Erika Vogt (born in 1973 in East Newark, New Jersey) [1] is a sculptor, printmaker and video artist. She received her BFA from New York University and her MFA from California Institute of the Arts. [2] She is represented at both Overduin & Co. in Los Angeles and Simone Subal Gallery in New York City.
Vogt uses a range of media and techniques in order to explore the mutability of images and objects. Her installations are frequently suspended from ropes or on moving racks, merging both sculpture, drawing, video, and photography to produce "heterogeneous constellations". [3] Vogt has specified that her background in both feminist and queer video and then later in Los Angeles with experimental film has been influential to her work. [4]
Vogt's installations can be experienced as cinematic environments. She has a layered quality in her films which expand into physical space. [5] There is a lack of permanence in Vogt's images and she experiments with obscuring her video’s content. [6] In Vogt's recent work, she takes as her subject the ritual use and exchange of objects, such as currency, and investigates the empathetic relationship between objects and people. [7] At Human Resources Gallery in Chinatown, Los Angeles Vogt filled the upstairs gallery space with 800 panels of plaster titled Sounded Out. These were stepped on by visitors gradually dissolving into its initial material. [8] Painted money covered the walls in a piece titled Notes on Currency IOU. [9]
Vogt has screened and exhibited nationally and internationally including exhibitions at the Hammer Museum, Los Angeles County Museum of Art, [10] Centre Pompidou, Paris, the Museum of Modern Art, New York, The Contemporary Art Center, Cincinnati, Ohio. Solo exhibitions include: Hepworth Wakefield, West Yorkshire, UK (2014); Triangle France, Marseilles, France (2014); New Museum, NY (2013); Simone Subal Gallery, New York, NY (2012); Overduin and Kite, Los Angeles, CA (2010); Room Gallery, University of California at Irvine, Irvine, CA (2010); and Daniel Hug, Los Angeles, CA (2008) [11] [12] She was a 2012 Mohn Award Finalist and was in the Whitney Biennial in 2010. [13]
Michael Kelley was an American artist. His work involved found objects, textile banners, drawings, assemblage, collage, performance and video. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."
Yvonne Rainer is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental. Her work is sometimes classified as minimalist art. Rainer currently lives and works in New York.
Joan Jonas is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s. Jonas' projects and experiments were influential in the creation of video performance art as a medium. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada.
Daniel Graham was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Hannah Wilke was an American painter, sculptor, photographer, video artist and performance artist. Wilke's work is known for exploring issues of feminism, sexuality and femininity.
Michelle Handelman is an American contemporary artist, filmmaker, and writer who works with live performance, multiscreen installation, photography and sound. Coming up through the years of the AIDS crisis and Culture Wars, Handelman has built a body of work that explores the dark and uncomfortable spaces of queer desire. She confronts the things that provoke collective fear and denial – sexuality, death, chaos. She directed the ground-breaking feature documentary on the 1990s San Francisco lesbian S/M scene BloodSisters: Leather, Dykes & Sadomasochism(1995), described by IndieWire as “a queer classic ahead of its time, a vital archive of queer history.” Her early work included 16mm black and white experimental films combined with performance. She is also known for her video installations Hustlers & Empires (2018), Irma Vep, The Last Breath (2013-2015), and Dorian, A Cinematic Perfume(2009-2011). In 2011, she was awarded a John Simon Guggenheim Memorial Fellowship for her film and video work.
Adam Pendleton is an American conceptual artist known for his multi-disciplinary practice, involving painting, silkscreen, collage, video, performance, and word art. His work often involves the investigation of language and the recontextualization of history through appropriated imagery.
Erika Suderburg is a contemporary American filmmaker and writer.
Senga Nengudi is an African-American visual artist and curator. She is best known for her abstract sculptures that combine found objects and choreographed performance. She is part of a group of African-American avant-garde artists working in New York City and Los Angeles, from the 1960s and onward.
Alexis Smith is an American artist. She has worked in collage and installation.
Eileen Quinlan is a self-described still-life photographer who shoots with medium format and large format cameras. An art critic for Art in America likened her style to that of Moholy-Nagy and James Welling.
Erika Wanenmacher is a sculptor and installation artist from Santa Fe, New Mexico, a self-described "maker of things." She has said, "I believe objects that are made with intent carry resonance that can shift energy, power, and beliefs. They're about magic and changing consciousness." Wanenmacher's work has been shown nationally and internationally. Her sculptures incorporate many materials and techniques including forged steel, carved and painted wood, cast aluminum, and large-scale installations. She is represented in Los Angeles, CA by Blythe Projects.
Dianna Molzan is an American contemporary artist and painter based in Los Angeles. Thus far in her career, she is known for exploring the relationship between painting and sculpture through deconstruction and materialization of traditional painting materials and tools.
Shana Lutker is an artist currently working and living in Los Angeles, CA. Lutker works in sculpture, installation, performance, and text. Her concepts are often synthesized from historical and theoretical research. Lutker is represented in Los Angeles by Susanne Vielmetter Los Angeles Projects. In addition to solo exhibitions at Vielmetter, LAXART, and Barbara Seiler Galerie, she was included in Performa 13 and the 2014 Whitney Biennial. Lutker has also exhibited at the Perez Art Museum Miami.
Kathrin Sonntag is a visual artist who works in photography, sculpture, film, and installations. Her work has been exhibited in museums including the Kunstverein in Hamburg, Germany and the Solomon R. Guggenheim Museum in New York City.
Erin Christovale is a Los Angeles-based curator and programmer who currently works as a curator at the Hammer Museum at the University of California, Los Angeles. Together with Hammer Museum Senior Curator Anne Ellegood, Christovale curated the museum's fourth Made in L.A. biennial in June 2018. She also leads Black Radical Imagination, an experimental film program she co-founded with Amir George. Black Radical Imagination tours internationally and has screened at MoMA PS1; Museum of Contemporary Art, Los Angeles; and the Museo Taller Jose Clemente Orozco, among other spaces. Christovale is best known for her work on identity, race and historical legacy. Prior to her appointment at the Hammer Museum, Christovale worked as a curator at the Los Angeles Municipal Art Gallery. She has a bachelor's degree from the University of Southern California School of Cinematic Arts.
Youmna Chlala is a Lebanese-American artist and writer.
Kaari Upson was an American artist. The bulk of Upson’s career was devoted to a single series titled The Larry Project – paintings, installations, performances, and films inspired by a collection of one man's personal items she found in 2003. The Larry Project was exhibited at the Hammer Museum in Los Angeles in 2008, as part of their program Hammer Projects. Her work resides in the public collections of the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, and the Institute of Contemporary Art, Boston and is known for exploring themes of psychoanalysis, obsession, memory, and the body. She had lived and worked in Los Angeles.
Lisa C Soto is a visual artist based in Los Angeles, California. The themes of her work are informed by both "her Caribbean heritage and her continuous movements between continents and islands." Soto's drawings, installations and sculptures embody the struggle between connections and disconnections. Supporting the belief that all things, seen and unseen are essentially linked. There is a conversation that includes a personal and a universal situation, an interplay between the micro and the macro. Questioning the endless conflicts, the creation of artificial differences, and the establishment of borders. While exploring the essence of the forces at work in the macrocosm. Shaping what those energies, frequencies, and vibrations might look like.
Erika Tan is a London-based Singaporean contemporary artist and curator whose research-led practice emerges from her interests in anthropology and the moving image. Her recent research examines the postcolonial and transnational, working with archival artefacts, exhibition histories, received narratives, contested heritage, subjugated voices, and the movement of ideas, people and objects. She is a lecturer at the Central Saint Martins, University of the Arts London.
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