Fair Week | |
---|---|
Directed by | Rob Wagner |
Screenplay by | Thomas J. Geraghty |
Story by | Walter Woods |
Produced by | Jesse L. Lasky Adolph Zukor |
Starring | Walter Hiers Constance Wilson Carmen Phillips J. Farrell MacDonald Bobbie Mack Mary Jane Irving |
Cinematography | Bert Baldridge |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 50 minutes |
Country | United States |
Language | Silent (English intertitles) |
Fair Week is a 1924 American silent comedy film directed by Rob Wagner and written by Thomas J. Geraghty and Walter Woods. The film stars Walter Hiers, Constance Wilson, Carmen Phillips, J. Farrell MacDonald, Bobbie Mack, and Mary Jane Irving. The film was released on March 16, 1924, by Paramount Pictures. [1] [2]
As described in a film magazine review, [3] Slim Swasey of Rome, Missouri, is the guardian of Tinkle, a six year old girl deserted by some member of a traveling show. During Fair Week balloonist Madame Le Grande arrives. Isadore Kelly and 'Sure Thing' Sherman are crooks and plan to rob the town bank. When the balloon ascends in a sudden flight, Tinkle is its only passenger, but Slim rushes to the rescue with some acrobatic stunts. Later, Slim foils the scheme of the crooks and wins the affections of Ollie Remus, the young woman that he loves. Madame Le Grande turns out to be Tinkle's mother.
Constance Wilson was the sister of actress Lois Wilson.
A print of Fair Week survives in the Gosfilmofond archive. [4]
Irene is a musical with a book by James Montgomery, lyrics by Joseph McCarthy, and music by Harry Tierney. Based on Montgomery's play Irene O'Dare, it is set in New York City's Upper West Side and focuses on immigrant shop assistant Irene O'Dare, who is introduced to Long Island's high society when she is hired to tune a piano for a society gentleman.
AFI's 100 Years...100 Stars is the American Film Institute's list ranking the top 25 male and 25 female greatest screen legends of American film history and is the second list of the AFI 100 Years... series.
Uptown Saturday Night is a 1974 American action comedy crime film written by Richard Wesley and directed by and starring Sidney Poitier, with Bill Cosby and Harry Belafonte co-starring. Cosby and Poitier teamed up again for Let's Do It Again (1975) and A Piece of the Action (1977). Although Cosby's and Poitier's characters have different names in each film, the three films are considered to be a trilogy. Uptown Saturday Night premiered on June 15, 1974 at the Criterion Theatre in New York and opened to positive reviews.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Slim Summerville was an American film actor and director best known for his work in comedies.
Walter Hiers was an American silent film actor.
John Farrell MacDonald was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a four-decade career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Claire McDowell was an American actress of the silent era. She appeared in 350 films between 1908 and 1945.
Love's Boomerang is a 1922 British crime film directed by John S. Robertson. Alfred Hitchcock is credited as a title designer. The film is now lost.
Carmen Phillips was an American actress of the silent era. She appeared in more than 60 films between 1914 and 1926, frequently as a "vamp".
Rockabye is a 1932 American pre-Code drama film starring Constance Bennett, Joel McCrea, and Paul Lukas. The final version was directed by George Cukor after studio executives decided that the original film as directed by George Fitzmaurice was unreleasable. The screenplay by Jane Murfin is based on an unpublished play written by Lucia Bronder, based on her original short story.
The Deep Purple is a 1920 American silent crime drama film directed by Raoul Walsh from a 1910 play co-written by Wilson Mizner and Paul Armstrong. The picture stars Miriam Cooper and Helen Ware and is a remake of the 1915 lost film The Deep Purple. It is not known whether the 1920 film currently survives.
Pied Piper Malone is a 1924 American silent comedy drama film directed by Alfred E. Green and starring Thomas Meighan. The Famous Players–Lasky produced the film and Paramount Pictures distributed.
China Passage is a 1937 American mystery film directed by Edward Killy from a screenplay by Edmund L. Hartmann and J. Robert Bren, based on a story by Taylor Caven. RKO Radio Pictures produced the film, which stars Constance Worth, Vinton Haworth, Leslie Fenton and Gordon Jones. Haworth was injured in an automobile accident in January 1937, delaying the film's released until March 12, 1937.
Men, Women, and Money is a lost 1919 American drama silent film directed by George Melford and written by Beulah Marie Dix and Cosmo Hamilton. The film stars Ethel Clayton, James Neill, Jane Wolfe, Lew Cody, Sylvia Ashton, Irving Cummings, and Winifred Greenwood. The film was released on June 15, 1919, by Paramount Pictures.
The Moral Sinner is a 1924 American silent drama film directed by Ralph Ince and written by Willis Goldbeck, Josephine Quirk, and Rita Weiman, based on the 1904 play Leah Kleschna by C. M. S. McLellan. The film stars Dorothy Dalton, James Rennie, Alphonse Ethier, Frederick Lewis, Walter Percival, and Paul McAllister. The film was released on May 19, 1924, by Paramount Pictures.
The Billion Dollar Scandal is a 1933 American pre-Code drama film directed by Harry Joe Brown and written by Beatrice Banyard, Willard Mack and Gene Towne. The film stars Robert Armstrong, Constance Cummings, Olga Baclanova, Frank Morgan, James Gleason, Irving Pichel and Warren Hymer. The film was released on January 7, 1933 by Paramount Pictures.
The Age of Desire is a 1923 American silent drama film directed by Frank Borzage and starring Josef Swickard, William Collier Jr., and Mary Philbin. It was distributed through Associated First National Pictures.
The Lesson is a 1917 American silent comedy drama film directed by Charles Giblyn and starring Constance Talmadge, Tom Moore, and Walter Hiers.