Death and the Dancing Footman

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Death and the Dancing Footman
DeathAndTheDancingFootman.jpg
First edition (UK)
Author Ngaio Marsh
LanguageEnglish
Series Roderick Alleyn
Genre Detective fiction
Publisher Little, Brown (US)
Collins Crime Club (UK)
Publication date
1941 (US)
1942 (UK)
Media typePrint
Preceded by Surfeit of Lampreys  
Followed by Colour Scheme  

Death and the Dancing Footman is a detective novel by Ngaio Marsh, the eleventh of her Roderick Alleyn books and a classic example of the Country house mystery. Written in New Zealand, but set in a Dorset (England) country house, it was first published in 1941 in the US by Little Brown of Boston and in 1942 in the UK by Collins Crime Club.

Contents

The novel received rave reviews from The New York Times, and Britain's The Observer and The Tatler. It was hailed by the New Zealand Listener as "Miss Marsh's favourite among her own books". [1]

Plot summary

It is 1940. We meet wealthy dilettante Jonathan Royal of Highfold Manor, Cloudyfold, Dorset, gleefully outlining to the poetic dramatist Aubrey Mandrake his plan to host a house party of guests whose mutual animosity is sure to provide a cruelly macabre entertainment. Among them are: an Austrian surgeon; the society woman on whom, twenty years earlier, he performed a facelift that has disfigured her for life; her two adult sons, bitter rivals in love and for their mother's affections; the fiancée of one brother who still nurtures feelings for the other brother who jilted her; and two equally bitter business rivals in the beauty industry.

The two business rivals discuss Pirandello's play Six Characters in Search of an Author , which is an absurdist metatheatric play about the relationship among authors, their characters, and theatre practitioners.

Soon after the guests are gathered, Highfold Manor is cut off by a snowstorm with the phone line down, although the house still has electric power, possibly from a private generator. The murderous blow is delivered to [ who? ] with a Maori greenstone mere weapon.

Inspector Roderick Alleyn is called in, as he and his wife, the painter Agatha Troy, are staying nearby with the Copelands. Alleyn stages a re-enactment with the suspects.

The solution rests around the wireless. There is an amusingly original feature in a key witness, the footman who has lingered in the hall to listen to the radio playing. He surreptitiously attempt the steps of the novelty dance band hit Hands, Knees and Boomps-a-Daisy.

The killer is identified as [ who? ]

Reception

Aubrey Mandrake says that Royal has invited stark murder to his home. [2]

The play Six Characters in Search of an Author by Luigi Pirandello deeply impressed Ngaio Marsh. She herself later directed it with great success. [1]

The weapon chosen is derived from Marsh's New Zealand nationality and background, and classically typical of the Golden Age Whodunnit's devotion to arcane weaponry.[ citation needed ]

The novel's host and broad plot concept bear a kinship to Agatha Christie's 1936 novel Cards on the Table, although the treatment, characters and specific plot are entirely different and original.[ citation needed ]

Adaptations

The BBC made a 90-minute adaptation, starring Nigel Graham and dramatised by Alan Downer, in 1986.[ citation needed ]

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References

  1. 1 2 Drayton, Joanne (2008). Ngaio Marsh: Her Life In Crime. Harper Collins. pp. 164–170. ISBN   9780-00-732868-0.
  2. "100 Local Interest Writers - South Central MediaScene". www.south-central-media.co.uk.