Tess Jaray is a British painter and printmaker. She taught at The Slade School of Fine Art, UCL from 1968 until 1999. Over the last twenty years Jaray has completed a succession of major public art projects. She was made an Honorary Fellow of RIBA in 1995 and a Royal Academician in 2010.
Computer art is art in which computers play a role in the production or display of the artwork. Such art can be an image, sound, animation, video, CD-ROM, DVD-ROM, video game, website, algorithm, performance or gallery installation. Many traditional disciplines are now integrating digital technologies and, as a result, the lines between traditional works of art and new media works created using computers has been blurred. For instance, an artist may combine traditional painting with algorithm art and other digital techniques. As a result, defining computer art by its end product can thus be difficult. Computer art is bound to change over time since changes in technology and software directly affect what is possible.
Stefan Themerson was a Polish writer of children's literature, poet and inventor of Semantic Poetry, novelist, script writer filmmaker, composer and philosopher. He wrote in at least three languages. With his wife, Franciszka Themerson, they are regarded as leading husband-and-wife exponents of European Surrealism and publishers.
The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar.
Peter Schmidt was a Berlin-born British artist, painter, theoretician of color and composition, pioneering multimedia exhibitor and an influential teacher at Watford College of Art. He was part of a generation of art school teachers in the 1960s and 1970s who had great impact on some students who later went on to work in art and music. He worked with Hansjörg Mayer, Brian Eno, Mark Boyle, Dieter Roth and had associations with Russell Mills, David Toop and Tom Phillips.
Bruce Lacey was a British artist, performer and eccentric. After completing his national service in the Navy he became established on the avant garde scene with his performance art and mechanical constructs. He has been closely associated with The Alberts performance group and The Goon Show. He made the props and had an acting part in Richard Lester's The Running Jumping & Standing Still Film.
Franciszka Themerson was a Polish, later British, painter, illustrator, filmmaker and stage designer.
Vaughan Grylls is a British artist, photographer, and author. Known for his fine art photography and sculptures, Grylls first received recognition for his 1960s pun-sculptures and, later, for his 1980s photography and panoramic photo collages.
Edward Ihnatowicz was a Polish cybernetic art sculptor active in the late 1960s and early 1970s. His sculptures explored the interaction between his robotic works and the audience.
Systems art is art influenced by cybernetics and systems theory, reflecting on natural systems, social systems, and the social signs of the art world itself.
Cybernetic Serendipity was an exhibition of cybernetic art curated by Jasia Reichardt, shown at the Institute of Contemporary Arts, London, England, from 2 August to 20 October 1968, and then toured across the United States. Two stops in the United States were the Corcoran Annex, Washington, D.C., from 16 July to 31 August 1969, and the newly opened Exploratorium in San Francisco, from 1 November to 18 December 1969.
Keith Albarn was an English artist. He was the father of musician Damon Albarn and artist Jessica Albarn.
Oliver Bevan is an English artist, who was born in Peterborough and educated at Eton College. After leaving school he spent a year in 1959–60 working for Voluntary Service Overseas in British North Borneo before returning to London to study painting at the Royal College of Art, where he became strongly influenced by Op Art and in particular the work of Victor Vasarely. Bevan graduated from the RCA in 1964 and had his first exhibition of Op Art-inspired paintings the following year. Optical, geometric and kinetic art then served him well until the late 1970s when he moved to the Canadian prairies for a two-year teaching post at the University of Saskatchewan. By the time he returned to London in 1979 he had abandoned abstract art in favour of figurative art and urban realism.
Cybernetic art is contemporary art that builds upon the legacy of cybernetics, where feedback involved in the work takes precedence over traditional aesthetic and material concerns. The relationship between cybernetics and art can be summarised in three ways: cybernetics can be used to study art, to create works of art or may itself be regarded as an art form in its own right.
The Gaberbocchus Press was a London publishing house founded in 1948 by the artist couple Stefan and Franciszka Themerson. Alongside the Themersons, the other directors of the Press were the translator Barbara Wright and the artist Gwen Barnard who also illustrated a number of the company's publications.
The Doors Are Open is a 1968 black-and-white documentary about the American rock group the Doors. It was produced by Jo Durden-Smith for Granada TV and directed by John Sheppard and first aired in the United Kingdom on 4 October 1968. The programme combines footage of the Doors playing live at London's Roundhouse venue, interviews with the band members and contemporary news snippets of world current affairs - protests at the 1968 Democratic Convention, French riots, statements from politicians and footage of the Vietnam War etc.
Catherine Mason is an art historian and author who specialises in digital art, especially computer art.
Nicholas Wadley was a British art critic, art historian, biographer, cartoonist and illustrator.
The Grabowski Gallery was an avant-garde art gallery opened in 1959 in London's Chelsea by Mateusz Grabowski, anticipating the Swinging Sixties. It hosted some of the earliest shows of the rising pop art movement and was the first venue in London to bring op art to the public. It launched the careers of some of Britain's and the British Commonwealth's leading exponents of two- and three-dimensional art and fostered émigré artists from Europe, the Caribbean and the Commonwealth. By the time it closed its doors in 1975 it had mounted around two hundred shows. When the gallery closed Mateusz Grabowski donated his collection of works from the gallery to the Museum of Art in Łódź and the National Museum in Warsaw, Poland.
Europa is a 12-minute anti-fascist film made in 1931 in Warsaw, Poland by surrealists Stefan and Franciszka Themerson. The film is based on Anatol Stern's 1925 futurist poem Europa. It uses collages and photograms, and articulates the sense of horror and moral decline its makers were witnessing. The film, while long thought to have been lost, is considered an avant-garde masterpiece.
