The East India Marine Society (est. 1799) of Salem, Massachusetts, United States, was "composed of persons who have actually navigated the seas beyond the Cape of Good Hope or Cape Horn, as masters or supercargoes of vessels belonging to Salem." It functioned as a charitable and educational organization, and maintained a library and museum. It flourished especially in the 1800s–1830s, a heyday of foreign trade. [1]
In 1910 the society reincorporated as "Trustees of the Salem East India Marine Society." [2]
The society founders were invested in the establishment of a museum from the beginning: their third objective was "to form a Museum of natural and artificial curiosities, particularly such as are found beyond the Cape of Good Hope and Cape Horn." [1] : 6 Within three years, their collection had grown too large for their building, so they relocated to the Salem Bank building, constructed by Colonel Benjamin Pickman, on Essex Street. [1] : 34–35
In 1825 the society dedicated the newly constructed East India Marine Hall, designed by architect Thomas Waldron Sumner. It shared the building with the Asiatic Bank and Oriental Insurance Company. [3] Museum staff included Seth Bass, Malthus A. Ward, and Henry Wheatland. [1] [4]
The museum existed under the East India Marine Society name from 1799 until 1867, when it was purchased by George Peabody for $140,000. [5] : 49 The East India Marine Hall and its collections were combined with those of the Essex Institute in the fields of natural history and ethnology, and reimagined as the Peabody Academy of Science. [3] : 202 In 1915, the Peabody Academy of Science transitioned into the Peabody Museum of Salem; after merging with the Essex Institute completely in 1992, it became the Peabody Essex Museum. [6]
The East India Marine Society museum and its collections were significant in several ways. Firstly, the society's members were obligated to donate "curiosities" from their travels; not only did the museum help make Salem a vital location for learning about European and Asian visual and intellectual culture, it signaled America's success and prosperity in global trade. [7] : 69 It also established that American cultural institutions were of comparable quality to their European counterparts. [8] : 4 On a larger scale, the museum combined the economics of trade with enlightenment philosophy [9] : 47 and was believed to have an important role in the study of science and society. [3] : 199
The collection was started by donations from Captain Jonathan Carnes; items as diverse as an elephant's tooth and a pipe from Sumatra set the standard for the museum's acquisitions. [7] : 69 Because of the society's requirement for its members to donate a diverse range of objects from their travels, the collections were specifically related to their business endeavors, which explains the predominance of Pacific artifacts on display. [9] : 42 The museum received so many objects in the first two decades of its existence that it hired a curator to fill in gaps in the collection, [3] : 188 reorganize the displays, and create a catalogue. This catalogue of the museum's collections was published in 1821, listing 2,269 objects. [1] : 36
At the time of the first catalogue's publication, the society owned a variety of objects including shells; [10] coins; [11] other ethnological artifacts such as costume, musical instruments, statuary, weaponry; [12] and manuscript journals of sea voyages between Salem and places including Batavia, Bombay, Calcutta, Canton, Ceylon, Isle de France, Manila, Mocha, Sumatra, and Tranquebar. [13] [14] Donors of objects included members, New England locals such as William Bentley, non-member seafarers such as John Derby, and others such as merchant Nusserwanjee Maneckjee of Bombay. [7] [15]
Ten years after the first catalogue, a second was released, with a total of 4,299 objects. [1] : 48 These catalogues contained objects including:
The collection also included several objects that were especially valuable due to factors including rarity, origin, and historical significance. One such artifact is an idol of Kolia Moku, the medicine god, from the Sandwich Islands, donated by John T. Prince in the late 1840s. There are only two other surviving idols of this type. [1] : 50
One of the more notorious objects was the embalmed head of a New Zealand chief, donated by William Dana; it had to be displayed behind a veil. [3] : 185
An earlier object of importance to the collection is the sculpture donated by Captain Benjamin Hodges in 1790, Figure of a Chinese Man. Scholars have reported that it was one of the first sculptures to enter the American market from China. [7] : 72
Even though the society's cultural collections largely focused on items gathered from international trade, it still displayed a small number of objects from Native American tribes. Because there was no strong financial reason to expend concerted effort on collecting Native objects, scholars have reported that the museum's representation of Eastern tribes was small and used to compare them to ancient civilizations: items such as arrowheads that had come up during excavations in New England were displayed with classical artifacts. [18] : 54
There are not many remaining records of the exhibition style of the museum, but a few observations have survived. For example, when the society moved into the newly-constructed East India Marine Hall, tall cases filled with artifacts lined the walls—often with nautical models displayed on top—and more cases were arranged in the center of the room. [9] : 45
In addition, the museum was decorated with life-size sculptures of merchants from China and India. They were placed in strategic locations throughout the exhibition hall, which allowed them to serve not only as objects within the collection themselves, but also as contextual aids for other objects. [9] : 46
Not much is known about the specific groupings of the collection prior to the 1830s; near the end of the decade, however, records state that items were displayed based on their general function, such as weaponry or musical instruments. [3] : 195 The curator, Dr Malthus Ward, did this in an effort to assemble objects that shared similar roles in their various countries of origin. [9] : 47
The museum had no admission fee, but it required visitors to be introduced by a society member. [9] : 45 Prominent visitors to the society's museum included William Bentley, [19] James Silk Buckingham, [1] Nathaniel Hawthorne, [20] Joseph Smith, [21] Andrew Jackson, Anne Newport Royall, [17] and Martin Van Buren. [3]
It was one of Salem's most vital attractions, and visitors consistently reported feelings of awe and as though they were entering a separate world: Martha Nichols, the granddaughter of Salem mariner Captain George Nichols, wrote that its "magic door opened onto so many wonders," [3] : 196 and a guestbook from 1860 contains a visitor's opinion that "to walk around this room was to circumnavigate the globe." [22] These impressions taught the younger generations of Salem knowledge of the global marketplace that was valued highly in the early 19th century: the possibilities for trade relations were enhanced by their prolonged exposure to foreign nations. [3] : 191
According to scholars, the exhibits in East India Marine Hall presented visitors with the idea that their sailors had brought them a personalized microcosm of the world. [9] : 48 The objects and their displays were meant to do more than just illustrate the rich diversity of other cultures; they were also strongly associated with their donors. This was underscored by the presence of donor portraits hung above the objects, as well as the former sailors serving the society as tour guides. [9] : 47 This emphasized the personal connections that surrounded the objects, and demonstrated the sailor's autonomy and success in an international arena. [9] : 42
The 1830s presented several challenges to the museum's relationship with its visitors. In 1833, the society created and enforced a rule that banned African Americans from attending the museum, despite the fact that it had not previously restricted their attendance. [3] : 197 In addition, an entrance fee was briefly charged as an attempt to "remedy [the] evil" of their popularity; the more than 2,000 annual visitors, coupled with the society's responsibility to care for its members' families experiencing financial hardship, had become too difficult to maintain. [3] : 195
Nathaniel Hawthorne described a fictionalized version of the society's museum in his 1842 short story A Virtuoso's Collection . [16]
Salem is a historic coastal city in Essex County, Massachusetts, United States, located on the North Shore of Greater Boston. Continuous settlement by Europeans began in 1626 with English colonists. Salem was one of the most significant seaports trading commodities in early American history. Prior to the dissolution of county governments in Massachusetts in 1999, it served as one of 2 county seats for Essex County alongside Lawrence, Massachusetts.
The Boston Brahmins or Boston elite are members of Boston's traditional upper class. They are often associated with a cultivated New England or Mid-Atlantic dialect and accent, Harvard University, Anglicanism, and traditional British American customs and clothing. Descendants of the earliest English colonists are typically considered to be the most representative of the Boston Brahmins. They are considered White Anglo-Saxon Protestants (WASPs).
William Crowninshield Endicott was an American politician and Secretary of War in the first administration of President Grover Cleveland (1885–1889).
The Crowninshield family is an American family that has been prominent in seafaring, political and military leadership, and the literary world. The founder of the American family emigrated from what is now Germany in the 17th century. The family is one of several known collectively as Boston Brahmins.
The Peabody Essex Museum (PEM) in Salem, Massachusetts, US, is a successor to the East India Marine Society, established in 1799. It combines the collections of the former Peabody Museum of Salem and the Essex Institute. PEM is one of the oldest continuously operating museums in the United States and holds one of the major collections of Asian art in the United States. Its total holdings include about 1.3 million pieces, as well as twenty-two historic buildings.
The Nathaniel Ropes Mansion, is a Georgian Colonial mansion located at 318 Essex Street in Salem, Massachusetts. As no published dendrochronology study has been conducted, the exact build date of this home is up for debate. It is generally agreed upon by historians that the mansion dates to the late 1720's. Major alterations since then include the Ionic style entrance, and rear ell which were added during the 19th century. The residence was also moved back during this time from Essex Street due to possible rode widening. In the early 20th century, the Ropes Mansion was given to the "Trustees of the Ropes Memorial", who built the garden in the rear of the house. The residence is now operated by the Peabody Essex Museum, which gives seasonal self-guided house tours.
Elias Hasket Derby was an American merchant based in Salem, Massachusetts who owned or held shares in numerous privateers. The crews of these ships took more than 150 prizes during the American Revolution, and the sale of the prizes resulted in great wealth to be shared. Derby was in business with his father, who died at the end of the war.
Benjamin Pickman Jr. was a U.S. Representative from Massachusetts.
The Peabody Museum of Salem (1915–1992), formerly the Peabody Academy of Science (1865–1915), was a museum and antiquarian society based in Salem, Massachusetts. The academy was organized in part as a successor to the East India Marine Society, which had become moribund but held a large collection of maritime materials in a museum collection at the East India Marine Hall, built in 1825 on Essex Street. The Peabody Museum was merged with the Essex Institute to form the Peabody Essex Museum in 1992. The East India Marine Hall, now embedded within the latter's modern structure, was designated a National Historic Landmark in 1965 in recognition of this heritage, which represents the nation's oldest continuously-operating museum collection.
"A Virtuoso's Collection" is the final short story in Mosses from an Old Manse by Nathaniel Hawthorne. It was first published in Boston Miscellany of Literature and Fashion, I, 193-200. The story references a number of historical and mythical figures, items, beasts, books, etc. as part of a museum collection. Some scholars regard the real-life museum of the East India Marine Society in Salem, Massachusetts, as a model for Hawthorne's fictional museum. The narrator is led through the collection by the virtuoso himself who turns out to be the Wandering Jew.
Dudley Leavitt Pickman (1779–1846) was an American merchant who built one of the great trading firms in Salem, Massachusetts, during the seaport's ascendancy as a trading power in the late eighteenth and early nineteenth centuries. Pickman was a partner in the firm Devereux, Pickman & Silsbee and a state senator. Among the wealthiest Salem merchants of his day, Pickman used his own clipper ships to trade with the Far East in an array of goods ranging from indigo and coffee to pepper and spices, and was one of the state's earliest financiers, backing everything from cotton and woolen mills to railroads to water-generated power plants. Pickman also helped found what is today's Peabody Essex Museum.
The Essex Institute (1848–1992) in Salem, Massachusetts, was "a literary, historical and scientific society." It maintained a museum, library, historic houses; arranged educational programs; and issued numerous scholarly publications. In 1992 the institute merged with the Peabody Museum of Salem to form the Peabody Essex Museum.
Spring Pond, United States, abuts the three cities of Lynn, Peabody and Salem. In the center of these townships "is a beautiful pond". It is a secluded lake known by residents of the three cities and visitors who come to enjoy the camps, trails and natural environment of the woods. "It is in fact one of the most picturesque and romantic lakelets in Massachusetts". Stretching from Spring Pond to Marlborough Road in Salem, the pond and woods form a microcosm of beauty. On the edge of Spring Pond was once the Fay Farm, an English manor estate in New England. The mansion of Fay Farm was a well-known hotel in 1810, when the springs of these areas were believed to possess medicinal qualities. People visited the springs near Spring Pond to restore health, and worship the goddess Hygeia and drink from the rusty iron-rich water trickling from the foot of a bank. Later, some traveled there solely for fun and frolic. The hotel was then converted into a private residence. The waters of Spring Pond are conveyed by springs from an aquifer lying below Spring Pond through Peabody, Lynn and Salem. Spring Pond is listed as one of the "Massachusetts Great Ponds".
The Salem Social Library (1760-1810) or Social Library in Salem was a proprietary library in Salem, Massachusetts. "Twenty-eight gentlemen ... subscribed 165 guineas. ... A Boston minister, [Jeremy Condy], was employed to buy the books in London and the library opened in a brick schoolhouse May 20, 1761, with 415 volumes including gifts given by members. The revolution was a bitter blow to many of the gentlemen who had founded the library. Many of the proprietors fled to England. ... In 1784 the library made a new start in new quarters in the new ... schoolhouse. Here they remained about 15 years, the schoolmaster acting as librarian." "In 1797 they became incorporated;" Edward Augustus Holyoke, Jacob Ashton, Joseph Hiller, and Edward Pulling served as signatories. "There were over 40 proprietors when in 1810 the library was turned over to the [Salem] Athenaeum."
The Salem Philosophical Library (1781–1810) or Philosophical Library Company was a proprietary library in Salem, Massachusetts. Men affiliated with the library included: Tho. Bancroft, Thomas Barnard, William Bentley, Joseph Blaney, Nathaniel Bowditch, Manasseh Cutler, Nathan Dane, Joshua Fisher, Edward Augustus Holyoke, Joseph Mc'keen, B. Lynde Oliver, Joseph Orne, William Prescott, Samuel Page, Joshua Plummer, John Prince, Nathan Read, John D. Treadwell, Ichabod Tucker, and Joseph Willard. "The Library was kept at the house of Rev. Joseph Willard of Beverly, till ... December, 1781. ... His successor was Rev. Dr. Prince, who had the volumes at his mansion" in Salem. "By 1810, many of the members of the [Salem] Social Library also belonged to the Philosophical Library, and the two bodies were merged to create the Salem Athenaeum."
The Friendship of Salem is a 171-foot replica of the Friendship, a 1797 East Indiaman. It was built in 2000 in the Scarano Brothers Shipyard in Albany, New York. The ship usually operates as a stationary museum ship during most of the year. However, it is a fully functioning United States Coast Guard-certified vessel capable of passenger and crew voyages, which makes special sailings during various times of the year. The Friendship of Salem is docked at the Salem Maritime National Historic Site, established in 1938 as the first such site in the United States. The site, which includes several structures, artifacts and records, is operated by the National Park Service.
George Ropes Jr. (1788–1819) was an American artist, known for his maritime oil paintings.
The 61st Massachusetts General Court, consisting of the Massachusetts Senate and the Massachusetts House of Representatives, met in 1840 during the governorship of Marcus Morton. Daniel P. King served as president of the Senate and Robert Charles Winthrop served as speaker of the House.
John Clarke Lee was an American lawyer, merchant, banker and politician who co-founded the prominent stock brokerage firm of Lee, Higginson & Co.
{{cite book}}
: |work=
ignored (help)Peabody Essex Museum
{{cite web}}
: CS1 maint: multiple names: authors list (link)