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Emanuelle in Bangkok | |
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Directed by | Joe D'Amato |
Written by | Ottavio Alessi Maria Pia Fusco Piero Vivarelli |
Starring | Laura Gemser Ely Galleani Gabriele Tinti Ivan Rassimov Venantino Venantini |
Cinematography | Joe D'Amato |
Edited by | Vincenzo Tomassi |
Music by | Nico Fidenco |
Release date |
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Running time | 105 minutes |
Country | Italy |
Language | Italian |
Emanuelle in Bangkok (Italian: Emanuelle nera - Orient Reportage, also known as Black Emanuelle 2 and Black Emanuelle Goes East) is an Italian sexploitation film from 1976 starring Laura Gemser and Gabriele Tinti and directed by Joe D'Amato. It is the second in a series of films featuring the investigative journalist Emanuelle (played by Gemser).
Emanuelle in Bangkok is considered a genuine sequel to the 1975 film Black Emanuelle (which was not directed by D'Amato, but by Bitto Albertini), whereas Albertini's own Black Emanuelle 2 (1976) is a sequel only by name, with a different Emanuelle character played by a different actress.
Photojournalist Emanuelle and her friend, archaeologist Roberto, travel to Bangkok, where she hopes to shoot photos of the Thai king for her New York magazine and interview him. She meets Prince Sanit, the king's brother, who shows her his country and introduces her to the secrets of ancient oriental massage. Emanuelle becomes friends with her masseuse Gee.
The two women and Roberto later meet the American couple Jimmy and Frances. Together, photographed by Emanuelle, they move through the exotic city and consume an opium pipe in the palace of the prince in the evening. The next day, Emanuelle watches an animal fight between a snake and a mongoose and later receives the news that Prince Sanit has arranged a meeting between her and the king's former first lover, who now lives in a mountain temple. Roberto meanwhile leaves for excavations in Casablanca.
When Emanuelle returns to the hotel, she finds her room ransacked. Camera, pictures and passport were stolen. Seeking help, she rushes to the palace of the Prince, where she is raped by a group of mercenaries in the service of the king. It turns out that Prince Sanit had tried to overthrow the king and is now in jail. Emanuelle is advised to leave the country because of her relationship with the prince. Without a passport, this is not possible at first, but she can seduce an official at the airport and get him to issue her a visa. There she also meets Frances again, who broke up with her husband. They fly together to Delhi, and Emanuelle continues alone from there to Casablanca.
Once there, she befriends Debra, the daughter of US Consul David, and tells them what has happened to her. Then she visits Roberto in the excavation camp and meets, to her surprise, Roberto's fiancé: his English colleague Janett. That does not stop her from joining them in their tent. The next morning, the three go on a tour of the desert, where their car breaks down and they meet a horde of mounted Tuareg nomads. The two women decide to ride with them rather than wait and leave Roberto alone. In the nomad camp, they dance for, and have sex with, the nomads.
Once again united with Roberto, Emanuelle gets back her camera from David in Casablanca, who had it retrieved from Bangkok. There follows a time when she is torn between her feelings for Roberto and Debra. Roberto, who hates lesbians, asks her decide between him and her, but Emanuelle remains undecided. They split up, and Robert leaves. When Emanuelle finally gets her passport again, she decides to fly to Paris on behalf of her magazine, leaving Debra alone, heartbroken.
In contrast to Albertini, the director of the first film, D'Amato integrates elements inspired by mondo filmmaking techniques into the series such as traditional cultural dancing, Thai boxing, cockfighting, and a mongoose and a snake fighting while trapped together in a glass tank". [1] The film thus contains in its uncut form several scenes of animal cruelty, as well as some very explicit, albeit softcore sexual situations. [2]
Laurette Marcia Gemser is an Indonesian-Dutch retired actress, model and costume designer. She is primarily known for her work in Italian erotic cinema, most notably the Emanuelle series. Many of her films were collaborations with directors Joe D'Amato and Bruno Mattei.
Aristide Massaccesi, known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres but is best known for his horror, erotic and adult films.
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Black Emanuelle is a softcore sexploitation film from 1975 directed by Bitto Albertini. The film was set in Africa and shot mostly in Kenya. The music was composed by Nico Fidenco. Black Emanuelle was followed by a number of sequels, all revolving around the erotic adventures of Mae Jordan, a globe-trotting, hedonistic investigative journalist and photographer known to her readers as "Emanuelle". Her character has been described as "a strong and independent woman, sexually proactive, at the centre of wealthy young and old white men of power, and involved in any sort of depraved set and situation."
Emanuelle in America is a 1977 Italian sexploitation film, the third in the Black Emanuelle series starring Laura Gemser It is the second in the series to be directed by Joe D'Amato and has journalist Emanuelle investigate the production of snuff films, among other things. In some cuts, which were only released in certain markets, the film contains scenes of hardcore pornography, graphic violence and bestiality.
Emanuelle and the Last Cannibals, also known as Trap Them and Kill Them, is a 1977 Italian sexploitation cannibal film directed by Joe D'Amato. The film involves photojournalist Emanuelle, who encounters a cannibalistic woman bearing a tattoo of an Amazonian tribe in a mental hospital. Along with Professor Mark Lester, the two travel to the Amazon with a team to discover the source of the long-thought-extinct tribe that still practices cannibalism today.
Emanuelle Around the World is a 1977 sexploitation directed by Joe D'Amato. The film stars Laura Gemser and George Eastman, Karin Schubert and Ivan Rassimov.
Women's Prison Massacre is a 1983 film directed by Bruno Mattei and starring Laura Gemser, Gabriele Tinti, Carlo De Mejo, Lorraine De Selle, and Franca Stoppi.
Adalberto "Bitto" Albertini (1924–1999) was an Italian film director and screenwriter.
Suor Emanuelle is a 1977 exploitation film. It can be classified under both the nunsploitation and sexploitation exploitation film subgenres. It is part of the long running Black Emanuelle series of films starring Laura Gemser.
Emmanuelle is the lead character in a series of French erotic films based on the protagonist in the novel of the same name, by Emmanuelle Arsan, written in 1959 and published in 1967.
Violence in a Women's Prison is a women in prison film directed by Bruno Mattei. The film stars Laura Gemser and Gabriele Tinti. It tells the story of Emanuelle, who is sent to Santa Catarina Women's Penitentiary for drugs and prostitution, where she meets the warden and the other inmates. Her actual reason is undercover reporting for Amnesty International. It is the seventh film in the Emanuelle nera film series and the first one directed by Mattei.
Gabriele Tinti was an Italian actor who was married to actress and model Laura Gemser.
Emanuelle and the White Slave Trade is an Italian sexploitation film from 1978 directed by Joe D'Amato as his last Black Emanuelle film. It was also known as Emanuelle and the Girls of Madame Claude.
Black Cobra Woman is a 1976 Italian exploitation movie written and directed by Joe D'Amato. The film starred Jack Palance and Laura Gemser.
Smooth Velvet, Raw Silk is a 1976 sexploitation film directed by Brunello Rondi. Despite the alternate title, and the presence of Laura Gemser, it has no relation to other Emanuelle films and doesn't feature any characters with that name.
The Pleasure is an Italian erotic drama film directed by Joe D'Amato.
Convent of Sinners, is a 1986 Italian nunsploitation erotic film directed by Joe D'Amato. D'Amato directed, photographed and edited the film. The Rene Rivet screenplay was based on the novel "La Religeuse" by Denis Diderot.
Voglia di donna is a 1978 commedia sexy all'italiana film written and directed by Franco Bottari. It consists of three segments starring Laura Gemser, Rena Niehaus, and Ilona Staller.
Vow of Chastity is a 1976 Italian erotic comedy. It was directed by Joe D'Amato, who also acted as cinematographer. The story and screenplay were by George Eastman.