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Black Emanuelle | |
---|---|
Directed by | Albert Thomas |
Written by | Bitto Albertini Ambrogio Molteni |
Produced by | Mario Mariani |
Starring | Emanuelle Karin Schubert Angelo Infanti Isabelle Marchall Gabriele Tinti Venantino Venantini |
Cinematography | Carlo Carlini |
Edited by | Vincenzo Tomassi |
Music by | Nico Fidenco |
Production companies | San Nicola Produzione Cinematografica Flaminia Produzioni Cinematografiche Emaus Films |
Distributed by | Fida Cinematografica (Italy) Stirling Gold (US) Columbia-Warner Distributors (UK) |
Release date |
|
Running time | 94 minutes |
Countries | Italy Spain [1] |
Language | Italian |
Black Emanuelle (Italian: Emanuelle nera) is a softcore sexploitation film from 1975 directed by Bitto Albertini. The film was set in Africa and shot mostly in Kenya. The music was composed by Nico Fidenco. Black Emanuelle was followed by a number of sequels, all revolving around the erotic adventures of Mae Jordan (played by Laura Gemser), a globe-trotting, hedonistic investigative journalist and photographer known to her readers as "Emanuelle". Her character has been described as "a strong and independent woman, sexually proactive, at the centre of wealthy young and old white men of power, and involved in any sort of depraved set and situation." [2]
Journalist and photographer Mae Jordan (Laura Gemser) publishes her work under the name Emanuelle. She accepts an assignment from a diplomatic couple in Nairobi, and starts a sexual relationship with both. Together they teach her the ways of the country and love.
According to the account in his memoir, Albertini came across a picture of Gemser at a travel agency while he was shooting in Kenya. Struck by her beauty, he located her agent in Gand (Belgium). Upon travelling there and telling him that he wanted her to star in a film, the agent tried to dissuade him, pointing out that she could hardly pose for a photograph properly, let alone act. Albertini, however, insisted. In the meantime, the producer had called together Angelo Infanti, Karin Schubert, and Gabriele Tinti, and they started shooting in Kenya. After a few days, Gemser loosened up and began to act. [3]
Albertini's account omits that Gemser had already appeared in two films: Amore libero - Free Love and Emmanuelle: L'antivierge . [4]
Black Emanuelle was made to cash in on the success of the French film Emmanuelle with Sylvia Kristel, which was released the year before. [5] Albertini claims it was he who omitted one m in the name of the lead character, in contrast to the French Emmanuelle character. [3] It was deliberately omitted to avoid copyright claims. [5]
Kristopher Spencer calls Fidenco's scores to the Black Emanuelle films "by turns sultry and serious, fun and funky", and describes the instrumentation and sound typical of these soundtracks: [6]
Fidenco works with a small combo led by keyboards and guitars, adding exotic percussion, woodwinds, brass and string in small doses. The sound is sophisticated, groovy and melodically memorable, with occasional Latin rhythms, unusual electronic textures and production nuances that show the influence of proto-techno wizards Giorgio Moroder and Kraftwerk.
One version of this otherwise softcore film contains brief hardcore pornographic inserts. [7]
Director Albertini remembers that the film was a huge success. [3] He states that this was also due to the "beautiful costumes" (Italian : bellissimi costumi) by Adriana Spadaro and to the soundtrack by Nico Fidenco, who Albertini had invited for the job. [3] As Albertini remembers, the soundtrack record Black Emanuelle stayed in the hit parades for a long time. [3]
By 1976 came two Black Emanuelle follow-ups, one in title ( Black Emanuelle 2 by Albertini) and one in plot ( Emanuelle in Bangkok , a.k.a. Black Emanuelle 2, by Joe D'Amato), also triggering four quasi-sequels from 1977 to 1978 by D'Amato (under the title Emanuelle) and two Emanuelle women in prison films by Bruno Mattei in 1982 and 1983.
Black Emanuelle 2 differs greatly in plot than the first film, featuring Israeli actress Shulamith Lasri as Emanuelle Richmond, a supermodel going through a state of amnesia and locked in a mental institution in New York. The lead actor, as in the first film, is Angelo Infanti.
Albertini's later movie, Il Mondo dei sensi di Emy Wong (1977, starring Chai Lee) was released as Emanuelle Gialla and Yellow Emanuelle in some markets. [8]
Emanuelle in Bangkok that stars Laura Gemser as the journalist lead character 'Emanuelle' of the first Black Emanuelle film has the original Italian title of Emanuelle nera - Orient Reportage and is considered a genuine sequel directed by Joe D'Amato. The later D'Amato sequels that all have the same lead character, but do not use the word nera (black) in their titles, are noted to feature scenes of extreme violence and depravity (one controversial scene in Emanuelle in America shows a nude woman manually stimulating a horse).
Four years after the release of the last Emanuelle film by D'Amato, the journalist character 'Emanuelle' played by Laura Gemser was revived by Bruno Mattei in two women in prison films: Violence in a Women's Prison where the real name of the character is given as Laura Kendall and Emanuelle Escapes from Hell (Emanuelle fuga dall'inferno a.k.a. Blade Violent - I violenti). Emanuelle Escapes from Hell was directed by Mattei and Claudio Fragasso under the collective pseudonym Gilbert Roussel.
Uncut versions of several Emanuelle films contain scenes depicting actual penetration. Also Black Emanuelle and Emanuelle Around the World contain scenes where the Emanuelle character is seen having explicit sex. These scenes were created with hardcore inserts, using a body double. Laura Gemser never performed explicit sexual acts on film, nor was she informed that a body double would be used.
There are films that star Laura Gemser as a character other than Mae Jordan / Laura Kendall / 'Emanuelle' but that have, at one point or another, been promoted as Emanuelle films, especially in foreign releases. These films included even an earlier film that featured Gemser, Amore libero (1974), which saw a release with the English title "The Real Emanuelle". The name of Gemser's character had often been changed to Emanuelle in the English dubbing of such films.
Mario Pinzauti's 1976 film Emmanuelle bianca e nera ("White and Black Emmanuelle") was an attempt to capitalise on the success of both Black Emanuelle and Mandingo . The film, starring Malisa Longo (Emmanuelle) and Rita Manna (Judith) also saw theatrical release as Passion Plantation.
In July 2023, Severin Films released a 15-disc box set, The Sensual World of Black Emanuelle. It includes a total of 24 films; the two Bitto Albertini films, the five Joe D'Amato films, the two Bruno Mattei women-in-prison films, the two Porno Nights mondo films, Sister Emanuelle , Black Cobra , Black Velvet , Emanuelle's Perverse Outburst, Divine Emanuelle, Emanuelle: Queen of the Desert and Amore Libero - Free Love , along with: [9]
Laurette Marcia Gemser is an Indonesian-Dutch retired actress, model and costume designer. She is primarily known for her work in Italian erotic cinema, most notably the Emanuelle series. Many of her films were collaborations with directors Joe D'Amato and Bruno Mattei.
Aristide Massaccesi, known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres but is best known for his horror, erotic and adult films.
Karin Schubert is a German actress. She appeared in film roles since 1970 and became a pornographic actress in the 1980s.
Bellis Marina Hedman, also known as Marina Frajese, Marina Lotar and Marina Lothar is a retired Swedish pornographic and mainstream actress.
Bruno Mattei was an Italian film director, screenwriter, and editor who directed exploitation films in many genres, including women in prison, nunsploitation, zombie, mondo, cannibal, and Nazisploitation films. Mattei's films often followed popular genre trends of the era. Mattei continued work as a director primarily in the Philippines until his death in 2007, just before he was to enter production on his fifth Zombie film.
Ajita Wilson was an American transgender actress who starred in European exploitation and hardcore films in the 1970s and 1980s.
Emanuelle and the Last Cannibals, also known as Trap Them and Kill Them, is a 1977 Italian sexploitation cannibal film directed by Joe D'Amato. The film involves photojournalist Emanuelle, who encounters a cannibalistic woman bearing a tattoo of an Amazonian tribe in a mental hospital. Along with Professor Mark Lester, the two travel to the Amazon with a team to discover the source of the long-thought-extinct tribe that still practices cannibalism today.
Emanuelle's Revenge is an Italian film directed by Joe D'Amato. It is a remake of the Greek film The Wild Pussycat (1969). Unlike the French Emmanuelle series, to which it refers only in name, Emanuelle's Revenge has been described as being close to a sex-themed giallo, or as a combination of several genres: the rape and revenge film, the splatter film, the erotic film and the thriller. The film was written by Bruno Mattei and D'Amato. Bruno Mattei co-directed the film with D'Amato, but only D'Amato was credited.
Emanuelle Around the World is a 1977 sexploitation directed by Joe D'Amato. The film stars Laura Gemser and George Eastman, Karin Schubert and Ivan Rassimov.
Women's Prison Massacre is a 1983 film directed by Bruno Mattei and starring Laura Gemser, Gabriele Tinti, Carlo De Mejo, Lorraine De Selle, and Franca Stoppi.
Adalberto "Bitto" Albertini (1924–1999) was an Italian film director and screenwriter.
Emmanuelle is the lead character in a series of French erotic films based on the protagonist in the novel of the same name, by Emmanuelle Arsan, written in 1959 and published in 1967.
Violence in a Women's Prison is a women in prison film directed by Bruno Mattei. The film stars Laura Gemser and Gabriele Tinti. It tells the story of Emanuelle, who is sent to Santa Catarina Women's Penitentiary for drugs and prostitution, where she meets the warden and the other inmates. Her actual reason is undercover reporting for Amnesty International. It is the seventh film in the Emanuelle nera film series and the first one directed by Mattei.
Gabriele Tinti was an Italian actor who was married to actress and model Laura Gemser.
Emanuelle in Bangkok is an Italian sexploitation film from 1976 starring Laura Gemser and Gabriele Tinti and directed by Joe D'Amato. It is the second in a series of films featuring the investigative journalist Emanuelle.
Amore libero - Free Love, also known as The Real Emanuelle, is a 1974 erotic-adventure film directed by Pier Ludovico Pavoni.
Emanuelle and the White Slave Trade is an Italian sexploitation film from 1978 directed by Joe D'Amato as his last Black Emanuelle film. It was also known as Emanuelle and the Girls of Madame Claude.
Black Cobra Woman is a 1976 Italian exploitation movie written and directed by Joe D'Amato. The film starred Jack Palance and Laura Gemser.
Black Emanuelle 2, is a 1976 Italian psychological drama-sexploitation film directed by Bitto Albertini. It is an unofficial sequel of Black Emanuelle.
Vow of Chastity is a 1976 Italian erotic comedy. It was directed by Joe D'Amato, who also acted as cinematographer. The story and screenplay were by George Eastman.