| Makeba Sings! | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1964 | |||
| Studio | RCA Studio B, New York City | |||
| Genre | World music, African music | |||
| Label | RCA Victor | |||
| Producer | Jim Foglesong | |||
| Miriam Makeba chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Makeba Sings! is the fifth album by Miriam Makeba, released by RCA Victor in 1965. The album charted at number 74 in the US album chart. [2]
Hugh Ramapolo Masekela was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and "Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of "Grazing in the Grass".
Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Busi Mhlongo, born as Victoria Busisiwe Mhlongo, was a singer, dancer and composer originally from Inanda in Natal, South Africa.
The Jazz Epistles were South Africa's first important bebop band. Inspired by Art Blakey's Jazz Messengers, its members included Dollar Brand on piano, Kippie Moeketsi on alto saxophone, Jonas Gwangwa on trombone, Hugh Masekela on trumpet, Johnny Gertze on bass, and Early Mabuza or Makaya Ntshoko on drums. The group became famous after performing in the jam sessions called Jazz at the Odin in the Odin Theater in Sophiatown.
South African jazz is the jazz of South Africa.
"Pata Pata" is an Afro-pop dance song popularized internationally by South African singer Miriam Makeba. "Pata Pata" is credited to Makeba and Jerry Ragovoy. Her most popular recording of "Pata Pata" was recorded and released in the United States in 1967. The song is considered by many to be Makeba's signature hit and it has since been recorded by many artists.
The Many Moods of Belafonte is an album by Harry Belafonte, released by RCA Victor (LSP-2574) in 1962. The album features performances by South African trumpeter Hugh Masekela and vocalist Miriam Makeba.
Welela is an album by the South African musician Miriam Makeba, released in 1989. It was produced primarily by Sipho Mabuse.
Comme une symphonie d'amour is a 1979 album by South African singer Miriam Makeba. The album has been published in several editions, including one by Gallo Records in 2006. Some editions are entitled Malaisha.
"Soweto Blues" is a protest song written by Hugh Masekela and performed by Miriam Makeba. The song is about the Soweto uprising that occurred in 1976, following the decision by the apartheid government of South Africa to make Afrikaans a medium of instruction at school. The uprising was forcefully put down by the police, leading to the death of between 176 and 700 people. The song was released in 1977 as part of Masekela's album You Told Your Mama Not to Worry. The song became a staple at Makeba's live concerts, and is considered a notable example of music in the movement against apartheid.
You Told Your Mama Not to Worry is the twentieth studio album by South African musician Hugh Masekela. It was recorded in Kumasi, Ghana, and released on 9 November 1977 via Casablanca Records label.
Still Grazing: The Musical Journey of Hugh Masekela is an autobiography book by South African trumpeter Hugh Masekela. It was released on May 11, 2004 by Crown Archetype. The book was written together with D. Michael Cheers. In this book, Masekela tells a story of his forty-year career in the world of African jazz and his travels from South Africa to New York, then to Jamaica, and then back to his homeland. The book is complemented by the album of the same name.
The apartheid regime in South Africa began in 1948 and lasted until 1994. It involved a system of institutionalized racial segregation and white supremacy, and placed all political power in the hands of a white minority. Opposition to apartheid manifested in a variety of ways, including boycotts, non-violent protests, and armed resistance. Music played a large role in the movement against apartheid within South Africa, as well as in international opposition to apartheid. The impacts of songs opposing apartheid included raising awareness, generating support for the movement against apartheid, building unity within this movement, and "presenting an alternative vision of culture in a future democratic South Africa."
Sixty is a 2000 studio album by South African jazz trumpeter Hugh Masekela. It was recorded in Johannesburg, South Africa, and released via the Shanachie label.
The Many Voices of Miriam Makeba is a 1962 studio album of Miriam Makeba.
The World of Miriam Makeba is the third studio album by Miriam Makeba released by RCA Victor. It charted at #86 on the US album chart. Hugh Masekela was credited as the conductor.
The Voice of Africa is the 1964 fourth album of Miriam Makeba issued by RCA Victor. It charted at #122 on the US album chart.
Reflections is the 2004 final studio album of Miriam Makeba. It won three prizes at the South African Music Awards in 2004.
Sangoma is an album by the South African musician Miriam Makeba, released in 1988. It was a comeback album after a long pause since Comme une symphonie d'amour, in 1979, spurred by touring with Paul Simon, who was promoting his album Graceland. The album's chants were taught to Makeba by her mother. While recording this album she was in a wheelchair due to fracturing her leg while on the Graceland tour.
No Borders is the forty-fourth and final studio album by South African jazz trumpeter Hugh Masekela. The album was released on 11 November 2016 via Universal Music label.