Author | Ngaio Marsh |
---|---|
Language | English |
Series | Roderick Alleyn |
Genre | Detective fiction |
Publisher | Little, Brown (US) Collins Crime Club (UK) |
Publication date | 1941 (US) 1942 (UK) |
Media type | |
Preceded by | Surfeit of Lampreys |
Followed by | Colour Scheme |
Death and the Dancing Footman is a detective novel by Ngaio Marsh, the eleventh of her Roderick Alleyn books and a classic example of the Country house mystery. Written in New Zealand, but set in a Dorset (England) country house, it was first published in 1941 in the US by Little Brown of Boston and in 1942 in the UK by Collins Crime Club.
The novel received rave reviews from The New York Times, and Britain's The Observer and The Tatler. It was hailed by the New Zealand Listener as "Miss Marsh's favourite among her own books". [1]
It is 1940. We meet wealthy dilettante Jonathan Royal of Highfold Manor, Cloudyfold, Dorset, gleefully outlining to the poetic dramatist Aubrey Mandrake his plan to host a house party of guests whose mutual animosity is sure to provide a cruelly macabre entertainment. Among them are: an Austrian surgeon; the society woman on whom, twenty years earlier, he performed a facelift that has disfigured her for life; her two adult sons, bitter rivals in love and for their mother's affections; the fiancée of one brother who still nurtures feelings for the other brother who jilted her; and two equally bitter business rivals in the beauty industry.
The two business rivals discuss Pirandello's play Six Characters in Search of an Author , which is an absurdist metatheatric play about the relationship among authors, their characters, and theatre practitioners.
Soon after the guests are gathered, Highfold Manor is cut off by a snowstorm with the phone line down, although the house still has electric power, possibly from a private generator. The murderous blow is delivered to [ who? ] with a Maori greenstone mere weapon.
Inspector Roderick Alleyn is called in, as he and his wife, the painter Agatha Troy, are staying nearby with the Copelands. Alleyn stages a re-enactment with the suspects.
The solution rests around the wireless. There is an amusingly original feature in a key witness, the footman who has lingered in the hall to listen to the radio playing. He surreptitiously attempt the steps of the novelty dance band hit Hands, Knees and Boomps-a-Daisy.
The killer is identified as [ who? ]
Aubrey Mandrake says that Royal has invited stark murder to his home. [2]
The play Six Characters in Search of an Author by Luigi Pirandello deeply impressed Ngaio Marsh. She herself later directed it with great success. [1]
The weapon chosen is derived from Marsh's New Zealand nationality and background, and classically typical of the Golden Age Whodunnit's devotion to arcane weaponry.[ citation needed ]
The novel's host and broad plot concept bear a kinship to Agatha Christie's 1936 novel Cards on the Table, although the treatment, characters and specific plot are entirely different and original.[ citation needed ]
The BBC made a 90-minute adaptation, starring Nigel Graham and dramatised by Alan Downer, in 1986.[ citation needed ]
Dame Edith Ngaio Marsh was a New Zealand mystery writer and theatre director. She was appointed a Dame Commander of the Order of the British Empire in 1966.
Roderick Alleyn is a fictional character who first appeared in 1934. He is the policeman hero of the 32 detective novels of Ngaio Marsh. Marsh and her gentleman detective belong firmly in the Golden Age of Detective Fiction, although the last Alleyn novel, Light Thickens, was published in 1982.
Death at the Bar is a crime novel by Ngaio Marsh, the ninth to feature her series detective Chief Detective-Inspector Roderick Alleyn of Scotland Yard and published in 1940 by Collins (UK) and Little, Brown (USA).
Final Curtain is a 1947 crime novel by the New Zealand author Ngaio Marsh, the fourteenth in her series of mysteries featuring Scotland Yard detective Roderick Alleyn. It was published in Britain by Collins and in the USA by Little, Brown. The plot features the world of actors, and Alleyn's wife, the artist Agatha Troy, has a main role in the story.
The Nursing Home Murder (1935) is a work of detective fiction by New Zealand author Ngaio Marsh and Henry Jellett. It is the only book Marsh co-authored.
A Man Lay Dead is a detective novel by Ngaio Marsh; it is the first novel to feature Roderick Alleyn, and was first published in 1934. The plot concerns a murder committed during a detective game of murder at a weekend party in a country house.
Vintage Murder is a detective novel by Ngaio Marsh; it is the fifth novel to feature Roderick Alleyn, and was first published in 1937. Based in New Zealand, the plot centres on a travelling theatrical troupe and prominently features Doctor Rangi Te Pokiha, a Māori, and a "tiki" (hei-tiki) a Māori fertility pendant.
Artists in Crime is a detective novel by Ngaio Marsh; it is the sixth novel to feature Roderick Alleyn, and was first published in 1938. The plot concerns the murder of an artists' model; Alleyn's love interest Agatha Troy is introduced.
Overture to Death is a detective novel by Ngaio Marsh; it is the eighth novel to feature Roderick Alleyn, and was first published in 1939. The plot concerns a murder during an amateur theatrical performance in a Dorset village, which Alleyn and his colleague Fox are dispatched from Scotland Yard to investigate and duly solve.
Colour Scheme is a detective novel by Ngaio Marsh; it is the twelfth novel to feature Roderick Alleyn, and was first published in 1943 by Collins Crime Club. The novel takes place in the Northland region of New Zealand during World War II; the plot involves suspected espionage activity at a hot springs resort on the coast of New Zealand's Northland region.
Swing, Brother, Swing is a detective novel by Ngaio Marsh; it is the fifteenth novel to feature Roderick Alleyn, and was first published in 1949 in the UK. The novel was published as A Wreath for Rivera in the United States. The plot concerns the murder of a big band accordionist in London.
Scales of Justice is a detective novel by Ngaio Marsh. it is the eighteenth novel to feature Roderick Alleyn, and was first published in 1955.
Singing in the Shrouds is a detective novel by New Zealand writer Ngaio Marsh; it is the twentieth novel to feature Roderick Alleyn, and was first published in 1959. The plot concerns a serial killer who is on a voyage from London to South Africa.
False Scent is a detective novel by New Zealand writer Ngaio Marsh; it is the twenty-first novel to feature Roderick Alleyn, and was first published in 1959, by Collins in the UK and Little, Brown in the USA. The plot concerns the murder of a West End stage actress during her 50th birthday party, and continues Marsh's fascination with the theatre and with acting.
Clutch of Constables is a detective novel by Ngaio Marsh; it is the twenty-fifth novel to feature Roderick Alleyn, and was first published in 1968. The plot concerns art forgery, and takes place on a cruise on a fictional river in the Norfolk Broads; the "Constable" referred to in the title is John Constable, whose works are mentioned by several characters.
Black As He's Painted (1974) is a detective novel by Ngaio Marsh, the 28th to feature Roderick Alleyn.
Last Ditch is a detective novel by Ngaio Marsh; it is the twenty-ninth novel to feature Roderick Alleyn, and was first published in 1977. The plot concerns drug smuggling in the Channel Islands, and features Alleyn's son, Ricky, in a central role.
Grave Mistake is a detective novel by Ngaio Marsh; it is the thirtieth novel to feature Roderick Alleyn, and was first published in 1978. The plot concerns the supposed suicide of a wealthy widow in a chic rest spa, and involves a rare, and famous, postage stamp.
Photo Finish (novel) is a detective novel by Ngaio Marsh; it is the thirty-first, and penultimate, novel to feature Roderick Alleyn, and was first published in 1980. Set in a millionaire's island mansion on a lake in New Zealand's South Island, it is the last of Ngaio Marsh's four New Zealand set novels - the others being Vintage Murder (1937), Colour Scheme (1943) and Died in the Wool (1945).
Light Thickens is a detective novel by Ngaio Marsh; it is the thirty-second, and final, novel to feature Roderick Alleyn, and was first published in 1982. The plot concerns the murder of the lead actor in a production of Macbeth in London, and the novel takes its title from a line in the play.