English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642.
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia was first used in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain.
A jester, court jester, fool or joker was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events.
The Lord Chamberlain's Men was a company of actors, or a "playing company", for which William Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.
Historical European martial arts (HEMA) are martial arts of European origin, particularly using arts formerly practised, but having since died out or evolved into very different forms.
The German school of fencing is a system of combat taught in the Holy Roman Empire during the Late Medieval, German Renaissance, and early modern periods. It is described in the contemporary Fechtbücher written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the Kunst des Fechtens, or the "Art of Fighting". The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, messers, and the staff, as well as describing mounted combat and unarmed grappling (ringen).
The English Renaissance was a cultural and artistic movement in England during the late 15th, 16th and early 17th centuries. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century. As in most of the rest of Northern Europe, England saw little of these developments until more than a century later within the Northern Renaissance. Renaissance style and ideas were slow to penetrate England, and the Elizabethan era in the second half of the 16th century is usually regarded as the height of the English Renaissance. Many scholars see its beginnings in the early 16th century during the reign of Henry VIII. Others argue the Renaissance was already present in England in the late 15th century.
Shakespeare's Globe is a realistic true-to-history reconstruction of the Globe Theatre, an Elizabethan playhouse first built in 1599 for which William Shakespeare wrote his plays. It is located on the south bank of the River Thames, in the London Borough of Southwark and hosts theatrical productions.
During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English Renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class.
The Renaissance in Poland lasted from the late 15th to the late 16th century and is widely considered to have been the Golden Age of Polish culture. Ruled by the Jagiellonian dynasty, the Crown of the Kingdom of Poland actively participated in the broad European Renaissance. The multinational Polish state experienced a period of cultural growth thanks in part to a century without major wars, aside from conflicts in the sparsely-populated eastern and southern borderlands. The Reformation spread peacefully throughout the country, and living conditions improved, cities grew, and exports of agricultural products enriched the population, especially the nobility (szlachta), who gained dominance in the new political system of Golden Liberty.
The American Shakespeare Center (ASC) is a regional theatre company located in Staunton, Virginia, that focuses on the plays of William Shakespeare; his contemporaries Ben Jonson, Beaumont and Fletcher, Christopher Marlowe; and works related to Shakespeare, like James Goldman's The Lion in Winter and Bob Carlton's Return to the Forbidden Planet.
The Hope Theatre was one of the theatres built in and around London for the presentation of plays in English Renaissance theatre, comparable to the Globe, the Curtain, the Swan, and other famous theatres of the era.
In the Elizabethan era (1558–1603), there was a wide range of leisure activities entertaining both the nobility and the common classes. Among these leisure activities were animal fighting, team sports, individual sports, games, dramatics, music and the arts.
Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.
The Beargarden was a facility for bear-baiting, bull-baiting, and other "animal sports" in the London area during the 16th and 17th centuries, from the Elizabethan era to the English Restoration period. Baiting is a blood sport where an animal is tormented or attacked by another animal, often dogs, for the purpose of entertainment or gambling. Samuel Pepys visited the venue in 1666 and described it as "a rude and nasty pleasure". The last recorded event at the Beargarden was the baiting of "a fine but vicious horse" in 1682.
The oldest surviving manual on western swordsmanship dates back to the 14th century, although historical references date fencing schools back to the 12th century.
The Renaissance Pleasure Faire of Southern California (RPFS) is a Renaissance faire that takes place at the Santa Fe Dam Recreation Area in Irwindale, California. It opened in the spring of 1963 and has been an annual event since then. Presently owned by Renaissance Entertainment Productions (REP), it is a commercial reenactment of a 1580s market faire at Port Deptford, a waterfront town in Elizabethan era England. The Faire is generally open from the first weekend of April through the weekend before Memorial Day.
The rule of the Jagiellonian dynasty in Poland between 1386 and 1572 spans the Late Middle Ages and the Early Modern Period in European history. The Lithuanian Grand Duke Jogaila founded the dynasty; his marriage to Queen Jadwiga of Poland in 1386 strengthened an ongoing Polish–Lithuanian union. The partnership brought vast territories controlled by the Grand Duchy of Lithuania into Poland's sphere of influence and proved beneficial for both the Polish and Lithuanian people, who coexisted and cooperated in one of the largest political entities in Europe for the next four centuries.
The Gdańsk Shakespeare Theatre is a Shakespearean theatre in Gdańsk, Poland. It is built on the site of a 17th-century theatre, known as the Fencing School, where English travelling players performed works of English Renaissance theatre. The leading figure in the project to construct the new theatre is Jerzy Limon, a founder of the Gdańsk Shakespeare Festival.
Corral de comedias is a type of open-air theatre specific to Spain. In Spanish all secular plays were called comedias, which embraced three genres: tragedy, drama, and comedy itself. During the Spanish Golden Age, corrals became popular sites for theatrical presentations in the early 16th century when the theatre took on a special importance in the country. The performance was held in the afternoon and lasted two to three hours, there being no intermission, and few breaks. The entertainment was continuous, including complete shows with parts sung and danced. All spectators were placed according to their sex and social status.
