Ewen Spencer | |
---|---|
Born | 1971 (age 50–51) Newcastle upon Tyne, England [1] |
Nationality | British |
Known for | Photography |
Website | www |
Ewen Spencer (born 1971) is a British photographer and filmmaker based in Brighton, England. His photography is primarily of youth and subcultures. [2] [3]
He began his career working for style, music and culture magazines The Face and Sleazenation and has since joined groups of young people and musicians to make personal projects, as well as making films for Massive Attack, The Streets and the Charlatans and undertaking commercial work. His books include Open Mic (2005), [4] UKG (2013), Young Love (2017), and While you Were Sleeping (2022).
Spencer studied editorial photography under photographers Paul Reas and Mark Power at the School of Art and Design at the University of Brighton. [5] He graduated in 1997.
In 1999 he worked photographing nightlife, such as the UK garage scene, for fashion and lifestyle magazine Sleazenation . [1]
Between 2001 and 2005 Spencer photographed the American rock band The White Stripes. [6] [7] [8] Initially for the NME , he photographed shows from their first UK tour onwards, including candid backstage photographs. [8] [9] In 2010 he self-published Three's a Crowd, [6] documenting the early stages of the band's rise to popularity. [10]
In 2002 photographer Martin Parr tipped Spencer as the most promising newcomer of that year. [10]
Spencer has also photographed London's grime music, [11] [12] [13] which resulted in his book Open Mic, which was awarded a Yellow Pencil certificate for photographic publishing by D&AD in 2005. [14] In his introduction to Open Mic, Martin Parr wrote:
Ewen Spencer has already established his reputation, in recent years, as a photographer of much talent with his work on youth culture, but now he turns his attention to the 'grime' music scene in London... This is where Spencer's quality as a photographer really begins to work. He has thrown himself into this whole scene with such enthusiasm and dedication that he has won over the confidence of the key players on the grime circuit. This demonstrates how the potential magic of contemporary photography begins to operate. Because Spencer's photography is so compelling, the viewer begins to understand what attracted him in the first place... This scene is about energy... Ewen Spencer's photographs are also about energy, making visual sense of the wonderful anarchy of grime. Spencer brings the same raw passion to his photographs; I think those who view them benefit from this engagement. [2]
Writing for the Huffington Post in 2012, Alice Vincent said "it is his photography from the front line of genuine youth culture that are the most striking. The rituals of sex and socialising are prominent, with Spencer's images seeming to be captured by an invisible voyeur." [3] In a 2012 interview for The Guardian , Spencer named Dick Hebdige, Tom Wood, and Pete Townshend as influences. [1]
In 2013, GOST published Spencer's book of photographs of UK garage, UKG. Writing in The Guardian, Mike Skinner wrote of UKG that:
Ewen's photographs start when the scene was moving at its fastest, and go right up to Moving Too Fast. The first thing I wondered when I saw them was how he didn't get beaten up for snapping such intimate moments of some pretty certified-looking badmen. But my second, more lasting impression was how much more rich in detail they were than my fading typecast memory. . . . But the important and exciting thing about Ewen's photos are that they take you back to the real thing. . . . [15]
In 2016 he was commissioned by Photoworks and Fabrica to produce a body of work for Brighton Photo Biennial. With Kick over the statues Spencer's intention was to re-establish a belief in youth tribes and style. Young Londoners were cast along the route of the August 2016 Notting Hill Carnival and against locations in Liverpool. These cities celebrate and enhance the idea of a UK diaspora, through style and cultural background with an association to music and culture that recalls the history of British subcultures and invents its own contemporary incarnations. The gallery installation resembled a snapshot of how photography is often encountered in the streets of a modern city. Large format images posted onto custom-built billboards are supplemented with music and projected images.[ citation needed ]
His photography has appeared in The Guardian [16] [9] and he has worked for the NME, [6] [9] The Face, Nike, Apple, Smirnoff, Footlocker, JD Sports, Sony, Reebok, T-Mobile, Toyota, Vodafone [13] and Channel 4 (photographing on the set of E4's series Skins). [3] [13] He took the inner liner photographs for the album Original Pirate Material by The Streets. [3] [10] [17]
Spencer's Brandy & Coke (2014), about UK garage, was broadcast on Channel 4 in 2014 as part of the first of their Music Nation music documentary series with Dazed. [18] Writing in The Guardian in 2014, Sam Richards called it "excellent". [19] Open Mic (2014), about grime music, was broadcast in the second series. [20] [21] [22] Ellen E. Jones, writing in The Independent in 2014, said "There are enough ideas in 'Open Mic', the opening film from Ewen Spencer, to justify a whole series of films on grime music alone." [20] In 2015 Spencer was commissioned by i-D to make a four-part series for Channel 4, Street, Sound and Style, [n 1] describing how music and street style subcultures have changed the face of British pop culture.
Martin Parr is a British documentary photographer, photojournalist and photobook collector. He is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.
Grime is a genre of electronic music that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life.
Juergen Teller is a German fine-art and fashion photographer. He was awarded the Citibank Prize for Photography in 2003 and received the Special Presentation International Center of Photography Infinity Award in 2018.
Thomas Wood is an Irish street photographer, portraitist and landscape photographer, based in Britain. Wood is best known for his photographs in Liverpool and Merseyside from 1978 to 2001, "on the streets, in pubs and clubs, markets, workplaces, parks and football grounds" of "strangers, mixed with neighbours, family and friends." His work has been published in several books, been widely shown in solo exhibitions and received awards.
John Rankin Waddell, known as Rankin,(born 1966) is a British photographer and director. He has photographed fashion models, notably Kate Moss, and personalities including Madonna, David Bowie and the Queen.
Robert Carlos Clarke was a British-Irish photographer who made erotic images of women as well as documentary, portrait and commercial photography.
Mark Power is a British photographer. He is a member of Magnum Photos and Professor of Photography in The Faculty of Arts and Architecture at the University of Brighton. Power has been awarded the Terence Donovan Award and an Honorary Fellowship from the Royal Photographic Society.
Bassline is a music genre related to UK garage that originated in Yorkshire and the Midlands in the early 2000s. Stylistically it comprises a four-to-the-floor rhythm normally at around 135–142 beats per minute and a strong emphasis on bass, similar to that of its precursor speed garage, with chopped up vocal samples and a pop music aesthetic.
Dean Chalkley is a British photographer from Southend-on-Sea.
Derek Ridgers is an English photographer known for his photography of music, film and club/street culture. He has photographed people including James Brown, the Spice Girls, Clint Eastwood and Johnny Depp, as well as politicians, gangsters, artists, writers, fashion designers and sports people. Ridgers has also photographed British social scenes such as skinhead, fetish, club, punk and New Romantic.
Gordon MacDonald works with photography as an artist, writer, curator, press photographer and educator.
Chris Floyd is a British photographer based in London. He is known chiefly for his celebrity portraiture and reportage, beginning with the Britpop music scene in the 1990s. He also works with fashion and advertising photography and film. In 2011, he exhibited his series of 140 portraits of Twitter users.
Photoworks is a UK development agency dedicated to photography, based in Brighton, England and founded in 1995. It commissions and publishes new photography and writing on photography; publishes the Photoworks Annual, a journal on photography and visual culture, tours Photoworks Presents, a live talks and events programme, and produces the Brighton Photo Biennial, the UK’s largest international photography festival Brighton Photo Biennial,. It fosters new talent through the organisation of the Jerwood/Photoworks Awards in collaboration with the Jerwood Charitable Foundation.
Lisa Barnard is a documentary photographer, political artist, and a reader in photography at University of South Wales. She has published the books Chateau Despair (2012), Hyenas of the Battlefield, Machines in the Garden (2014) and The Canary and the Hammer (2019). Her work has been shown in a number of solo and group exhibitions and she is a recipient of the Albert Renger-Patzsch Award.
Preston is My Paris Publishing (PPP) is a photography-based project that creates publications, site-specific installations, live events, digital applications, education, writing, talks and workshops. It was started in 2009 by Adam Murray and Robert Parkinson as a photocopied zine with the intention of encouraging the exploration of Preston as a subject for creative practice and to focus more attention on the city. It has been described as "politically and photographically aware", "photographing and publishing a view of a disregarded, ordinary Britain" "in a playful way".
Mark Taylor, professionally known as Royal-T, is a British UK garage and grime DJ and music producer from Southampton. He is signed to Butterz and Rinse Recordings.
Jamie Hawkesworth is a British fashion and documentary photographer.
Open Eye Gallery is a photography gallery and archive in Liverpool, UK that was established in 1977. It is housed in a purpose-built building on the waterfront at Mann Island, its fourth location.
Danielle Gooding, professionally known as Flava D, is an English UK garage, grime and bassline DJ and music producer. She was previously signed to the Butterz record label and is now signed to Hospital Records. She is one third of the UK garage act TQD, alongside fellow producers Royal-T and DJ Q.
Molly Macindoe is a UK based photographer and photojournalist with U.S.A. and New Zealand dual nationality. She is best known for her work documenting the underground rave scene. She uses photographic film as a medium in the majority of her works.