First edition | |
Author | Ngaio Marsh |
---|---|
Language | English |
Series | Roderick Alleyn |
Genre | Detective fiction, Theatre-fiction |
Publisher | Geoffrey Bles |
Publication date | 1935 |
Media type | |
Preceded by | A Man Lay Dead |
Followed by | The Nursing Home Murder |
Enter a Murderer is a detective novel by Ngaio Marsh. This is her second novel to feature Chief Inspector Roderick Alleyn, and was first published in 1935. The novel is the first of the theatrical novels for which Marsh was to become famous, taking its title from a line of stage direction in Macbeth. The plot concerns the on-stage murder of an actor who has managed to antagonize nearly every member of the cast and crew. By chance, Inspector Alleyn is in the audience.
This novel marks the first appearance of Alleyn's sidekick, Inspector Fox. The book has been praised for its realistic setting in the theatre and dramatic themes. [1]
Journalist Nigel Bathgate accompanies his friend Chief Inspector Roderick Alleyn to a production of "The Rat and the Beaver" at the Unicorn Theatre. The star of the show is Felix Gardener, a friend of Nigel's, who plays the titular Rat. The production is fantastic, and Alleyn and Bathgate's eyes are glued to the stage. In the climactic scene, the Rat makes a dramatic entrance and shoots the Beaver, played by Arthur Surbonadier. The Beaver stares angrily at the Rat and drops dead. Only, this is not part of the show. Surbonadier really is dead, having been killed because the prop bullets in the Rat's gun were secretly replaced by real ones.
Alleyn takes control of the investigation and learns nearly everyone in the cast hated Surbonadier. He fought with Gardener about several things, most importantly actress Stephanie Vaughn. The prop bullets were stored in a desk and must have been switched when the lights went out before the play began. Everybody seems to have an alibi. A pair of grey woolen gloves are found, smeared with stage makeup. The prop bullets have a similar substance on them. Alleyn learns very little from his interviews but suspects that Props, the prop manager, knows more than he lets on.
Alleyn, aided by Bathgate and Inspector Fox, begins to look into Surbonadier's personal life. The actor's uncle, Jacob Saint, owns the Unicorn and was once the target of a libelous accusation of being involved in a drug smuggling ring. The letter was allegedly written by a journalist named Edward Wakeford, but many people believe Arthur wrote it himself as an attempt to blackmail his wealthy uncle. When Alleyn searches the actor's flat, he finds a what looks like a sheet of paper used to practice forging Wakeford's signature. Alleyn arrests Saint, but is coy publicly about what the exact charges are.
Alleyn asks for a recreation of everyone's movements backstage before the play began. The night before the recreation is to take place, a police deputy tracks a suspect back to the Unicorn, where he is soon found dead. Although it looks like suicide, Alleyn knows it is murder and uses the reaction from his prime suspect to the discovery of the body to prove that it was murder.
The magazine Truth , reviewing the novel in 1935, [3] wrote:
a bewildering and complicated puzzle. ... For a change - a welcome change - the author has given the conventional formula the go-by. More this that, I must not spoil an extremely ingenious and well-constructed detective problem by disclosing.
Dame Edith Ngaio Marsh was a New Zealand mystery writer and theatre director. She was appointed a Dame Commander of the Order of the British Empire in 1966.
Roderick Alleyn is a fictional character who first appeared in 1934. He is the policeman hero of the 32 detective novels of Ngaio Marsh. Marsh and her gentleman detective belong firmly in the Golden Age of Detective Fiction, although the last Alleyn novel, Light Thickens, was published in 1982.
Death at the Bar is a crime novel by Ngaio Marsh, the ninth to feature her series detective Chief Detective-Inspector Roderick Alleyn of Scotland Yard and published in 1940 by Collins (UK) and Little, Brown (USA).
Final Curtain is a 1947 crime novel by the New Zealand author Ngaio Marsh, the fourteenth in her series of mysteries featuring Scotland Yard detective Roderick Alleyn. It was published in Britain by Collins and in the USA by Little, Brown. The plot features the world of actors, and Alleyn's wife, the artist Agatha Troy, has a main role in the story.
The Nursing Home Murder (1935) is a work of detective fiction by New Zealand author Ngaio Marsh and Henry Jellett. It is the only book Marsh co-authored.
A Man Lay Dead is a detective novel by Ngaio Marsh; it is the first novel to feature Roderick Alleyn, and was first published in 1934. The plot concerns a murder committed during a detective game of murder at a weekend party in a country house.
Death in Ecstasy is a detective novel by Ngaio Marsh, the fourth to feature her series detective, Chief Inspector Roderick Alleyn of Scotland Yard. It was first published in 1936.
Vintage Murder is a detective novel by Ngaio Marsh; it is the fifth novel to feature Roderick Alleyn, and was first published in 1937. Based in New Zealand, the plot centres on a travelling theatrical troupe and prominently features Doctor Rangi Te Pokiha, a Māori, and a "tiki" (hei-tiki) a Māori fertility pendant.
Artists in Crime is a detective novel by Ngaio Marsh; it is the sixth novel to feature Roderick Alleyn, and was first published in 1938. The plot concerns the murder of an artists' model; Alleyn's love interest Agatha Troy is introduced.
Overture to Death is a detective novel by Ngaio Marsh; it is the eighth novel to feature Roderick Alleyn, and was first published in 1939. The plot concerns a murder during an amateur theatrical performance in a Dorset village, which Alleyn and his colleague Fox are dispatched from Scotland Yard to investigate and duly solve.
Surfeit of Lampreys is a detective novel by Ngaio Marsh; it is the tenth novel to feature Roderick Alleyn, and was first published in 1941. The novel was published as Death of a Peer in the United States.
Death and the Dancing Footman is a detective novel by Ngaio Marsh, the eleventh of her Roderick Alleyn books and was first published in 1941 in the US by Little Brown of Boston and in 1942 in the UK by Collins Crime Club. It was written in New Zealand, but set in a Dorset, England country house.
Colour Scheme is a detective novel by Ngaio Marsh; it is the twelfth novel to feature Roderick Alleyn, and was first published in 1943 by Collins Crime Club. The novel takes place in the Northland region of New Zealand during World War II; the plot involves suspected espionage activity at a hot springs resort on the coast of New Zealand's Northland region.
Swing, Brother, Swing is a detective novel by Ngaio Marsh; it is the fifteenth novel to feature Roderick Alleyn, and was first published in 1949 in the UK. The novel was published as A Wreath for Rivera in the United States. The plot concerns the murder of a big band accordionist in London.
Opening Night is a detective novel by Ngaio Marsh; it is the sixteenth novel to feature Roderick Alleyn, and was first published in 1951. It was published in the United States as Night at the Vulcan.
Spinsters in Jeopardy is a detective novel by Ngaio Marsh; it is the seventeenth novel to feature Roderick Alleyn, and was first published in 1953.
False Scent is a detective novel by New Zealand writer Ngaio Marsh; it is the twenty-first novel to feature Roderick Alleyn, and was first published in 1959, by Collins in the UK and Little, Brown in the USA. The plot concerns the murder of a West End stage actress during her 50th birthday party, and continues Marsh's fascination with the theatre and with acting.
Death at the Dolphin is a detective novel by Ngaio Marsh. It is the twenty-fourth novel to feature Roderick Alleyn, and was first published in 1966 as Killer Dolphin in the United States. The plot centres on a glove once owned by Hamnet Shakespeare, on display at a newly renovated theatre called the Dolphin. Several characters from the novel return in Marsh's final book, Light Thickens.
Light Thickens is a detective novel by Ngaio Marsh; it is the thirty-second, and final, novel to feature Roderick Alleyn, and was first published in 1982. The plot concerns the murder of the lead actor in a production of Macbeth in London, and the novel takes its title from a line in the play.
Ngaio Marsh Theatre was a 1977 television miniseries which adapted four of the author's Inspector Roderick Alleyn detective novels for New Zealand television. The British actor George Baker starred in the title role.