Ego Trip | ||||
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Studio album by | ||||
Released | 1984 | |||
Genre | Hip hop | |||
Length | 42:48 | |||
Label | Mercury/Polydor 822 420 | |||
Producer | J.B. Moore Robert Ford Jr. | |||
Kurtis Blow chronology | ||||
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Singles from Ego Trip | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B− [2] |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Philadelphia Inquirer | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Ego Trip is the fourth album by the rapper Kurtis Blow, released in 1984 on Mercury Records. [6] [7] The only charting singles were "8 Million Stories", which peaked at 45 on the Hot Black Singles chart, and "Basketball", which peaked at 71 on the Hot 100.
Trouser Press dubbed Ego Trip one of Blow's "state-of-the-art in an almost mainstream vein" early albums, noting that the inclusion of Run-D.M.C. was a "concerted effort to get hipper." [8] The Washington Post wrote that Blow "knows how to mix plain talk with his rhymes, so that his records carry an extra bit of street feel, but his most impressive moments come when he exploits the studio, as he does on the intoxicatingly sinuous 'AJ Scratch'." [9] The Philadelphia Inquirer wrote that "the hit single 'Eight Million Stories' suggests that other people are worthier subjects of his songwriting than Kurtis Blow." [4]
In a tribute to "Basketball" and its legacy, Slam wrote that "none of the NBA/hip-hop empire building happens—or at the very least none of it happens the way we remember it happening—without the skills of Kurtis Blow." [10]
Chart (1984–1985) | Peak position |
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US Billboard 200 [11] | 83 |
US Top R&B/Hip-Hop Albums (Billboard) [12] | 18 |
Chart (1985) | Position |
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US Top R&B/Hip-Hop Albums (Billboard) [13] | 47 |
Kurtis Walker, known professionally by his stage name Kurtis Blow, is an American rapper, songwriter, and record producer. Walker is the first commercially successful rapper and the first to sign with a major record label. "The Breaks", a single from his 1980 self-titled debut album, is the first certified gold record rap song. Over his career he released 17 albums. He is an ordained minister.
Raising Hell is the third studio album by American hip hop group Run-D.M.C., released on May 15, 1986, by Profile Records. The album was produced by Russell Simmons and Rick Rubin. Raising Hell is notable for being the first Platinum and multi-Platinum hip hop record. The album was first certified Platinum on July 15, 1986, before it was certified as 3× Platinum by the Recording Industry Association of America (RIAA) on April 24, 1987. It is widely considered to be one of the greatest and most important albums in the history of hip hop music and culture.
Radio is the debut studio album by American rapper LL Cool J. It was released on November 18, 1985, by Def Jam Recordings and Columbia Records. It was also Def Jam's first full-length album release.
The Fat Boys were an American hip hop trio from Brooklyn, New York, who emerged in the early 1980s. The group was briefly known originally as the Disco 3, originally composed of Mark "Prince Markie Dee" Morales, Damon "Kool Rock-Ski" Wimbley, and Darren "Buff Love" Robinson.
Run-D.M.C. is the debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records, and re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith.
King of Rock is the second studio album by American hip hop group Run-D.M.C., released on January 21, 1985, by Profile Records. The album was produced by Russell Simmons and Larry Smith. King of Rock became the first rap album to be released on CD, and was the third rap album to be certified Platinum by the Recording Industry Association of America (RIAA). The album saw the group adopting a more rock-influenced sound, with several tracks prominently featuring heavy guitar riffs. The song "Roots, Rap, Reggae" features Yellowman, and was one of the first hybrids of rap and dancehall.
Kingdom Blow is the sixth studio album by the American hip hop musician Kurtis Blow, released in 1986.
Escape is the second studio album by American hip hop group Whodini, released on October 17, 1984, by Jive Records. The album was recorded at Battery Studios in London, where the group worked with producer Larry Smith after their management could not find them a producer. Whodini member Jalil Hutchins convinced Smith, his friend, to produce the album when Smith needed money after a friend's hospitalisation. Although the group originally intended to record more rock-oriented material for the album, its music has a predominantly synthesizer-based backing, with a rhythm and blues influence.
Chilltown, New York is the sixth solo studio album by American rapper and producer Erick Sermon. It was released on June 22, 2004 via Def Squad/Universal Motown Records Group. Recording sessions took place at L.I.T.E. Recording Studios in Long Island, New York. Production was handled solely by Sermon. The album features guest appearances from Sy Scott, Redman, 11/29, Dahlia Anderson, Keith Murray, Khari, Slimkid3, Talib Kweli and Whip Montez. The album spawned two singles: "Relentless"/"I'm Not Him" and "Feel It".
Fat Boys is the self-titled debut studio album by American hip hop group the Fat Boys, released on May 29, 1984, by Sutra Records. It was produced by Kurtis Blow. The album is dedicated to the memory of Rebecca Wimbley and William (Divine) Santos. It peaked at number 48 on the US Billboard 200, and number 6 on the Top R&B/Hip Hop Albums chart. The album was certified Gold by the RIAA on May 6, 1985.
"Rock Box" is a song by the American hip hop group Run-DMC. The song was produced by Larry Smith and Russell Simmons and released by Profile Records in March 1984. Following the popularity of their previous two singles "Hard Times" (1983) and "It's Like That" (1983), Profile Records head suggested to the producers and group that they should attempt to record an album as they already had four songs ready, and releasing a few more would not hurt them. Despite speculating low sales from the label and the group not feeling that hip hop was a genre appropriate for a full-length album, they were given an advance to start recording. This led to Run-DMC members Joseph "Run" Simmons and Darryl "DMC" McDaniels going through their rhyme book to develop new songs, one of which would become "Rock Box".
"Basketball" is a rap song written by William Waring, Robert Ford, Kurtis Blow, J. B. Moore, Jimmy Bralower, and Full Force and recorded by Kurtis Blow, released in 1984 from his album Ego Trip.
Lyte as a Rock is the debut studio album by American hip hop recording artist MC Lyte. It was released on April 19, 1988, via First Priority and Atlantic Records, and was produced by Audio Two, Prince Paul, and King of Chill and his group, Alliance.
America is the fifth album by rapper Kurtis Blow, released in 1985 on Mercury Records. The album includes the song "If I Ruled the World" from the film Krush Groove, Blow's biggest hit since "The Breaks" and one of the last of his musical career. The album was the first album Kurtis Blow produced in a new deal with PolyGram Records that gave Kurtis the title Hip Hop's First Millionaire. The album was released in an era when old school hip hop was being overtaken by a harder sound and attitude. The album includes the first sample loop that revolutionized the music industry. The single, "If I Ruled the World", reached number 24 in the UK Singles Chart in January 1986.
Tough is the third studio album by the American rapper Kurtis Blow, released in 1982 through Mercury Records. The recording sessions took place at Greene St. Recording in New York. The album was produced by James B. Moore and Robert Ford Jr.
Lawrence Smith was a pioneering American musician and hip hop record producer. He is best known for his co-productions of Run-DMC's Run-D.M.C. (1984) and King of Rock (1985) and his solo production of Whodini's Escape (1984) and Back in Black (1986).
"Sucker M.C.'s" is a song by American hip hop group Run-D.M.C. It was first released in 1983 as B-side to "It's Like That". The two-sided release marked the start of Run-D.M.C.'s career as their first single, and it is widely regarded as ushering in a new school of hip hop artists with a street image and an abrasive, minimalist sound that marked them out from their predecessors. Both tracks were collected on the trio's self-titled debut album in 1984. WBAU was the first station to play the two songs.
Run-DMC was an American hip hop group from Hollis, Queens, New York City, formed in 1983 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is regarded as one of the most influential acts in the history of hip hop culture and especially one of the most famous hip hop acts of the 1980s. Along with Beastie Boys, LL Cool J, DJ Jazzy Jeff & the Fresh Prince, and Public Enemy, the group pioneered new-school hip hop music and helped usher in the golden age of hip hop. The group was among the first to highlight the importance of the MC and DJ relationship.
Back by Popular Demand is the seventh and final studio album by the American rapper Kurtis Blow, released in 1988.
This article presents the discography of Kurtis Blow, an American hip hop artist.