 First edition | |
| Author | Ngaio Marsh |
|---|---|
| Language | English |
| Series | Roderick Alleyn |
| Genre | Detective fiction |
| Publisher | Collins Crime Club |
Publication date | 1962 |
| Media type | Print () |
| Preceded by | False Scent |
| Followed by | Dead Water |
Hand in Glove is a detective novel by Ngaio Marsh; it is the twenty-second novel to feature Roderick Alleyn, and was first published in 1962. [1] The story concerns a high-society treasure-hunt party at which a murder takes place.
The elderly Percival Pyke Period shares his country house with Harold Cartell. Period considers himself an expert on etiquette, particularly letters of condolence.
Cartell argues with his stepson Andrew Bantling, whose inheritance he controls until Andrew's twenty-fifth birthday. Andrew wants to resign his army commission and paint professionally; Cartell opposes this.
Several people visit for lunch: Constance Cartell, Harold's unmarried sister; Period's secretary, Nicola Maitland-Mayne; Constance's ward "Moppett" and her boyfriend, Leonard Leiss. Constance is devoted and indulgent to Moppett, but Cartell dislikes her and Leiss. Andrew and his mother, Cartell's ex-wife Désirée, visit briefly; she announces she is throwing a party that evening. Period expounds on his favourite subject ("breeding" and "background"). Constance says that people who overemphasize this are hiding something; Cartell mentions someone he knows who forged his own name in a parish register to establish his ancestry but has never been exposed.
After lunch, Period discovers that Leiss has a criminal record. He notices his antique gold cigarette-case is missing, and suspects Leiss.
Cartell rows with Désirée about Andrew’s inheritance. He confronts Moppett and Leiss about the cigarette-case, threatening to call the police. Then he argues with Constance about her infatuation with Moppett, whom she defends blindly.
During Désirée's party, Period complains bitterly to her about Cartell's annoying habits, but she realises that Cartell has seriously upset him in another way which he won’t disclose.
Next morning, Period's manservant hand-delivers Constance a letter consoling her for her brother's death. Constance rushes over to Period's house to speak to him; Period then receives news that Cartell has been found dead in a ditch local workmen have dug outside his house.
Superintendent Alleyn arrives. Someone tampered with the plank-bridge over the ditch so that it would collapse when stepped on, then levered a concrete sewer-pipe onto Cartell. Alleyn deduces that Cartell must have been walking his dog, which the dead man took out every night. He sees Period's cigarette-case lying in the trench.
Alleyn interviews Nicola and Andrew. Attracted to each other, they left the party early and sat in his car near the ditch to talk. They saw Moppett and Leiss loitering nearby; Leiss stooped over the ditch at one point. Alleyn asks Nicola whether Leiss was wearing gloves, and she describes the chamois ones he wore. Later they saw Désirée having a drunken row with Cartell and threatening him.
While Alleyn is visiting Constance, a letter from Period arrives. Reading it, Constance is shocked: it is identical to the letter of condolence for her brother's death he sent her already, "Before they had found him."
Alleyn interrogates Leiss, who denies stealing the cigarette-case. Alleyn takes Leiss’s overcoat and chamois gloves for testing.
He confronts Period with the two letters: Period is evasive, saying he wrote to Constance on a private matter. Alleyn asks if he knew someone else who had lost a brother, and he admits this but won’t identify them. Alleyn notices the family tree displayed on the wall of Period's study.
Alleyn visits Désirée, and asks if she has had a letter from Period recently. Désirée, producing one, suggests it shows that Period has dementia, because it refers to a conversation about his family's antiquity that she doesn't remember. She mentions that her brother died recently: Period has sent his letters to the wrong recipients. Period phones Désirée, distraught, asking her to burn the letter he has accidentally sent her.
Alleyn visits a local church to examine the register. Period's name has been added underneath that of his supposed twin sister, dead in infancy, at a later date. Period has adopted the middle name "Pyke" to make it appear he belongs to a gentry family that has died out; Cartell had discovered this.
Forensics find plenty of traces of Period's tobacco on Leiss's clothes (suggesting he stole the case), but conclude that the person who moved the planks was not wearing Leiss's chamois gloves but heavy driving gloves. Moppett complains to the police that Leiss’s driving gloves are missing.
Alleyn gets a call from Period, saying he has something to disclose; Period is then knocked out by an intruder. Alleyn finds him unconscious. When he comes to, he rambles about hearing Leiss's favourite pop song being whistled outside his window on the night of the murder.
Alleyn feels that if Leiss or Moppett had committed the murder they would not have advertised their presence in the lane by whistling, or that Désirée would have done the same by shouting. Leiss's missing gloves are recovered and a bloodstain on them matches a wound on Constance's hand. She has killed her brother, and attempted to kill Period, to protect Moppett from a possible jail sentence. Constance breaks down when presented with the evidence.
Marsh wrote much of the book on a cruise across the Pacific in 1960. As she worked on it, she found it becoming "a kind of comedy of manners with very little crime". [2]
Anthony Boucher, reviewing in The New York Times , felt that though "highly readable and entertaining" the novel was not Marsh's best: "The genteel dissection of levels of snobbery in the English country gentry is, to me at least, less interesting than her usual themes, and Superintendent Roderick Alleyn has handled more cleanly defined murder puzzles. But even minor Marsh is an evening of perfectly polished professionalism." [3]
Jacques Barzun was likewise disappointed, calling the book "pleasant enough; there is clarity and humor; but the people and the props are a bit tired, especially Roderick Alleyn, who may be said to mumble his way from clue to clue around the countryside". [4]
British reviewers were more positive. Julian Symons in The Sunday Times called Hand in Glove "neat, dexterous... Miss Marsh's freshest and most enjoyable performance for years". [5] In a capsule review for The Sunday Telegraph , Cecil Day-Lewis under his crime-fiction pseudonym "Nicholas Blake" summed the book up as "Clever and cosy." [6] Francis Iles in The Guardian called it "Light, entertaining and disastrously readable: that is, if you have anything else you ought to be doing", praising the "easy, natural dialogue and gentle humour". [7]
Like Boucher, Marsh scholar Kathryne Slate McDorman sees snobbery and class distinctions as a major theme of the book, noting that even Period's servants are particularly conservative. [8]
BBC One broadcast an adaptation for the television series The Inspector Alleyn Mysteries , with John Gielgud guest-starring, on 11 January 1994. [9]
Dame Edith Ngaio Marsh was a New Zealand mystery writer and theatre director. She was appointed a Dame Commander of the Order of the British Empire in 1966.
Roderick Alleyn is a fictional character who first appeared in 1934. He is the policeman hero of the 32 detective novels of Ngaio Marsh. Marsh and her gentleman detective belong firmly in the Golden Age of Detective Fiction, although the last Alleyn novel, Light Thickens, was published in 1982.
Death at the Bar is a crime novel by Ngaio Marsh, the ninth to feature her series detective Chief Detective-Inspector Roderick Alleyn of Scotland Yard and published in 1940 by Collins (UK) and Little, Brown (USA).
Final Curtain is a 1947 crime novel by the New Zealand author Ngaio Marsh, the fourteenth in her series of mysteries featuring Scotland Yard detective Roderick Alleyn. It was published in Britain by Collins and in the USA by Little, Brown. The plot features the world of actors, and Alleyn's wife, the artist Agatha Troy, has a main role in the story.
The Nursing Home Murder (1935) is a work of detective fiction by New Zealand author Ngaio Marsh and Henry Jellett. It is the only book Marsh co-authored.
A Man Lay Dead is a detective novel by Ngaio Marsh; it is the first novel to feature Roderick Alleyn, and was first published in 1934. The plot concerns a murder committed during a detective game of murder at a weekend party in a country house.
Enter a Murderer is a detective novel by Ngaio Marsh. This is her second novel to feature Chief Inspector Roderick Alleyn, and was first published in 1935. The novel is the first of the theatrical novels for which Marsh was to become famous, taking its title from a line of stage direction in Macbeth. The plot concerns the on-stage murder of an actor who has managed to antagonize nearly every member of the cast and crew. By chance, Inspector Alleyn is in the audience.
Vintage Murder is a detective novel by Ngaio Marsh; it is the fifth novel to feature Roderick Alleyn, and was first published in 1937. Based in New Zealand, the plot centres on a travelling theatrical troupe and prominently features Doctor Rangi Te Pokiha, a Māori, and a "tiki" (hei-tiki) a Māori fertility pendant.
Artists in Crime is a detective novel by Ngaio Marsh; it is the sixth novel to feature Roderick Alleyn, and was first published in 1938. The plot concerns the murder of an artists' model; Alleyn's love interest Agatha Troy is introduced.
Death in a White Tie is a detective novel by Ngaio Marsh. It is the seventh novel to feature Roderick Alleyn, and was first published in 1938. The plot concerns the murder of a British lord after a party.
Overture to Death is a detective novel by Ngaio Marsh; it is the eighth novel to feature Roderick Alleyn, and was first published in 1939. The plot concerns a murder during an amateur theatrical performance in a Dorset village, which Alleyn and his colleague Fox are dispatched from Scotland Yard to investigate and duly solve.
Colour Scheme is a detective novel by Ngaio Marsh; it is the twelfth novel to feature Roderick Alleyn, and was first published in 1943 by Collins Crime Club. The novel takes place in the Northland region of New Zealand during World War II; the plot involves suspected espionage activity at a hot springs resort on the coast of New Zealand's Northland region.
Swing, Brother, Swing is a detective novel by Ngaio Marsh; it is the fifteenth novel to feature Roderick Alleyn, and was first published in 1949 in the UK. The novel was published as A Wreath for Rivera in the United States. The plot concerns the murder of a big band accordionist in London.
Off with His Head is a detective novel by Ngaio Marsh; it is the nineteenth novel to feature Roderick Alleyn. It was first published in the USA by Little, Brown of Boston in 1956, under the title Death of a Fool, and in the UK by Collins in 1957.
Dead Water is a detective novel by Ngaio Marsh; it is the twenty-third novel to feature Roderick Alleyn, and was first published in 1964.
Death at the Dolphin is a detective novel by Ngaio Marsh. It is the twenty-fourth novel to feature Roderick Alleyn, and was first published in 1966 as Killer Dolphin in the United States. The plot centres on a glove once owned by Hamnet Shakespeare, on display at a newly renovated theatre called the Dolphin. Several characters from the novel return in Marsh's final book, Light Thickens.
When in Rome is a detective novel by Ngaio Marsh; it is the twenty-sixth novel to feature Roderick Alleyn, and was first published in 1970.
Black As He's Painted (1974) is a detective novel by Ngaio Marsh, the 28th to feature Roderick Alleyn.
Last Ditch is a detective novel by Ngaio Marsh; it is the twenty-ninth novel to feature Roderick Alleyn, and was first published in 1977. The plot concerns drug smuggling in the Channel Islands, and features Alleyn's son, Ricky, in a central role.
Grave Mistake is a detective novel by Ngaio Marsh; it is the thirtieth novel to feature Roderick Alleyn, and was first published in 1978. The plot concerns the supposed suicide of a wealthy widow in a chic rest spa, and involves a rare and famous postage stamp.
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