| Eyes on Tomorrow | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 11 June 1991 | |||
| Genre | African music | |||
| Label | Gallo | |||
| Miriam Makeba chronology | ||||
| ||||
Eyes on Tomorrow is an album by South African singer Miriam Makeba, released in 1991. [1] [2] It was recorded in South Africa. [3] Dizzy Gillespie guested on the album. [4]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [5] |
| Robert Christgau | C [6] |
The Washington Post wrote that "what stands out most is Makeba's sweet, supple, stirring voice and an overriding sense that, though she may be home, the struggle for self-rule and unification goes on." [7]
Hugh Ramapolo Masekela was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and "Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of "Grazing in the Grass".
René McLean is a hard bop saxophonist and flutist from New York City. He started playing guitar before receiving an alto saxophone and instruction from his father, alto saxophonist Jackie McLean.
Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Ronald Edward Holloway is an American tenor saxophonist. He is listed in the Biographical Encyclopedia of Jazz where veteran jazz critic Ira Gitler described Holloway as a "Hard bear-down-hard-bopper who can blow authentic R&B and croon a ballad with warm, blue feeling."
"Pata Pata" is an Afro-pop dance song popularized internationally by South African singer Miriam Makeba. "Pata Pata" is credited to Makeba and Jerry Ragovoy. Her most popular recording of "Pata Pata" was recorded and released in the United States in 1967. The song is considered by many to be Makeba's signature hit and it has since been recorded by many artists.
Laura Kabasomi Kakoma, known on stage as Somi or Somi Kakoma, is a Grammy-nominated American-born singer, songwriter, playwright, and actor of Rwandan and Ugandan descent. Somi is the first African woman to be nominated for a Grammy Award in a Jazz category. She is also the first Rwandan or Ugandan to ever be nominated for a Grammy. She is also the first East African actor to perform on Broadway.
Welela is an album by the South African musician Miriam Makeba, released in 1989. It was produced primarily by Sipho Mabuse.
An Evening with Belafonte/Makeba is a Grammy Award-winning 1965 album by Harry Belafonte and Miriam Makeba, released by RCA Victor. It was the second outcome of the long lasting collaboration between Belafonte and Makeba, the first being the appearance of Makeba in the song "One More Dance" on Belafonte's 1960 album, Belafonte Returns to Carnegie Hall.
Solo Razafindrakoto known as Solorazaf is a Malagasy guitarist born in France. His roots are both situated in Madagascar. His musical style is very much influenced by these two different cultures and he then created a very personal musical style based on Malagasy traditional music.
Steve McEwan is a multi Grammy award-winning British songwriter, artist, and musician. His songs have been recorded by country music artists including Chris Stapleton, Kenny Chesney, Carrie Underwood, Faith Hill, and Keith Urban. Outside of country, he has also written with rock and pop stars such as Kylie Minogue, Roger Daltrey, David Archuleta, James Morrison, James Blunt, Jackson Browne, James Bay, and James Arthur as well as rapper Eminem. His song "Cry" with Jon Batiste won best American Roots song and Best Performance at the 2022 Grammys and he also won overall Best Album for "We Are". In 2024 he won the Grammy for Best Song For Social Change for "Refugee" with the artist K'naan.
A Portrait of Duke Ellington is an album featuring trumpeter Dizzy Gillespie and orchestra performing compositions associated with Duke Ellington, recorded in 1960 and released on the Verve label. All of the orchestral arrangements were provided by then Hi-Lo's accompanist – and sometimes arranger – Clare Fischer, hired on the basis of a previously recorded but unreleased album with strings, arranged by Fischer for erstwhile University of Michigan classmate Donald Byrd. Byrd played the tape for Gillespie; Gillespie liked what he heard. Unfortunately for Fischer, especially in light of the critical accolades given the eventual fruit of his, and Gillespie's, labor, Fischer's name was nowhere to be found on the finished LP; widespread awareness of his participation would have to await the CD reissue almost 2½ decades later.
"Soweto Blues" is a protest song written by Hugh Masekela and performed by Miriam Makeba. The song is about the Soweto uprising that occurred in 1976, following the decision by the apartheid government of South Africa to make Afrikaans a medium of instruction at school. The uprising was forcefully put down by the police, leading to the death of between 176 and 700 people. The song was released in 1977 as part of Masekela's album You Told Your Mama Not to Worry. The song became a staple at Makeba's live concerts, and is considered a notable example of music in the movement against apartheid.
The Americanization of Ooga Booga is a live album by South African jazz trumpeter Hugh Masekela. MGM released the record in June 1966.
Still Grazing: The Musical Journey of Hugh Masekela is an autobiography book by South African trumpeter Hugh Masekela. It was released on May 11, 2004 by Crown Archetype. The book was written together with D. Michael Cheers. In this book, Masekela tells a story of his forty-year career in the world of African jazz and his travels from South Africa to New York, then to Jamaica, and then back to his homeland. The book is complemented by the album of the same name.
The apartheid regime in South Africa began in 1948 and lasted until 1994. It involved a system of institutionalized racial segregation and white supremacy, and placed all political power in the hands of a white minority. Opposition to apartheid manifested in a variety of ways, including boycotts, non-violent protests, and armed resistance. Music played a large role in the movement against apartheid within South Africa, as well as in international opposition to apartheid. The impacts of songs opposing apartheid included raising awareness, generating support for the movement against apartheid, building unity within this movement, and "presenting an alternative vision of culture in a future democratic South Africa."
This is a discography of South African musician Miriam Makeba (1953-2008).
Sixty is a 2000 studio album by South African jazz trumpeter Hugh Masekela. It was recorded in Johannesburg, South Africa, and released via the Shanachie label.
The Magic of Makeba is the seventh album by Miriam Makeba released in 1965 by RCA Victor. The album saw Makeba branching out into new material arranged by conductor Sid Bass, but it gained mixed reception and was her final album for RCA Victor.
Reflections is the 2004 final studio album of Miriam Makeba. It won three prizes at the South African Music Awards in 2004.
Sangoma is an album by the South African musician Miriam Makeba, released in 1988. It was a comeback album after a long pause since Comme une symphonie d'amour, in 1979, spurred by touring with Paul Simon, who was promoting his album Graceland. The album's chants were taught to Makeba by her mother. While recording this album she was in a wheelchair due to fracturing her leg while on the Graceland tour.
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