Ella in Japan: 'S Wonderful | ||||
---|---|---|---|---|
Live album by | ||||
Released | 2011 | |||
Recorded | January 19 and January 22, 1964 | |||
Genre | Jazz | |||
Label | Verve | |||
Producer | Norman Granz | |||
Ella Fitzgerald chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Ella in Japan: 'S Wonderful is a 1964 live album by the American jazz singer Ella Fitzgerald, recorded in Tokyo, Japan. Norman Granz sold the Verve label to MGM Records in 1961, but continued to manage her career and produce Ella Fitzgerald's recordings. Granz supervised frequently live concert tours, planning several live projects for release on record. In late January 1964 work began on an album, called Ella In Nippon, the album did not reach past the post-production stage, remaining uncompleted and unreleased for 47 years. Tracks 1 to 12 on this 2011 release are the tracks Norman Granz mixed for the unreleased album Ella In Nippon. [2]
Disc One: Recorded January 19, 1964 at Hibiya Public Hall, Tokyo, Japan.
Disc Two: Recorded January 22, 1964 at the Hotel Okura, Tokyo, Japan.
Disc 2
Disc One: Tracks 1 to 12;
Tracks 13 to 16;
Disc Two: Tracks 1 to 6;
Tracks 7 to 10;
Norman Granz was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve, and Pablo and the Jazz at the Philharmonic concert series. Granz was acknowledged as "the most successful impresario in the history of jazz". He was also a champion of racial equality, insisting, for example, on integrating audiences at concerts he promoted.
Ella Jane Fitzgerald was an American singer, songwriter and composer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, absolute pitch, and a "horn-like" improvisational ability, particularly in her scat singing.
David Roy Eldridge, nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Get Happy! is a 1959 album by the American jazz singer Ella Fitzgerald, recorded with various studio orchestras over a two-year period.
Ella Swings Brightly with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle.
Ella at Juan-les-Pins is a 1964 live album by Ella Fitzgerald, accompanied by a quartet led by Roy Eldridge on trumpet with the pianist Tommy Flanagan, Gus Johnson on drums and Bill Yancey on bass. Val Valentin was the recording engineer, cover photo by Jean-Pierre Leloir. The original 1964 album featured 12 songs, highlights of two concerts Fitzgerald performed on the 28 and 29 of July 1964 at the fifth annual Festival Mondial du Jazz Antibes in Juan-les-Pins, France. In 2002 Verve re-issued this album, including all the performances from both evenings.
Ella Fitzgerald at the Newport Jazz Festival: Live at Carnegie Hall is a 1973 live album by the American jazz singer Ella Fitzgerald, accompanied by a reconstructed Chick Webb Band, the pianist Ellis Larkins, and for the second half of the album, the Tommy Flanagan Quartet.
Between 1935 and 1955, American singer Ella Fitzgerald was signed to Decca Records. Her early recordings as a featured vocalist were frequently uncredited. Her first credited single was 78 RPM recording "I'll Chase the Blues Away" with the Chick Webb Orchestra. Fitzgerald continued recording with Webb until his death in 1939, after which the group was renamed Ella Fitzgerald and Her Famous Orchestra. With the introduction of 10" and 12" Long-Playing records in the late 1940s, Decca released several original albums of Fitzgerald's music and reissued many of her previous single-only releases. From 1935 to the late 1940s Decca issued Ella Fitzgerald's recordings on 78rpm singles and album collections, in book form, of four singles that included eight tracks. These recordings have been re-issued on a series of 15 compact disc by the French record label Classics Records between 1992 and 2008.
Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959. It is one of the eight album releases comprising what is possibly Fitzgerald's greatest musical legacy: Ella Fitzgerald Sings The Complete American Songbook, in which she recorded, with top arrangers and musicians, a comprehensive collection of both well-known and obscure songs from the Great American Songbook canon, written by the likes of Cole Porter, Rodgers & Hart, Irving Berlin, Duke Ellington, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.
Ella Fitzgerald Sings the Harold Arlen Song Book is a 1961 album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Billy May. This album marked the only time that Fitzgerald worked with May.
The Complete Ella Fitzgerald & Louis Armstrong on Verve is a compilation album released on Verve Records in 1997. It comprises three compact discs containing the three studio albums made for the label by Ella Fitzgerald and Louis Armstrong, released during 1956 through 1958.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Jukebox Ella: The Complete Verve Singles, Vol. 1 is a 2003 compilation album by the American jazz singer Ella Fitzgerald. The album contains all the singles Fitzgerald recorded for Verve Records label between 1956 and 1965.
Dear Ella is a 1997 studio album by Dee Dee Bridgewater, recorded in tribute to Ella Fitzgerald, who had died the previous year.
The Standard, released on September 30, 2008, on Heads Up International, is a jazz music album by the American contemporary Gospel music group Take 6.
Jazz at the Philharmonic – Yoyogi National Stadium, Tokyo 1983: Return to Happiness is a live album that was released in 1983. The album includes Louie Bellson, Eddie "Lockjaw" Davis, Harry "Sweets" Edison, Ella Fitzgerald, Al Grey, J. J. Johnson, Joe Pass, Niels-Henning Ørsted Pedersen, Oscar Peterson, Zoot Sims, and Clark Terry.
Twelve Nights in Hollywood is a 2009 live album by the American jazz vocalist Ella Fitzgerald, recorded at the Crescendo Club in Hollywood, Los Angeles over ten nights in May 1961, and a subsequent pair of performances in June 1962.
Gold is a two-disc compilation album by Ella Fitzgerald that was released on the Verve Records label in 2007. The 40 tracks span Fitzgerald's career from 1938 to 1964.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.