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Emanuelle in America | |
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Directed by | Joe D'Amato |
Screenplay by | Maria Pia Fusco |
Story by | |
Starring |
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Cinematography | Aristide Massaccesi |
Edited by | Vincenzo Tomassi |
Music by | Nico Fidenco |
Production company | New Film Production |
Distributed by | Fida Cinematografica |
Release date |
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Running time | 100 minutes |
Country | Italy |
Language | Italian |
Emanuelle in America is a 1977 Italian sexploitation film, the third in the Black Emanuelle series starring Laura Gemser [1] It is the second in the series to be directed by Joe D'Amato and has journalist Emanuelle investigate the production of snuff films, among other things. In some cuts, which were only released in certain markets, the film contains scenes of hardcore pornography, graphic violence and bestiality.
In a Manhattan studio, Emanuelle shoots a nude photo shoot. There, model Janet talks about her boyfriend Tony, a virgin philosopher who thinks sex is the root of all of modern society's evils. She complains that they do nothing but talk. In her car, Emanuelle gets hijacked by Tony, who threatens to kill her because of her sexual immorality. Emanuelle finds out about his sexual childhood trauma, argues for the cleanliness of sex, and starts to fellate him. Panic-stricken, Tony runs away.
At her apartment, Emanuelle's boyfriend Bill plays with Tony's gun while she prepares to leave for a meeting. Craving sex, he playfully threatens to commit suicide with the gun and gets Emanuelle to postpone and have sex with him.
Planning to investigate billionaire Van Darren, Emanuelle visits a boxing gymnasium, where Joe, a former fighter turned trainer after being replaced as Van Darren's bodyguard, provides her with false papers. Van Darren's harem consists of twelve zodiacal women, the only current opening being for a Virgo.
At Van Darren's villa, Emanuelle infiltrates the harem. At the pool, she joins two of the women for a lesbian underwater game. Investigating the stables, she finds a weapons stash labeled "horse shoes". A guest there, the Duke of Elba Alfredo Elvize, has a monogamous attitude, unlike his host. In the evening, everyone watches a woman give a hand job to a horse. Alone with Van Darren, Emanuelle ridicules him for his power-centered and money-centered approach to sex. In the game room, she beats him at poker dice, taking a lot of money from him. She flees in Elvize's car and is invited to his Venetian palazzo .
There, the duke catches his wife with another man, and in turn, sleeps with Emanuelle. When his wife joins them, Emanuelle leaves, happily reuniting the couple. Emanuelle's boyfriend Bill later pays her a visit, the couple have sex during a rehearsal of the Spring concerto. At a party in the mansion, Emanuelle learns of a Caribbean island resort which offers beautiful men to sex-starved women. She also discovers the duke's hidden stash of forged paintings. When a pop out cake is opened, the party turns into an orgy, and Emanuelle takes pictures.
Back at the Manhattan studio, Janet reveals that sex is all that Tony thinks of now. Alone again, Emanuelle has phone sex with Bill.
Emanuelle poses as a client to infiltrate the island resort. She takes pictures of the couples and their sexual role plays. One of the women watches an 8 mm snuff film during sex, which shocks Emanuelle. Her cover is blown when a male sex worker recognizes her from one of her journals. She escapes by seducing, drugging and raping the resort's lesbian director and getting into the cab of the chauffeur with whom she came. They have sex in the car.
The trail of the snuff film leads her to a US senator in Washington, whom Emanuelle seduces. Presenting himself as a conservative patriot, he invites her to his studio. There, she convinces him of showing her his snuff film collection. Enamored, the senator has sex with her and drugs her drink. Emanuelle goes into a drug trip in which she travels with him to South America and witnesses torture and rape with her own eyes. In the morning, she promises the senator to visit him again.
Emanuelle does not know if what she saw was real until her editor shows her pictures she took. Emanuelle sees it as the scoop of the century, but the editor tells her he has received orders from the top not to publish them. Angered, Emanuelle decides to take an indefinite break from her job.
Vacationing in an island with Bill, Emanuelle gets caught by a native tribe and is to become the local chieftain's twelfth wife. Bill confesses he has sold her for a shell necklace and beer. After the ceremony, a US film crew appears. The tribe are used as actors. Not wanting to take part in a film, Bill and Emanuelle elope, running along the beach in the sunset.
Laurette Marcia Gemser is an Indonesian-Dutch retired actress, model and costume designer. She is primarily known for her work in Italian erotic cinema, most notably the Emanuelle series. Many of her films were collaborations with directors Joe D'Amato and Bruno Mattei.
Bleu Nuit is a television series that was broadcast late night on the Télévision Quatre Saisons, or TQS, television network in Quebec, Canada, from 1986 until 2007. The content of the series was softcore pornography, mostly European films. The series was popular with both francophones and anglophones living in Quebec, as well as in other provinces in Canada that received the network. Bleu Nuit was considered a part of Quebec culture.
White Oleander is a 1999 novel by American author Janet Fitch. In the fashion of a picaresque novel, it deals with themes of motherhood, telling the story of a girl named Astrid who is separated from her mother, Ingrid, and placed in a series of foster homes. It was chosen for Oprah's Book Club in May 1999, after which it became a national bestseller and was adapted into a 2002 film.
Karin Schubert is a German actress. She appeared in film roles since 1970 and became a pornographic actress in the 1980s.
Black Emanuelle is a softcore sexploitation film from 1975 directed by Bitto Albertini. The film was set in Africa and shot mostly in Kenya. The music was composed by Nico Fidenco. Black Emanuelle was followed by a number of sequels, all revolving around the erotic adventures of Mae Jordan, a globe-trotting, hedonistic investigative journalist and photographer known to her readers as "Emanuelle". Her character has been described as "a strong and independent woman, sexually proactive, at the centre of wealthy young and old white men of power, and involved in any sort of depraved set and situation."
Walking and Talking is a 1996 independent film written and directed by Nicole Holofcener and starring Catherine Keener, Anne Heche, Todd Field, Liev Schreiber and Kevin Corrigan.
Killing for Culture: An Illustrated History of Death Film from Mondo to Snuff (1994) is the first book in the Creation Cinema series and deals with death in film and media.
Emanuelle and the Last Cannibals, also known as Trap Them and Kill Them, is a 1977 Italian sexploitation cannibal film directed by Joe D'Amato. The film involves photojournalist Emanuelle, who encounters a cannibalistic woman bearing a tattoo of an Amazonian tribe in a mental hospital. Along with Professor Mark Lester, the two travel to the Amazon with a team to discover the source of the long-thought-extinct tribe that still practices cannibalism today.
Emanuelle Around the World is a 1977 sexploitation directed by Joe D'Amato. The film stars Laura Gemser and George Eastman, Karin Schubert and Ivan Rassimov.
Women's Prison Massacre is a 1983 film directed by Bruno Mattei and starring Laura Gemser, Gabriele Tinti, Carlo De Mejo, Lorraine De Selle, and Franca Stoppi.
Emmanuelle 2 is a 1975 French softcore erotica film directed by Francis Giacobetti and starring Sylvia Kristel. The screenplay was written by Bob Elia and Francis Giacobetti. It is a sequel to 1974's Emmanuelle, and the second installment in the film series of the same name. It loosely follows the plot of the original novel's sequel.
Sister Emanuelle is a 1977 exploitation film. It can be classified under both the nunsploitation and sexploitation exploitation film subgenres. It is part of the long running Black Emanuelle series of films starring Laura Gemser.
Emmanuelle is the lead character in a series of French erotic films based on the protagonist in the novel of the same name, by Emmanuelle Arsan, written in 1959 and published in 1967.
Violence in a Women's Prison is a women in prison film directed by Bruno Mattei. The film stars Laura Gemser and Gabriele Tinti. It tells the story of Emanuelle, who is sent to Santa Catarina Women's Penitentiary for drugs and prostitution, where she meets the warden and the other inmates. Her actual reason is undercover reporting for Amnesty International. It is the seventh film in the Emanuelle nera film series and the first one directed by Mattei.
Gabriele Tinti was an Italian actor who was married to actress and model Laura Gemser.
Emanuelle in Bangkok is an Italian sexploitation film from 1976 starring Laura Gemser and Gabriele Tinti and directed by Joe D'Amato. It is the second in a series of films featuring the investigative journalist Emanuelle.
Emanuelle and the White Slave Trade is an Italian sexploitation film from 1978 directed by Joe D'Amato as his last Black Emanuelle film. It was also known as Emanuelle and the Girls of Madame Claude.
Black Cobra Woman is a 1976 Italian exploitation movie written and directed by Joe D'Amato. The film starred Jack Palance and Laura Gemser.
Smooth Velvet, Raw Silk is a 1976 sexploitation film directed by Brunello Rondi. Despite the alternate title, and the presence of Laura Gemser, it has no relation to other Emanuelle films and doesn't feature any characters with that name.
Butch Camp is a 1996 American comedy film directed by Alessandro De Gaetano, starring Paul Denniston, Judy Tenuta, Jason Terisi, Jordan Roberts and Bill Igraham.