Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre.
Jangle or jingle-jangle is a sound typically characterized by undistorted, treble-heavy electric guitars played in a droning chordal style. The sound is mainly associated with pop music as well as 1960s guitar bands, folk rock, and 1980s indie music. It is sometimes classed as its own subgenre, jangle pop. Music critics use the term to suggest guitar pop that evokes a bright mood.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Sludge metal is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments, and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Sludge as a distinct genre emerged after 1990 through the work of Louisiana bands such as Eyehategod, Crowbar, and Acid Bath, who generally borrowed from southern rock.
Drone metal or drone doom is a style of heavy metal that melds the slow tempos and heaviness of doom metal with the long-duration tones of drone music. Drone metal is sometimes associated with post-metal or experimental metal.
Earth is an American rock band based in Olympia, Washington and led by the guitarist Dylan Carlson. Initially active between 1989 and 1997, their early work is characterized by distortion, droning, minimalism and lengthy, repetitive song structures; their 1993 debut album Earth 2 is recognized as a pioneering work of the drone metal genre. The band resurfaced in the early 2000s, with their subsequent output reducing the distortion and incorporating elements of country, jazz rock, and folk. Earth's current lineup consists of Carlson and drummer Adrienne Davies.
Dylan Carlson is an American musician, best known as the guitarist and founder of the drone metal/post-rock group Earth, and the main contributor to his solo project Drcarlsonalbion.
Roger "Buzz" Osborne, also known as King Buzzo, is an American guitarist, vocalist and songwriter. He is a founding member of the rock band Melvins, as well as Fantômas and Venomous Concept.
Drone music, drone-based music, or simply drone, is a minimalist genre of music that emphasizes the use of sustained sounds, notes, or tone clusters called drones. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Music containing drones can be found in many regional traditions across Asia, Australia, and Europe, but the genre label is generally reserved for music originating with the Western classical tradition. Elements of drone music have been incorporated in diverse genres such as rock, ambient, and techno.
"Them Bones" is a song by American rock band Alice in Chains. It is the opening track and the second single from their second album, Dirt (1992). "Them Bones" peaked at No. 24 on Billboard's Mainstream Rock chart and at No. 30 on the Alternative Airplay chart. The song was also included on the compilation albums Nothing Safe: Best of the Box (1999), Music Bank (1999), Greatest Hits (2001), The Essential Alice in Chains (2006). A live performance of the song is included on their live album Live (2000).
Boris is a Japanese band formed in 1992 in Tokyo and composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members contribute vocals. Their work has drawn variously on styles such as sludge rock, drone, metal, noise, psychedelia, and minimalism. Boris has released more than twenty studio albums on various labels around the world, as well as a wide variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis, Godflesh, and Helmet, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are usually screamed or growled and resemble an additional instrument.
Pentastar: In the Style of Demons is the third full-length studio album by the drone doom band Earth, released in 1996. It has a more rock-oriented sound than their earlier drone doom work, although in a very minimalist style. "Peace in Mississippi" is a cover of the Jimi Hendrix song. The original vinyl release of the album has an alternative take of "Peace in Mississippi".
Hex; Or Printing in the Infernal Method is the fourth full-length studio album by American drone rock band Earth.
Alan Licht is an American guitarist and composer, whose work combines elements of pop, noise, free jazz and minimalism. He is also a writer and journalist.
Phase 3: Thrones and Dominions is a studio album by the drone band Earth, released in 1995.
The Bees Made Honey in the Lion's Skull is the fifth full-length studio album by the American musical group Earth.
God's Balls is the debut album by the alternative rock band Tad. It was released in 1989 on Sub Pop, and re-released in 2016 as a deluxe edition. The band promoted the album by undertaking a European tour with labelmates Nirvana.
Angels of Darkness, Demons of Light I is the sixth full-length studio album by the band Earth, released on Southern Lord Records. Cello is introduced as a new instrument, along with the usual ones being used since the album Hex. Dylan Carlson describes the album as more melodic and riff oriented. The second part of the album was released in 2012. The album illustrations were created by Stacey Rozich.
