1991. Following the tour, the group was invited to record a single for Sub Pop Singles Club and attempted to record their follow-up album The White Birch in 1992. The recording sessions proved to be disastrous for the group since they found themselves often with unusable tracks over several different studios. As Codeine could not record enough material for a full-length album, they decided to release what tracks they had as an EP.
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