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Emmanuelle 2 | |
---|---|
French | Emmanuelle: L'antivierge |
Directed by | Francis Giacobetti |
Written by | Bob Elia Francis Giacobetti Emmanuelle Arsan (novel) |
Produced by | Yves Rousset-Rouard Alain Siritzky |
Starring | Sylvia Kristel |
Cinematography | Robert Fraisse |
Edited by | Janette Kronegger |
Music by | Francis Lai |
Distributed by | Parafrance Films |
Release date |
|
Running time | 83 minutes |
Country | France |
Language | French |
Box office | 2,249,707 admissions (France) [1] |
Emmanuelle 2 (French : Emmanuelle: L'antivierge, released as Emmanuelle, The Joys of a Woman in the US) is a 1975 French softcore erotica film directed by Francis Giacobetti and starring Sylvia Kristel. The screenplay was written by Bob Elia and Francis Giacobetti. It is a sequel to 1974's Emmanuelle , and the second installment in the film series of the same name. It loosely follows the plot of the original novel's sequel.
The music score is by Francis Lai. Playing the small role of a masseuse is actress Laura Gemser, who would go on to play "Black Emanuelle" in her own series of erotic films. [2] It was followed by a sequel, Goodbye Emmanuelle , released in 1977.
Emmanuelle is travelling by ship to join her husband, Jean, in Hong Kong. To her annoyance there are no cabins available and she has to sleep in an all-female dorm. During the night, she is awakened by the girl in the neighboring bunk, who tells her that she is afraid of sleeping in a room full of women because she was raped by three Filipino girls while at boarding school in Macao—she concludes by confessing that she enjoyed it. Emmanuelle recognizes this as an invitation and the two women have sex.
Arriving in Hong Kong, Emmanuelle is reunited with Jean and, after a couple of attempts, manages to have passionate reunion sex. Emmanuelle slips into the life of the Hong Kong expat community. She becomes friends with Anna Maria, the young daughter of Peter, one of Jean's friends. The two swap sexual confidences and Anna Maria is forced to admit that she is still a virgin. Emmanuelle schemes to remedy this.
Over the course of the film, Emmanuelle has a series of sexual encounters. She has sex with Anna Maria's dance teacher while viewing an erotic cartoon on a peep show machine, and with a tattooed man in the locker room of the polo club. She experiences vivid sexual fantasies during an acupuncture session, and also masquerades as a prostitute in the Jade Garden, a notorious Hong Kong brothel, where she has sex with a group of sailors (told in flashback to Jean). Together with Jean and Anna Maria she visits a bathhouse, where they have steamy, full body contact massages by a trio of Thai woman.
Emmanuelle, Jean, and Anna Maria take a trip to Bali. When Jean emerges from the shower that night he finds Emmanuelle and Anna Maria waiting for him on the bed. Emmanuelle undresses Anna Maria and makes love to her, before sitting back and smiling approvingly while Jean takes the young woman's virginity.
Laurette Marcia Gemser is an Indonesian-Dutch retired actress, model and costume designer. She is primarily known for her work in Italian erotic cinema, most notably the Emanuelle series. Many of her films were collaborations with directors Joe D'Amato and Bruno Mattei.
Bleu Nuit is a television series that was broadcast late night on the Télévision Quatre Saisons, or TQS, television network in Quebec, Canada, from 1986 until 2007. The content of the series was softcore pornography, mostly European films. The series was popular with both francophones and anglophones living in Quebec, as well as in other provinces in Canada that received the network. Bleu Nuit was considered a mainstay part of Québécois culture.
Sylvia Maria Kristel was a Dutch actress and model who appeared in over 50 films. She was the eponymous character in five of the seven Emmanuelle films, including originating the role with Emmanuelle (1974).
Black Emanuelle is a softcore sexploitation film from 1975 directed by Bitto Albertini. The film was set in Africa and shot mostly in Kenya. The music was composed by Nico Fidenco. Black Emanuelle was followed by a number of sequels, all revolving around the erotic adventures of Mae Jordan, a globe-trotting, hedonistic investigative journalist and photographer known to her readers as "Emanuelle". Her character has been described as "a strong and independent woman, sexually proactive, at the centre of wealthy young and old white men of power, and involved in any sort of depraved set and situation."
Emanuelle in America is a 1977 Italian sexploitation film, the third in the Black Emanuelle series starring Laura Gemser It is the second in the series to be directed by Joe D'Amato and has journalist Emanuelle investigate the production of snuff films, among other things. In some cuts, which were only released in certain markets, the film contains scenes of hardcore pornography, graphic violence and bestiality.
Emmanuelle is the lead character in a series of erotic films.
Emmanuelle 4 is 1984 English-language French film directed by Francis Leroi and Iris Letans. It is a sequel to 1977's Goodbye Emmanuelle, and the fourth installment in the film series of the same name. It is also the first film in the series to be filmed in English instead of French.
Emmanuelle is a 1974 French erotic drama film directed by Just Jaeckin. It is the first installment in a series of French softcore pornography films based on the novel Emmanuelle by Emmanuelle Arsan. It stars Sylvia Kristel in the title role about a woman who takes a trip to Bangkok to enhance her sexual experience.
Goodbye Emmanuelle is a 1977 French softcore erotica movie directed by François Leterrier, and starring Sylvia Kristel. It is a sequel to 1975's Emmanuelle 2, and the third installment in the film series of the same name.
Emmanuelle 7 is a 1993 French softcore erotic movie directed by Francis Leroi, and starring Sylvia Kristel. It is a sequel to 1988's Emmanuelle 6 and the seventh installment in the film series of the same name.
Mata Hari is a 1985 erotic biographical film directed by Curtis Harrington, produced by Golan-Globus and featuring Sylvia Kristel in the title role of exotic dancer Mata Hari, executed for espionage during World War I.
Sister Emanuelle is a 1977 exploitation film. It can be classified under both the nunsploitation and sexploitation exploitation film subgenres. It is part of the long running Black Emanuelle series of films starring Laura Gemser.
Emmanuelle is the lead character in a series of French erotic films based on the protagonist in the novel of the same name, by Emmanuelle Arsan, written in 1959 and published in 1967.
Emmanuelle is an erotic novel by Emmanuelle Arsan originally written in French and published in France in 1967. It was translated into and published in English in 1971 by Mayflower Books. It is a series of explicit erotic fantasies of the author in which she has sex with several—often anonymous—men and women, as well as her husband. It is written in the first person and the reader sees events entirely through the eyes of the sexually adventurous heroine. The book sold widely and later went on to be adapted into a film. The book had two print sequels, and the film launched an extended series.
Emanuelle in Bangkok is an Italian sexploitation film from 1976 starring Laura Gemser and Gabriele Tinti and directed by Joe D'Amato. It is the second in a series of films featuring the investigative journalist Emanuelle.
Amore libero - Free Love, also known as The Real Emanuelle, is a 1974 erotic-adventure film directed by Pier Ludovico Pavoni.
Black Cobra Woman is a 1976 Italian exploitation movie written and directed by Joe D'Amato. The film starred Jack Palance and Laura Gemser.
Smooth Velvet, Raw Silk is a 1976 sexploitation film directed by Brunello Rondi. Despite the alternate title, and the presence of Laura Gemser, it has no relation to other Emanuelle films and doesn't feature any characters with that name.
365 Days is a 2020 Polish erotic thriller film directed by Barbara Białowąs and Tomasz Mandes. Based on the first novel of a trilogy by Blanka Lipińska, the plot follows a young Warsaw woman in a relationship falling for a Sicilian man, who imprisons and imposes on her a period of 365 days for her to fall in love with him.
The Next 365 Days is a 2022 Polish erotic drama film directed by Barbara Białowąs and Tomasz Mandes. Serving as a sequel to 365 Days: This Day (2022), it is based on the third novel of a trilogy by Blanka Lipińska, and stars Anna-Maria Sieklucka, Michele Morrone, Simone Susinna, Magdalena Lamparska and Otar Saralidze.