Evann Siebens

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A collage of gestures referencing performance, media and visual artists by Evann Siebens, 2021 A Lexicon of Gesture, Rotterdam, Evann Siebens, 2021.jpg
A collage of gestures referencing performance, media and visual artists by Evann Siebens, 2021
Evann Siebens
Born
Calgary, Alberta, Canada
Nationality Canadian
Known forPerformance art, media art, dance film
Website http://evannsiebens.com/

Evann Siebens is a Canadian multi-disciplinary artist based in Vancouver, British Columbia, Canada while her lens-based practice negotiates the human body as an archival site and the politics of the female gaze. [1] Her practice cross-references film, media, photo, performance art, and dance. Siebens' film works have been shown both nationally and internationally and have won awards. [2] She worked as a dance cinematographer for many years and shot dancers such as Mikhail Baryshnikov and Lucinda Childs. Her work from ‘A Performance Affair’ in Brussels, Belgium was featured on the front page of the International New York Times in 2019. [3]

Contents

Siebens writes about dance films and techniques for applying filmmaking to dance, and has been praised for her practical insights into the filming of dance and the creative interactions between dance and film technique [4] which she credits for expanding the cinematic experience: “I’m interested in breaking the frame, in moving beyond the traditional two-dimensional space of film, in questioning the status quo. The visual transgressions of dance media, that on the surface seem so simple and pleasing, are an entry point for feminists and activists to have their say, an allowance for the complexity of politics, enabled by the moving body through time and space.” [5]

Siebens is represented by Wil Aballe Art Projects in Vancouver.

Education

Evann Siebens studied dance at the National Ballet School of Canada and the Royal Ballet School in London, England. She danced with the National Ballet of Canada and the Bonn Ballet in Germany. [2] [6] [7] Siebens also danced with contemporary dance companies Kunst-Stoff, with choreographer Yannis Adoniou, and Danzaisa, with choreographer Gabri Christa. Siebens graduated from New York University in 1996, with a Bachelor of Arts, magna cum laude. [8] She participated in residencies at the Banff Centre, Banff, Calgary, UNIT/PITT, Vancouver, ACME, London UK, with Keith Doyle [9] [10] and TRII Art Hub Residency in Athens, Greece.

Publications

Siebens' work is cited and referenced in several publications, having most recently contributed to Beginning with the Seventies, 2020 (edited by Lorna Brown) [11] and Leaning Out of Windows: An Art and Physics Collaboration, 2023 (edited by Randy Lee Cutler and Ingrid Koenig). [12] She also contributed the essays ‘Dancing with the Camera: The Dance Cinematographer’ to Envisioning Dance on Film and Video, 2002 (edited by Judy Mitoma) and ‘Choreography for Camera: A Historical Perspective’ to Dance on Camera: a Guide to Dance Films and Videos, 1998 (edited by Louise Spain). [13] [14] The Indexical, Alphabetized Mediated, Archival Dance-a-Thon! Artist book was published by WAAP in 2019.

Awards

Siebens has received notable awards in her career as an artist, such as; Light Moves Festival Prize for Outstanding Overall Work in Limerick Ireland, 2018; MIMMiC Commission from On Main Gallery + Paul Wong Projects, Vancouver, Canada, 2015; ID / Identities Istanbul 2012; Best Video Prize, 2012; Golden Cine Television Award, 2003; Best Website/Best Experimental Film FILE: 04 Media Festival, Buenos Aires, Brazil, 2003; 3rd Prize Cinema, Moscow International Film Festival, Moscow Russia, 2003; Certificate of Recognition, American Dance Festival, 2003; Creative Excellence Award, ABC Television, 2003; SABAC Award, Grand Prix International Video Danse, Stockholm Sweden, 1997. Her work has been supported by The Canada Council for the Arts, the British Columbia Arts Council, The National Endowment for the Arts, The New York State Council for the Arts, and The Corporation for Public Broadcasting amongst others. [15] [16]

Selected Exhibitions, Performances and Screenings

Projects

External videos
Nuvola apps kaboodle.svg Evann Siebens, Time Reversal Symmetry, 2018
Nuvola apps kaboodle.svg Evann Siebens, The Indexical Dance-a-Thon!, 2016
Nuvola apps kaboodle.svg Evann Siebens, Chromatic Revelry, 2011
Nuvola apps kaboodle.svg Evann Siebens, image/Word.not_a_pipe=(Magritte), 2002
Nuvola apps kaboodle.svg Evann Siebens, POTHEAD, 1998

Pedestrian Protest

In 2021, Siebens, along with Keith Doyle, collaborated with nearly 50 local dancers, visual artists and activists to create Pedestrian Protest, a site-specific installation commissioned by the Vancouver Art Gallery. [17] The project included 24 media performances that referenced a historical or recent protest and explored how the moving body, whether in solitude or en masse, can become a political act. Incorporating image and sculpture into a multimedia installation, Pedestrian Protest considered themes of gathering and protest along Georgia Street—a connective artery that runs through the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) nations. [18]

A Lexicon of Gesture

Siebens conceived A Lexicon of Gesture in 2019, a variable media, photo and performance piece that researched and retrieved from dance, visual and performance art histories which was initially performed for A Performance Affair in Brussels, Belgium. A Lexicon of Gesture and variations of the piece were performed in-person and through digital streaming by Siebens at institutions including the Melly Kunstinstituut (formerly Witte de With) in 2020, [19] Vancouver Art Gallery in 2020, [3] Museum of Contemporary Art Barcelona in 2021, [20] and at PET Projects in Athens in 2022. [21] Following the initial performance of A Lexicon of Gesture at A Performance Affair, Siebens received press coverage from the New York Times and was featured on the front cover of the International New York Times and the outlet's web edition. [3] [22]

W-E-L-C-O-M-E to PoCo

In 2019, Siebens was commissioned by the City of Port Coquitlam’s Street Banner Program and Capture Photography Festival to create a set of Photographic Street Banners hung in civic squares and major city throughways in Port Coquitlam, British Columbia. W-E-L-C-O-M-E to PoCo, which reflects and highlights the welcoming spirit of the community of Port Coquitlam, featured images of local residents of diverse ages and cultural backgrounds in front of iconic sites and landmarks. [23]

Plus TheCo, Minus Helen Goodwin

In 2018 Siebens collaborated again with Keith Doyle to create Plus TheCo, Minus Helen Goodwin, a sculptural 20 foot metal geodesic dome, with a dancefilm in three parts at the Belkin Gallery in Vancouver. Commissioned by Lorna Brown, curator at the Belkin Gallery, the piece explores the overlooked Canadian female choreographer Helen Goodwin, a founding member of Intermedia in the 1960s as well as TheCo, a dance troupe based in Vancouver, B.C. [24] Siebens worked with choreographers James Gnam and Vanessa Goodman, visual artist Anne Ngan and several Vancouver based contemporary dancers to realize the pieces.

Orange Magpies

Siebens' performance film Orange Magpies was commissioned by Vancouver's Burrard Arts Foundation and Vancouver Art Gallery in 2017. This work was subsequently exhibited as a large-scale projection on the facade of the Vancouver Art Gallery as part of the Facade Festival that same year. [25] Siebens' video documented a six minute dance film performed by choreographers James Gnam and Vanessa Goodman. They are featured in locations from across the Lower Mainland of Vancouver, many of them unceded traditional territories of First Nations peoples such as the Coast Salish, the Squamish, the Tsleil-Waututh and the Musqueam. Siebens' intent as a non-Indigenous artist was "to use the mediums of dance and film to explore issues of colonialism and her role in reconciliation." [26]

time reversal symmetry

Siebens' 2018 film time reversal symmetry was part of a collaboration between artists and scientists at TRIUMF: Canada’s national laboratory for particle and nuclear physics. [27] It screened at the Dance on Camera Festival in New York City, the Seyr Festival in Tehran, Iran, the Dublin Dance Festival and the Light Moves Festival of Screendance in Limerick, Ireland, where it won the Light Moves Prize for Outstanding Overall Work [28] . The work was also exhibited at the Pushkin State Museum of Fine Arts in Moscow. [29]

The Indexical Dance-a-Thon!

In 2016 Siebens created a 26 monitor installation entitled, The Indexical Dance-a-Thon!, described as a "mediated lexicon of how to shoot dance". [30] Using her archive of film and years of shooting dance, Siebens created a personal manifesto using film, collage, text and projection. [31] The project was exhibited in Canada, the U.S., Europe, and West Asia and was accompanied by a publication that was published in 2019. [32] [33] [34]

deConstruction

Siebens created deConstruction in 2015, a series of photos and films that capture the dismantling of the city of Vancouver. By bringing dance to demolition, Siebens points out that ageism applies to architecture as it does to dancers' bodies. [35] deConstruction has been showcased widely across Canada. [36] [37]

Chromatic Revelry

Siebens' 2011 piece, Chromatic Revelry is series of 10 short films and accompanying photo installation. The piece connects the ordered harmonic scale of J.S. Bach’s Well-Tempered Clavier with the chaos of rave culture and was shot on Super 8 film in clubs and at raves. The film suggests a timelessness to parties, celebration and dance. Chromatic Revelry has been shown at festivals, exhibitions and screenings throughout Canada, the U.S., and Europe. [38] [39] [40]

IMPROV

In 2006 Siebens collaborated with Keith Doyle to create IMPROV, an installation shot on 16mm film which makes up five dance film studies that reflect an exchange between the body and the camera. The viewer is asked to question who is the performer and who is the maker as the artist steps into the frame holding a 16mm camera and ‘shoots’ the solos, duets and trios—improving as much as the dancers. IMPROV toured to Paris & Skopje, Macedonia in 2009; the Art Gallery of Calgary in 2007; Mediated Bodies in Dublin, Ireland in 2007; Screendance, American Dance Festival, Durham in 2006; Cinedans – Interactive Dance Film at Mediamatic, Amsterdam, The Netherlands in 2006; Goethe Institute & Deutsches Tanz Archive in Krakow, Poland in 2006; Monkey Town Screening in Brooklyn, New York in 2006 and DanceLenz Indian Film Festival in Delhi, India in 2006. [28]

American Aloha

Sieben's 2003 documentary film American Aloha, focuses on the history and rebirth of hula dancing. It was produced for the PBS POV series.[19][20] Filmed over a period of five years, it focuses on three kumu hula or hula masters teaching in California: Sissy Kaio of Hula Halau O Lilinoʻe, Mark Kealiʻi Hoʻomalu of Na Mele Hula ‘Ohana and Patrick Makuakāne of Na Lei Hulu I Ka Wekiu.[21]American Aloha won a CINE Golden Eagle Award in 2003, a Silver Hugo Award at the Chicago International Television Festival, and the Bronze Award in Cultural Documentary at WorldFest Houston.[22][23] The film also screened at the Hawai‘i International Film Festival and the Native American Film and Video Festival at the Smithsonian Institution.[24]

image/Word.not_a_pipe=(Magritte)

image/Word.not_a_pipe=(Magritte) is an experimental cinedance work by Evann Siebens, produced in 2002. The performative installation features three projections and a live dancer in an architecturally designed environment. [41] The work has been shown at global festivals and theatres since 2002, with its most recent screening in 2022.

Pothead

In 1999, Siebens directed Pothead, a 6 minute dance film which features choreography and performance by Yannis Adoniou. [42] The work features a modern truth seeker who is blinded by the stainless steel pot over his head. [43] The work was exhibited across Canada, the U.S., the U.K., and Europe.

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References

  1. ↑ "'It's huge and intimidating:' Façade Festival 2017 set to transform Vancouver Art Gallery". CBC News. Retrieved March 10, 2018.
  2. 1 2 Vokoun, J. (July 9, 2006). Screendance: The State of the Art (proceedings from the American Dance Film Festival Conference) (PDF). Durham, NC: Duke University. p. 10. Retrieved March 13, 2018.
  3. 1 2 3 "Art Connects | Evann Siebens". www.vanartgallery.bc.ca. Retrieved April 5, 2024.
  4. ↑ Birringer, Johannes (2008). Performance, technology, & science (1st ed.). New York: PAJ Publications. p. 16. ISBN   978-1555540791.
  5. ↑ Dance International (May 2018). "The Evolving Story of Dance on Film: An overview of new forms then and now". Dance International. 46: 10–16. Retrieved June 22, 2019.
  6. ↑ Spain, Louise (1997). Dance on camera : a guide to dance films and videos. Lanham, Md.: Scarecrow Press. p. 1. ISBN   978-0810833036.
  7. ↑ "Dancer on the brink at New Media Gallery". New West Record. April 25, 2017. Retrieved March 14, 2018.
  8. ↑ "Curriculum Vitae". Evann Siebens. Retrieved March 13, 2018.
  9. ↑ "Evann Siebens". Capture Photography Festival. Retrieved March 10, 2018.
  10. ↑ McLaughlin, Bryne (November 23, 2012). "Flying car makes comeback in Edmonton courtesy Evann Siebens & Keith Doyle". Canadian Art. Retrieved March 13, 2018.
  11. ↑ "Information Office / Beginning with the Seventies". Information Office. Retrieved April 2, 2024.
  12. ↑ "Leaning Out of Windows • Figure 1 Publishing". Figure 1 Publishing. Retrieved April 2, 2024.
  13. ↑ Spain, Louise (January 28, 1998). Dance on Camera: A Guide to Dance Films and Videos. Lanham, Md.: Scarecrow Press. ISBN   978-0-8108-3303-6.
  14. ↑ Mitoma, Judy, ed. (July 17, 2003). Envisioning Dance on Film and Video (1st ed.). New York; London: Routledge. ISBN   978-0-415-94171-6.
  15. ↑ "The MIMMiC Project". Kickstarter. Retrieved March 10, 2018.
  16. ↑ ""American Aloha: Hula Beyond Hawai'i" Discovers a Renaissance In Hawaiian Culture" (PDF). Public Broadcasting Service (PBS).
  17. ↑ "Offsite: Evann Siebens + Keith Doyle". www.vanartgallery.bc.ca. Retrieved April 5, 2024.
  18. ↑ "IT Application". vancouver.ca. Retrieved April 5, 2024.
  19. ↑ "Evann Siebens - Kunstinstituut Melly". www.kunstinstituutmelly.nl. Retrieved April 5, 2024.
  20. ↑ "Activity - Evann Siebens, A Lexicon of Gesture - LiveStreamed | MACBA Museum of Contemporary Art of Barcelona". www.macba.cat. March 10, 2024. Retrieved April 5, 2024.
  21. ↑ "P.E.T. PROJECTS". www.petprojects.studio. Retrieved April 5, 2024.
  22. ↑ Reyburn, Scott (September 9, 2019). "It's the Art Form of the Moment (but It's a Hard Sell)". The New York Times. ISSN   0362-4331 . Retrieved May 28, 2024.
  23. ↑ "W-E-L-C-O-M-E to PoCo - Capture Photography Festival". February 28, 2019. Retrieved April 5, 2024.
  24. ↑ "Beginning with the Seventies: Radial Change". Morris and Helen Belkin Art Gallery. Retrieved April 5, 2024.
  25. ↑ Yumpu.com. "CITY INTANGIBLE Ronnie De". yumpu.com. Retrieved April 5, 2024.
  26. ↑ "'It's huge and intimidating:' Façade Festival 2017 set to transform Vancouver Art Gallery". CBC News.
  27. ↑ Siebens, Evann. "Time Reversal Symmetry". IMZ International Music + Media Centre. Retrieved April 5, 2024.
  28. 1 2 "Acme | Keith H Doyle & Evann Siebens". Acme Studios. Retrieved April 5, 2024.
  29. ↑ "EVANN SIEBENS 100 Ways to Live a Minute: Pushkin State Museum of Fine Arts - WAAP". www.waapart.com. Retrieved April 5, 2024.
  30. ↑ "Volume 19, Issue 5 | The Dance Current - Canada's Dance Magazine". September 18, 2020. Archived from the original on September 18, 2020. Retrieved April 5, 2024.
  31. ↑ "EVANN SIEBENS: THE INDEXICAL, ALPHABETIZED, MEDIATED, ARCHIVAL DANCE-A-THON! - WAAP". www.waapart.com. Retrieved April 5, 2024.
  32. ↑ "Shorts Program II: Experimental". Film at Lincoln Center. Retrieved April 5, 2024.
  33. ↑ Siebens, Evann. "The Indexical Dance-A-Thon!". IMZ International Music + Media Centre. Retrieved April 5, 2024.
  34. ↑ Siebens, Evann (2019). The Indexical, Alphabetized, Mediated, Archival Dance-a-thon. Wil Aballe Art Projects. ISBN   978-1-949734-02-7.
  35. ↑ "Evann Siebens: deConstruction – BAF" . Retrieved April 5, 2024.
  36. ↑ ""deConstruction" by Evann Siebens – ISEA Symposium Archives". isea-archives.siggraph.org. Retrieved April 5, 2024.
  37. ↑ "deConstruction - Capture Photography Festival". March 17, 2015. Retrieved April 5, 2024.
  38. ↑ "Evann Siebens | Chromatic Revelry". dc3 Art Projects. Retrieved April 5, 2024.
  39. ↑ "SMART Cities & HYBRID Identities . Venice". ITSLIQUID. Retrieved April 5, 2024.
  40. ↑ "Kinetic Cinema". Dance On Camera. February 2, 2012. Retrieved April 5, 2024.
  41. ↑ "Collection Regards Hybrides". collection.regardshybrides.com. Retrieved April 5, 2024.
  42. ↑ POV (January 15, 2003). "Filmmaker Bio | American Aloha | POV | PBS". POV | American Documentary Inc. Retrieved April 5, 2024.
  43. ↑ Siebens, Evann (May 19, 2011). Pothead . Retrieved April 5, 2024– via Vimeo.
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