In ancient Greek mythology and religion, Persephone, also called Kore or Cora, is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by and marriage to her uncle Hades, the king of the underworld.
Selinunte was a rich and extensive ancient Greek city of Magna Graecia on the south-western coast of Sicily in Italy. It was situated between the valleys of the Cottone and Modione rivers. It now lies in the comune of Castelvetrano, between the frazioni of Triscina di Selinunte in the west and Marinella di Selinunte in the east.
The Eleusinian Mysteries were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece. They are considered the "most famous of the secret religious rites of ancient Greece". Their basis was an old agrarian cult, and there is some evidence that they were derived from the religious practices of the Mycenean period. The Mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases: the descent (loss), the search, and the ascent, with the main theme being the ascent of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome. Similar religious rites appear in the agricultural societies of the Near East and in Minoan Crete.
Cyrene or Kyrene, was an ancient Greek and later Roman city near present-day Shahhat, Libya. It was the oldest and most important of the five Greek cities, known as the pentapolis, in the region. It gave eastern Libya the classical name Cyrenaica that it has retained to modern times. Located nearby is the ancient Necropolis of Cyrene.
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it, it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic, is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
A krater or crater was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water.
Atsipades is an archaeological site of a Minoan peak sanctuary in western Crete. It is an open-air peak sanctuary, situated on a mountain and open to the elements. It was discovered by K. Nowicki in 1985.
The Naucratis Painter was a Laconian vase painter of the mid-sixth century BC. Naucratis was a Greek trading post (emporion) in Egypt. Two fragments of a kylix found in the Demeter Sanctuary, Cyrene, show that the Naucratis Painter was literate, and the form of a three-stroke iota suggests, moreover, that he was a foreigner in Laconia.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, c. 900–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from c. 1100 to 750 BC and include two periods, the Protogeometric period and the Geometric period, in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
Apulian vase painting was a regional style of South Italian vase painting from ancient Apulia in Magna Graecia. It comprises geometric pottery and red-figure pottery.
Aretaphila of Cyrene was a Cyrenean noblewoman. According to Plutarch in his work De mulierum virtutes, she deposed the tyrant Nicocrates.
The Archeological Museum of Eleusis is a museum in Eleusis, Attica, Greece. The museum is located inside the archaeological site of Eleusis. Built in 1890, by the plans of the German architect Kaverau, to keep the findings of the excavations, and after two years (1892) was extended under the plans of the Greek architect J. Mousis.
In ancient Greek religion and myth, Eubuleus is a god known primarily from devotional inscriptions for mystery religions. The name appears several times in the corpus of the so-called Orphic gold tablets spelled variously, with forms including Euboulos, Eubouleos and Eubolos. It may be an epithet of the central Orphic god, Dionysus or Zagreus, or of Zeus in an unusual association with the Eleusinian Mysteries. Scholars of the late 20th and early 21st centuries have begun to consider Eubuleus independently as "a major god" of the mysteries, based on his prominence in the inscriptional evidence. His depiction in art as a torchbearer suggests that his role was to lead the way back from the Underworld.
Laconian vase painting is a regional style of Greek vase painting, produced in Laconia, the region of Sparta, primarily in the 6th century BC.
A mastos is an ancient Greek drinking vessel shaped like a woman's breast. The type is also called a parabolic cup, and has parallel examples made of glass or silver. Examples are primarily in black-figure or white ground technique, though early examples may be red-figure. A mastos typically has two handles and a "nipple" at the bottom, though some examples have a foot as a base instead. A mastoid cup is conical, but with a flat bottom, with or without handles.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
P. Gregory Warden is an American archaeologist, President and Professor of archaeology at Franklin University Switzerland, and expert on Etruscan art, archaeology, and ritual, Roman architecture and Greek archaeology. He is the inaugural Mark A. Roglán Director of the Custard Institute for Spanish Art and Culture at Southern Methodist University.
Ancient Greek funerary vases are decorative grave markers made in ancient Greece that were designed to resemble liquid-holding vessels. These decorated vases were placed on grave sites as a mark of elite status. There are many types of funerary vases, such as amphorae, kraters, oinochoe, and kylix cups, among others. One famous example is the Dipylon amphora. Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens.
The Intraurban Sanctuary of Demeter and Persephone was an intraurban sanctuary in ancient Cyrene in Libya, dedicated to Demeter and Persephone.
