Europa is a 12-minute anti-fascist film made in 1931 in Warsaw, Poland by surrealists Stefan and Franciszka Themerson. The film is based on Anatol Stern's 1925 futurist poem Europa. It uses collages and photograms, and articulates the sense of horror and moral decline its makers were witnessing. The film, while long thought to have been lost, is considered an avant-garde masterpiece. [1]
The Themersons moved to Paris in 1938. When the Second World War broke out they deposited copies of five films, including Europa, at the Vitfer film laboratory. Nazi Germany seized the films after invading France, and they were thought to have been lost.
After the war the Themersons moved to London. In 1983 Stefan made a reconstruction of the film with the London Film-Makers' Co-op.
Unexpectedly the 1931 film was discovered by chance in the Bundesarchiv (Germany's national archives), in 2019. The Commission for Looted Art in Europe negotiated for the film on behalf of the Themerson estate; it was donated to the BFI National Archive. A restoration of the silent film, with a new soundtrack by Dutch composer Lodewijk Muns was shown for the first time at the BFI London Film Festival on 6 October 2021, introduced by Franciszka Themerson’s niece, the art curator Jasia Reichardt. [1] [2] [3]
Europa may refer to:
The British Union of Fascists (BUF) was a British fascist political party formed in 1932 by Oswald Mosley. Mosley changed its name to the British Union of Fascists and National Socialists in 1936 and, in 1937, to the British Union. In 1939, following the start of the Second World War, the party was proscribed by the British government and in 1940 it was disbanded.
Stefan Themerson was a Polish writer of children's literature, poet and inventor of Semantic Poetry, novelist, script writer filmmaker, composer and philosopher. He wrote in at least three languages. With his wife, Franciszka Themerson, they are regarded as leading husband-and-wife exponents of European Surrealism and publishers.
Europa Europa is a 1990 historical war drama film directed by Agnieszka Holland, and starring Marco Hofschneider, Julie Delpy, Hanns Zischler, and André Wilms. It is based on the 1989 autobiography of Solomon Perel, a German-Jewish boy who escaped the Holocaust by masquerading as a Nazi and joining the Hitler Youth. Perel himself appears briefly as "himself" in the film's finale. The film's title refers to World War II's division of continental Europe, resulting in a constant national shift of allegiances, identities, and front lines.
The Nazi regime in Germany actively promoted and censored forms of art between 1933 and 1945. Upon becoming dictator in 1933, Adolf Hitler gave his personal artistic preference the force of law to a degree rarely known before. In the case of Germany, the model was to be classical Greek and Roman art, seen by Hitler as an art whose exterior form embodied an inner racial ideal. It was, furthermore, to be comprehensible to the average man. This art was to be both heroic and romantic. The Nazis viewed the culture of the Weimar period with disgust. Their response stemmed partly from conservative aesthetics and partly from their determination to use culture as propaganda.
Nazi plunder was the stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.
The Sonderfahndungsliste G.B. was a secret list of prominent British residents to be arrested, produced in 1940 by the SS as part of the preparation for the proposed invasion of Britain. After the war, the list became known as The Black Book.
Franciszka Themerson was a Polish, later British, painter, illustrator, filmmaker and stage designer.
Helmut Roloff was a German pianist, recording artist, teacher and resistance fighter against the Nazi regime. In September 1942 Roloff was arrested in Berlin in the roundup of an anti-Nazi resistance group allegedly at the centre of a wider European espionage network identified by the Abwehr under the cryptonym the Red Orchestra. Covered by comrades who persuaded their interrogators that his contact with the group had been unwitting, he was spared execution and released. In post-war West Berlin, Roloff taught at the Academy of Music. After serving as the school's director, he retired in 1978.
Robert Morse Edsel is an American businessman and author. He has written three non-fiction books - Rescuing Da Vinci (2006), Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History (2007); and Saving Italy (2013) - chronicling the recovery of artwork stolen by Nazi Germany during World War II. A film based on his book, The Monuments Men, directed by and starring George Clooney, was released in February 2014.
Wilhelm Peter Bruno Lohse was a German art dealer and SS-Hauptsturmführer who, during World War II, became the chief art looter in Paris for Hermann Göring, helping the Nazi leader amass a vast collection of plundered artworks. During the war, Göring boasted that he owned the largest private art collection in Europe.
Emil Georg Bührle was a German-born Swiss industrialist, controversial armament manufacturer and art collector. Bührle was long-term managing owner of Oerlikon-Bührle and the founding patron of Foundation E.G. Bührle. By the end of the Second World War Bührle had become Switzerland's richest man after having been told by the Swiss authorities to not only supply weapons to the allies but also to Nazi Germany. He was the patriarch of the Bührle family.
Jonathan Petropoulos is an American historian who writes about National Socialism and, in particular, the fate of art looted during World War II. He is John V. Croul Professor of European History at Claremont McKenna College in Claremont, California. Before his 1999 appointment to Claremont McKenna College, Petropoulos taught at Loyola College in Maryland.
Jasia Reichardt is a British art critic, curator, art gallery director, teacher and prolific writer, specialist in the emergence of computer art. In 1968 she was curator of the landmark Cybernetic Serendipity exhibition at London's Institute of Contemporary Arts. She is generally known for her work on experimental art. After the deaths of Franciszka and Stefan Themerson she catalogued their archive and looks after their legacy.
Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Germans from Poland. Many historians regard it as the most important painting missing since World War II.
The looting of Polish cultural artifacts and industrial infrastructure during World War II was carried out by Nazi Germany and the Soviet Union simultaneously after the invasion of Poland of 1939. A significant portion of Poland's cultural heritage, estimated at about half a million art objects, was plundered by the occupying powers. Catalogued pieces are still occasionally recovered elsewhere in the world and returned to Poland.
Theodor Fischer (1878–1957) was a Swiss art dealer and auctioneer in Lucerne who after the First World War built a highly successful firm of auctioneers that dominated the Swiss art market. In 1939 he was the auctioneer at the infamous Grand Hotel auction of "degenerate art" removed from German museums by the Nazis. During the Second World War he played a key part in the trading of art looted by the Germans from occupied countries.
The Gaberbocchus Press was a London publishing house founded in 1948 by the artist couple Stefan and Franciszka Themerson. Alongside the Themersons, the other directors of the Press were the translator Barbara Wright and the artist Gwen Barnard who also illustrated a number of the company's publications.
Adolf Weinmüller was a German art dealer and Nazi party member who trafficked in looted art and Aryanized the S. Kende auction house as well as Helbing. The catalogs of his auctions were published in 2014 for provenance research and restitution to victims.