The World Saxophone Congress is a festival gathering approximately 1000 saxophonists and other musicians from all over the world. [1] It is held every three years at a different congress centre in a different country and focuses primarily (although not exclusively) on the performance of classical saxophone music.
The Congress presents an opportunity to meet saxophonists from many countries and to listen to various concerts and performances of saxophone soloists, chamber ensembles, big bands and symphony orchestras that run simultaneously throughout the day in different halls of the congress centre. Each of the five days is concluded by an evening concert of the orchestra and outstanding international soloists. It is also convened with the purpose of presenting the advancements of music production and distribution as well as innovations in instrument-making and equipment.
The seventeenth World Saxophone Congress, known as SaxOpen, was held between 9 and 14 July 2015 in Strasbourg France. [2] [3] The eighteenth World Saxophone Congress took place in 2018 in Zagreb, Croatia. [4]
The World Saxophone Congress was conceived by Paul Brodie (1934 - 2007) [5] and co-founded in 1969 with Eugene Rousseau (b. 1932), holding their first Congress in Chicago. [6] Eugene Rousseau writes:
Paul Brodie himself recalls:
In 1981, a 7-member International Saxophone Committee (in French, Comite International du Saxophone, CIS). [9] was set up to help organise the Congress.
Congress performers/participants have included Frederick Hemke, Eugene Rousseau, Donald Sinta, Patrick Meighan, Bruce Faulconer, One O'Clock Lab Band, Lee Patrick, Ronald Caravan, Paul Brodie, Lin Chien-Kwan, Roger Greenberg, Debra Richtmeyer, Kyle Horch, the Scottish Saxophone Ensemble, [10] the National Saxophone Choir of Great Britain, [11] and Brian Brown
The World Saxophone Congress has been held in:
No. | Location | Dates | Year | |
---|---|---|---|---|
1st | I | Chicago, USA | 16 December [8] | 1969 [6] |
2nd | II | Chicago, USA | 14–15 December [12] | 1970 [13] |
3rd | III | Toronto, Canada | August | 1972 [14] |
4th | IV | Bordeaux, France | 3–6 July | 1974 [15] |
5th | V | London, UK | 1976 [16] | |
6th | VI | Evanston, USA | 1979 [17] | |
7th | VII | Nuremberg, Germany | 7–11 July | 1982 [18] [19] |
8th | VIII | Washington, D.C., USA | 1985 [18] | |
9th | IX | Tokyo, Japan | 1988 [18] | |
10th | X | Pesaro, Italy | 1992 [18] | |
11th | XI | Valencia, Spain | 1997 [18] | |
12th | XII | Montreal, Canada | 5–9 July | 2000 [20] |
13th | XIII | Minneapolis, USA | 9–12 July | 2003 [21] |
14th | XIV | Ljubljana, Slovenia | 5–9 July | 2006 [22] |
15th | XV | Bangkok, Thailand | 8–12 July | 2009 [23] |
16th | XVI | St Andrews, Scotland | 10–15 July | 2012 [24] |
17th | XVII | Strasbourg, France | 9–14 July | 2015 [2] [3] |
18th | XVIII | Zagreb, Croatia | 10–14 July | 2018 [25] |
19th | XIX | Las Palmas, Grand Canaria (Spain) | 6-10th December | 2023 |
Antoine-Joseph "Adolphe" Sax was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba. He played the flute and clarinet.
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called saxophonists.
Fred Hemke, DMA(néFrederick Leroy Hemke Jr.; July 11, 1935 – April 17, 2019) was an American virtuoso classical saxophonist and influential professor of saxophone at Northwestern University. Hemke helped raise the popularity of classical saxophone, particularly among leading American composers and helped raise the recognition of classical saxophone in solo, chamber, and major orchestral repertoire. For a half century, from 1962 to 2012, Hemke was a full-time faculty music educator at Northwestern University's Bienen School of Music. In 2002, Hemke was named Associate Dean Emeritus of the School of Music. Hemke retired from Northwestern University in 2012. From the start of his career in the early 1960s, building on the achievements of earlier influential American teachers of classical saxophone — including those of Larry Teal, Joseph Allard, Cecil Leeson, Sigurd Raschèr, and Vincent Abato — Hemke, and a handful of peer American saxophonists — including Eugene Rousseau and Donald Sinta — helped build American saxophone repertoire through composers that included Muczynski, Creston, Stein, Heiden, and Karlins. Journalist and author Michael Segell, in his 2005 book, The Devil's Horn, called Hemke "The Dean of Saxophone Education in America." Hemke died on April 17, 2019.
The Lyricon is an electronic wind instrument, the first wind controller to be constructed.
Eugene Rousseau is an American classical saxophonist. He plays mainly the alto and soprano saxophones.
Jean-Marie Londeix is a French saxophonist born in Libourne who studied saxophone, piano, harmony and chamber music.
Paul Brodie, was a Canadian saxophonist, pupil of Marcel Mule. In 1994, he was made an Officer of the Order of Canada, Canada's highest civilian honour, for having "shown true mastery of his art through his ability to reach all ages with his music".
Kyle Horch is a classical saxophonist.
The North American Saxophone Alliance (NASA) is an organization for saxophone players from around North America.
A saxophone quartet is a musical ensemble composed of four saxophones, typically soprano, alto, tenor and baritone saxophones. Different saxophone family members are employed to provide a larger range and a variety of tone colours. Other arrangements of instruments also exist, but are rarer. A piece of music composed for such an ensemble can also itself be referred to as a saxophone quartet.
Kenneth Tse 謝德驥 is a Chinese American classical saxophonist. Tse was mainly self-taught as a youth until he met world-renowned saxophone artist and pedagogue Eugene Rousseau in 1989. He then studied at the Indiana University School of Music with Rousseau from 1993 to 1998, where he received his BM, MM, and Artist Diploma. Rousseau has called him "a brilliant saxophonist, worthy of any stage in the world." Tse earned a doctorate degree at the University of Illinois Urbana-Champaign studying under saxophonist Debra Richtmeyer.
The Concerto in E flat major for alto saxophone and string orchestra, Op. 109, was written by Alexander Glazunov in 1934. The piece lasts about fourteen minutes and is played without pause. It is deeply rooted in Romanticism, and has entered the standard saxophone repertoire.
Joseph Lulloff is an American saxophonist and educator.
Mark Engebretson, DMA, Northwestern University is a saxophonist and composer. His music combines computer music and live performance, the latter usually performed on saxophone.
Arno Bornkamp is a Dutch classical saxophonist, the professor of the Conservatory of Amsterdam, and is considered an influential soloist in the classical repertoire.
Richard Ingham is a composer, performer and educator. He was director of the World Saxophone Congress XVI held July 2012 in St Andrews, Fife, Scotland.
Andy Scott is a British tenor saxophonist, "equally at home in jazz and classical contexts", and award-winning composer who has made "important and sometimes mould-breaking contributions to the repertoire". He is currently Composer in Residence for Foden's Band. He has played with the Halle Orchestra, has formed and played with several ensembles whose musical style is rooted in big band jazz, Latin and funk.
Christian Lauba is a Tunisian born French composer and teacher, especially noted for his compositions for saxophone. His compositions often incorporate the music of his native North Africa as well as Japanese influences. He sometimes composes under the name of Jean Matitia, particularly for jazz and rag music.
Musicians known for circular breathing
Fantasia for saxophone, three horns, and strings, W. 490, is a concertante work in three movements by the Brazilian composer Heitor Villa-Lobos, written in 1948. A performance of it lasts approximately ten minutes.