Pata Pata | ||||
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Studio album by | ||||
Released | 1967 | |||
Studio | TownSound Studios, Eaglewood, New Jersey | |||
Genre | World music, African music | |||
Length | 35:31 | |||
Label | Reprise | |||
Producer | Jerry Ragovoy Jimmy Wisner Luchi DeJesus Sivuca | |||
Miriam Makeba chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Encyclopedia of Popular Music | [2] |
Pata Pata is a 1967 album by Miriam Makeba. The album charted at number 74 in the US albums chart. [3] Most of the recordings were new, though Sivuca's "Maria Fulo" was included again, from the previous album All About Miriam .
Hugh Ramapolo Masekela was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and "Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of "Grazing in the Grass".
Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Bongi Makeba was a South African singer-songwriter. She was the only child of singer Miriam Makeba with her first husband, James Kubay.
Milk & Sugar are German house music producers and record label owners Mike Milk and Steven Sugar. The two have collaborated since 1993 under a variety of names, including Axis, Hitch Hiker & Jacques Dumondt, and Mike Stone & Steve Heller, and have scored major club hits internationally, including a re-make of John Paul Young's "Love Is in the Air".
Lorraine Klaasen is a London, Ontario-based world music singer. Her mother was South African jazz singer Thandi Klaasen. She has performed at the Montreal International Jazz Festival, and her international itinerary has included the United States, Mexico and the Caribbean. She and her mother are also reputed as two of Nelson Mandela's favorite musicians.
"Mas que Nada" is a song written and originally recorded in 1963 by Jorge Ben on his debut album Samba Esquema Novo, which was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature songs. It was voted by the Brazilian edition of Rolling Stone as the fifth-greatest Brazilian song. It was inducted to the Latin Grammy Hall of Fame in 2013.
Severino Dias de Oliveira, known professionally as Sivuca, was a Brazilian accordionist, guitarist and singer. In addition to his home state of Paraíba, Brazil, and cities Recife and Rio de Janeiro, he worked and lived in Paris, Lisbon, and New York City intermittently. He has two daughters, Wilma Da Silva and Flavia de Oliveira Barreto.
"Pata Pata" is an Afro-pop dance song popularized internationally by South African singer Miriam Makeba. "Pata Pata" is credited to Makeba and Jerry Ragovoy. Her most popular recording of "Pata Pata" was recorded and released in the United States in 1967. The song is considered by many to be Makeba's signature hit and it has since been recorded by many artists.
The Queen Of African Music is a 17-track compilation album by Miriam Makeba, released by Theo König, Verlag Pläne in 1987.
Welela is a Miriam Makeba album mixed at Condulmer Recording Studios in Venice, Italy by Allan Goldberg of Phonocomp in the end of 1989, except for "Pata Pata" which was mixed at Psycho Studio in Milan, February 1990.
Chayanne II is the fourth studio album recorded by Puerto Rican performer Chayanne, It was released by CBS Discos on November 22, 1988. This album is the second released under the Sony record label, after the successful, also self-titled, previous album. This release includes a blend of ballads and dance songs, that would be the singer trademark through his career. The four singles yielded from this album peaked within the Top Ten in the Billboard Hot Latin Tracks chart: "Tú Pirata Soy Yo", "Este Ritmo Se Baila Así", "Fantasías", and the number-one song "Fuiste un Trozo de Hielo en la Escarcha". Unlike Chayanne '87, all music from the LP version is available in the CD Version.
Homeland is a 2000 album by South African singer Miriam Makeba. It was released in 2000 on CD by world music label Putumayo. It includes a duet starring Makeba and Zenzi Lee in a renovated version of Makeba's trademark hit song "Pata Pata" (1967), entitled "Pata Pata 2000". Congolese pop star Lokua Kanza also contributed to this album both as a songwriter and as a singer ("Lindelani").
This is a discography of South African musician Miriam Makeba (1953-2008).
The World of Miriam Makeba is the third studio album by Miriam Makeba released by RCA Victor. It charted at #86 on the US album chart. Hugh Masekela was credited as the conductor.
Makeba Sings! is the fifth album by Miriam Makeba, released by RCA Victor in 1965. The album charted at number 74 in the US album chart.
All About Miriam is the 1966 ninth studio album of Miriam Makeba Arrangements for the album were by Luchi DeJesus and Sivuca. Sivuca also played guitar. Harold Dodson played bass, and drummer was Leopoldo Flemming.
Reflections is the 2004 final studio album of Miriam Makeba. It won three prizes at the South African Music Awards in 2004.
Take a Bryant Step is an album by pianist Ray Bryant recorded and released by Cadet Records in 1967.
Yamboo was a German Euro-Dance duo. The duo was founded in 1999. Their biggest hit was the single "Fiesta de la noche " released also in 1999. Most of their hits were remakes and covers of known songs. The band had one album Okama de Mapouka that included most of their hits.
"One More Dance" is a song written by C. C. Carter. It is a satirical song about cynical lovers. It was first recorded by South African singer Miriam Makeba with Charles Colman for her debut album Miriam Makeba (1960). Makeba performed the song live with American singer Harry Belafonte at Carnegie Hall in 1960. Their duet was released on his album Belafonte Returns to Carnegie Hall (1960). Israeli folk duo Esther & Abi Ofarim recorded popular renditions of the song in different languages.