Evidence | ||||
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Studio album by | ||||
Released | 1962 | |||
Recorded | November 1, 1961 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 33:10 | |||
Label | New Jazz | |||
Producer | Esmond Edwards | |||
Steve Lacy chronology | ||||
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Evidence is the fourth album by Steve Lacy and was released on the New Jazz label in 1962. It features performances of four tunes written by Thelonious Monk and two from Duke Ellington by Lacy, Don Cherry, Carl Brown and Billy Higgins.
Review scores | |
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Source | Rating |
Down Beat | [1] |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Al Campbell awarded the album 4 stars, stating: "Soprano saxophonist Steve Lacy continued his early exploration of Thelonious Monk's compositions on this 1961 Prestige date, Evidence. Lacy worked extensively with Monk, absorbing the pianist's intricate music and adding his individualist soprano saxophone mark to it. On this date, he employs the equally impressive Don Cherry on trumpet, who was playing with the Ornette Coleman quartet at the time, drummer Billy Higgins, who played with both Coleman and Monk, and bassist Carl Brown. Cherry proved capable of playing outside the jagged lines he formulated with Coleman, being just as complimentary and exciting in Monk's arena with Lacy. Out of the six tracks, four are Monk's compositions while the remaining are lesser known Ellington numbers: 'The Mystery Song' and 'Something to Live For' (co-written with Billy Strayhorn)." [2]
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four new masters. While essentially an expanded re-release of 1990s The Blanton–Webster Band, the packaging, sound and updated notes make this, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York noted that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
Soprano Sax is the debut album by Steve Lacy which was released on the Prestige label in 1958. It features performances by Lacy, Wynton Kelly, Buell Neidlinger and Dennis Charles.
Reflections is the second album by Steve Lacy which was released on the Prestige label in 1959. It features performances of Thelonious Monk's compositions by Lacy, Mal Waldron, Buell Neidlinger and Elvin Jones.
The Straight Horn of Steve Lacy is the third album by Steve Lacy and the first to be released on the Candid label in 1961. It features performances of tunes written by Thelonious Monk, Cecil Taylor and Miles Davis by Lacy, Charles Davis, John Ore and Roy Haynes.
Trickles is the first album by Steve Lacy to be released on the Italian Black Saint label. It features performances of five of Lacy's compositions by Lacy, Roswell Rudd, Kent Carter and Beaver Harris.
Only Monk is the third album by Steve Lacy to be released on the Italian Soul Note label. It features solo performances of nine tunes written by Thelonious Monk by Lacy. It is the second solo album composed totally of Monk's compositions recorded by Lacy following Eronel (1979) and follows a tradition established on Lacy's second album Reflections (1958) and Epistrophy (1969).
Sempre Amore is an album by Steve Lacy and Mal Waldron released on the Italian Soul Note label in 1987. It features duo performances of tunes written by Duke Ellington and Billy Strayhorn.
Big Band and Quartet in Concert is the fifth album Thelonious Monk released for Columbia Records, featuring several Monk compositions. It was recorded live at Lincoln Center, Philharmonic Hall, New York, New York on December 30, 1963.
Unknown Session is an album by American pianist, composer and bandleader Duke Ellington recorded in 1960 but not released on the Columbia label until 1979.
The Carnegie Hall Concerts: January 1943 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1943 and released on the Prestige label in 1977.
Studio Sessions, New York 1962 is the third volume of The Private Collection a series of recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Rush Hour is an album by the American jazz saxophonist Joe Lovano featuring an orchestra arranged and conducted by Gunther Schuller recorded in 1994 and released on the Blue Note label.
Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman. The set was released on Rhino Records in 1993, and reissued in March 2015.
Art Deco is an album by jazz trumpeter Don Cherry recorded in 1988 and released on the A&M label. His quartet played at the Village Vanguard before recording the album.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Ellington Is Forever Volume Two is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1977 it was rereleased on CD in 1994.
5 x Monk 5 x Lacy is a live solo album by soprano saxophonist Steve Lacy recorded in Sweden in 1994 and released on the Silkheart label.
We See, subtitled Thelonious Monk Songbook, is a live album by soprano saxophonist Steve Lacy, which was recorded in Switzerland in 1992 and first released on the hat ART label in 1993. The album was rereleased in 2002 with an additional track from the concert.
Let's Call This... Esteem is a live album by soprano saxophonist Steve Lacy and pianist Mal Waldron recorded in Oxford in 1993 and released on the Slam label.