Brian Dettmer is an American contemporary artist. He is noted for his alteration of preexisting media—such as old books, maps, record albums, and cassette tapes—to create new, transformed works of visual fine art.
Theodore Nikolai Lukits was a Romanian American portrait and landscape painter. His initial fame came from his portraits of glamorous actresses of the silent film era, but since his death, his Asian-inspired works, figures drawn from Hispanic California and pastel landscapes have received greater attention.
Vesna Jovanovic is a contemporary American visual artist, best known for her works on paper that address themes related to the human body.
Vincent Como is a Brooklyn-based visual artist. His work is rooted in Minimalism, Conceptual Art, and Color Field Painting with a specific focus toward Black. Como has referenced the influence of Ad Reinhardt and Kasimir Malevich, as well as movements such as the Italian Arte Povera movement from the 1960s.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Gary Lee Noffke is an American artist and metalsmith. Known for versatility and originality, he is a blacksmith, coppersmith, silversmith, goldsmith, and toolmaker. He has produced gold and silver hollowware, cutlery, jewelry, and forged steelware. Noffke is noted for his technical versatility, his pioneering research into hot forging, the introduction of new alloys, and his ability to both build on and challenge traditional techniques. He has been called the metalsmith's metalsmith, a pacesetter, and a maverick. He is also an educator who has mentored an entire generation of metalsmiths. He has received numerous awards and honors. He has exhibited internationally, and his work is represented in collections around the world.
Vera Berdich was an American printmaker.
Anchor Graphics is a non-profit fine art printshop and gallery in Chicago, Illinois that is part of the Art + Design Department at Columbia College Chicago. It was founded in 1990 by David Jones and Marilyn Propp. It is known for the quality of its prints as well as its educational programming.
Michiko Itatani is a Chicago-based artist who was born in Osaka, Japan. After she received her BFA (1974) and MFA (1976) at the School of the Art Institute of Chicago in 1974 and 1976 respectively, she returned to her alma mater in 1979 to teach in the Painting and Drawing department. Through her work, Itatani explores identity, continuation, and finding one's way in the modern world. Her work depicts nude figures in an expressionist style. Itatani has received the Illinois Arts Council Artist's Fellowship, the National Endowment for the Arts Fellowship and the John Simon Guggenheim Fellowship. Her work is collected in many museums, including the Art Institute of Chicago; the Museum of Contemporary Art, Olympic Museum, Switzerland; Villa Haiss Museum, Germany; Musée national des beaux-arts du Québec, Canada; Museu D'art Contemporani (MACBA), Spain; and the National Museum of Contemporary Art, South Korea.
Linda Threadgill is an American artist whose primary emphasis is metalsmithing. Her metal work is inspired by forms of nature and the interpretations she gleans from the intricate patterns it presents. She explores the foundation of nature to allude to nature and transform it into re-imagined, stylized plants forms.
Fern Shaffer is an American painter, performance artist, lecturer and environmental advocate. Her work arose in conjunction with an emerging Ecofeminism movement that brought together environmentalism, feminist values and spirituality to address shared concern for the Earth and all forms of life. She first gained widespread recognition for a four-part, shamanistic performance cycle, created in collaboration with photographer Othello Anderson in 1985. Writer and critic Suzi Gablik praised their work for its rejection of the technocratic, rationalizing mindset of modernity, in favor of communion with magic, the mysterious and primordial, and the soul. Gablik featured Shaffer's Winter Solstice (1985) as the cover art for her influential book, The Reenchantment of Art, and wrote that the ritual opened "a lost sense of oneness with nature and an acute awareness of ecosystem" that offered "a possible basis for reharmonizing our out-of-balance relationship with nature."
Carole Harmel is an American artist and photographer, who gained recognition for her provocative images of nudes in the 1970s and 1980s and still lifes combining photography with short narratives, wordplay and mixed media. Fundamental to Harmel's work is a questioning of reality and photographic conventions, a penchant for surrealism, and humor. The New Art Examiner described her nudes as having a "startling, queasy impact," "rich in ambiguity, discomforting in content." About her still lifes, critic Michael Weinstein wrote, "sophisticated academic criticism is fused with love of color and visual form to create images at once conceptually engaging and perceptually arresting."
Rodney Carswell is an American abstract artist. He first gained recognition for human-scaled, geometric paintings that feature exposed, projected support structures, creating interplay between sculptural presence and richly painted pictorial surfaces. His recent paintings eschew the superstructures and evoke a greater sense of immediacy, playfulness, and narrative. Critics often describe Carswell's work as uncanny, elusive or quirky, for its tendency to negotiate "in-between" spaces and embrace contradictions such as order and instability, intention and accident, or back and front. Employing irregularly shaped canvasses, thick supports, and openings or holes that reveal the stretcher construction and walls behind them, works like 3 (1994) often occupy a place between painting and sculpture. In a similar way, Carswell uses the modernist languages of Minimalism, Suprematism and Constructivism, yet eludes those categories with postmodern allusions to architecture, the body and spiritual iconography, and with his process-oriented, "hand-made" surfaces. In his essay for Carswell's mid-career retrospective at Chicago's Renaissance Society, Los Angeles Times critic David Pagel suggested that his understated paintings worked their way into the one's consciousness in a "supple, somewhat unsettling manner" that achieves a subtle, but lingering shift in perception.
Jan Cicero Gallery was a contemporary art gallery founded and directed by Jan Cicero, which operated from 1974 to 2003, with locations in Evanston and Chicago, Illinois and Telluride, Colorado. The gallery was noted for its early, exclusive focus on Chicago abstract artists at a time when they were largely neglected, its role in introducing Native American artists to mainstream art venues beyond the Southwest, and its showcasing of late-career and young women artists. The gallery focused on painting, and to a lesser degree, works on paper, often running counter to the city's prevailing art currents. It was also notable as a pioneer of two burgeoning Chicago gallery districts, the West Hubbard Street alternative corridor of the 1970s, and the River North district in the 1980s.
Sam Himmelfarb was a Russian Empire-born, American artist and commercial exhibit designer, known for his modernist-influenced paintings of everyday people and urban scenes. He also designed the Frank Lloyd Wright-inspired Samuel and Eleanor Himmelfarb Home and Studio in Winfield, Illinois, which is listed on the National Register of Historic Places. Himmelfarb studied art at the Art Students League and National Academy of Design in New York and at the Wisconsin School of Fine and Applied Arts. He initially painted in a realist style influenced by the Ashcan School, which gave way to more modernist, increasingly abstract styles. His paintings appeared in exhibitions at the Art Institute of Chicago (AIC), Terra Museum of American Art, Milwaukee Art Institute, and Arts Club of Chicago, and in circulating shows from the American Federation of Arts, among other venues. He received awards from the AIC, Wisconsin State Fair and Milwaukee Art Museum, and his work belongs to the collection of the latter, and those of the Illinois State Museum, Block Museum, and Arkansas Art Center, among others. Himmelfarb was married to the artist and educator, Eleanor Himmelfarb (1910-2009); their son, John Himmelfarb, and grandchild, Serena Aurora Day Himmelfarb, are also artists.
Eleanor Gorecki Himmelfarb was an American artist, teacher and conservationist known for semi-abstract paintings that reference the landscape and human figure, and for her work protecting woodlands in DuPage County, Illinois. She studied art history and design at the University of Chicago, natural history at the Morton Arboretum, and fine art at the Art Institute of Chicago and University of Illinois at Chicago. Critics characterize Himmelfarb as a modernist, who explored her subjects metaphorically through complex rhythmic compositions, stylized forms, and subtle coloration. Her work was featured in solo shows at the Evanston Art Center (retrospective), University Club of Chicago and Sioux City Art Center, and group exhibitions at the Art Institute of Chicago, Chicago Cultural Center, and Renaissance Society. Himmelfarb taught painting and design for four decades at several institutions, including over 30 years at the DuPage Art League. She was married to the painter, Sam Himmelfarb, and helped him design their house, the Samuel and Eleanor Himmelfarb Home and Studio in Winfield, Illinois, which is listed on the National Register of Historic Places. Their son, John Himmelfarb, and grandchild, Serena Aurora, are also artists. Himmelfarb died at age 98 in Winfield in 2009.
Bibiana Suárez is a Latin American artist from Puerto Rico. She specializes in painting with mixed media. Her work reflects the immigrant experience of a search for self-identification and the problems of living on the edge between two cultures. Suárez's art pieces are representative of culture, social, and political dynamics.
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Neil Goodman is an American sculptor and educator, known for bronze works that combine elegant arrangements and forms with hand-wrought, textured surfaces. He has explored a wide range of formats—still-life compositions, wall and floor installations, free-standing works and monumental public art—in a formalist style that has evolved from spare representation to abstraction and minimalism.
Richard Loving (1924–2021) was an American artist and educator, primarily based in Chicago, Illinois. He gained recognition in the 1980s as a member of the "Allusive Abstractionists," an informal group of Chicago painters, whose individual forms of organic abstraction embraced evocative imagery and metaphor, counter to the dominant minimalist mode. He is most known for paintings that critics describe as metaphysical and visionary, which move fluidly between abstraction and representation, personalized symbolism taking organic and geometric forms, and chaos and order. They are often characterized by bright patterns of dotted lines and dashes, enigmatic spatial fields, and an illuminated quality. In 2010, critic James Yood wrote that Loving's work "mull[ed] over the possibilities of pattern and representation, of narrative and allegory" to attain a kind of wisdom, transcendence and acknowledgement of universals, "seeking understanding of self within the poetics of the physical world."
