Elie Apper (born 1933) is a Belgian classical saxophonist who is well known as a former member of the Saxophone Quartet of Belgium ("Le Quatuor Belge de Saxophones"). [1] The quartet was founded in 1953 and made its American debut December 9, 1970, in Fort Worth with the Youth Orchestra of Greater Fort Worth. The Quartet was founded by Francois Daneels, who was a professor of saxophone at the Brussels Conservatory. [2]
From 1972 to 1974, Apper served as visiting lecturer at the University of North Texas College of Music. He also was once a faculty member of the Flemish Conservatory and a soloist with the Flemish Radio and Television Orchestra and the Royal Band of the Belgian Guides. [3]
Apper, a student of Francois Daneels at the Royal Conservatory of Brussels, gained First Prize and was appointed Professor of Saxophone (Flemish section). [4]
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a saxophonist or saxist.
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭, smaller than the B♭ tenor but larger than the B♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Pierre Max Dubois, sometimes given as Pierre-Max Dubois was a French composer of classical music, conductor, and music educator. He was a student of Darius Milhaud, and though not widely popular, was respected. He brought the ideas of Les Six, of which his instructor was a member, into the mid-1900s. This group called for a fresh artistic perspective on music. The music of Dubois is characteristically light hearted with interesting harmonic and melodic textures.
Jean Absil was a Belgian composer, organist, and professor at the Brussels Conservatoire.
Jean-Baptiste Singelée was a Belgian classical composer of the romantic period.
Henri Léon Marie-Thérèse Pousseur was a Belgian classical composer, teacher, and music theorist.
Augusta Read Thomas is an American composer and University Professor of Composition in the Department of Music at the University of Chicago, where she is also director of the Chicago Center for Contemporary Composition.
The Royal Conservatory of Brussels is a historic conservatory in Brussels, Belgium. Starting its activities in 1813, it received its official name in 1832. Providing performing music and drama courses, the institution became renowned partly because of the international reputation of its successive directors such as François-Joseph Fétis, François-Auguste Gevaert, Edgar Tinel, Joseph Jongen and Marcel Poot, but more because it has been attended by many of the top musicians, actors and artists in Belgium such as Arthur Grumiaux, José Van Dam, Sigiswald Kuijken, Josse De Pauw, Luk van Mello and Luk De Konink. Adolphe Sax, inventor of the saxophone, also studied at the Brussels Conservatory.
Frédéric Devreese was a Belgian composer of mostly orchestral, chamber and piano works that have been performed throughout the world; he was also active as a conductor. Devreese is known for his film scores, including Benvenuta by André Delvaux and The Cruel Embrace by Marion Hänsel.
A saxophone quartet is a musical ensemble composed of four saxophones, typically soprano, alto, tenor and baritone saxophones. Different saxophone family members are employed to provide a larger range and a variety of tone colours. Other arrangements of instruments also exist, but are rarer. A piece of music composed for such an ensemble can also itself be referred to as a saxophone quartet.
Victor Legley was a Belgian violist and composer of classical music, of French birth. He first studied in Ypres with Lionel Blomme (1897–1984). In 1935 he matriculated at the Royal Conservatory in Brussels, and there won awards in the study of viola, fugue, counterpoint and chamber music.
Alain Crepin is a Belgian saxophonist, composer, music educator and conductor.
Norbert H. J. Nozy is a contemporary Belgian conductor, music educator, and classical saxophonist.
Albert Huybrechts was a Belgian composer.
François Daneels was an internationally renowned virtuoso classical saxophonist, a prolific composer, and music educator from Belgium. From 1954 to 1981, Daneels was professor of saxophone at his alma mater, the Royal Conservatory of Brussels.
Jacky June was a Belgian jazz saxophonist, clarinetist, and bandleader.
Robert Janssens is a Belgian composer and conductor. He is a French-speaking member of the Union of Belgian Composers, one of whose essential missions is "to disseminate the orchestral production of our compositions".
Robert Lemay is a Canadian composer of solo, chamber and orchestral works.