Fallen Angels | |
---|---|
Also known as | Perfect Crimes (in Europe) |
Genre | Anthology Neo-noir |
Developed by | Steve Golin |
Presented by | Lynette Walden (season 1) |
Narrated by | Miguel Ferrer (season 2) |
Opening theme | Elmer Bernstein |
Country of origin | United States |
Original language | English |
No. of seasons | 2 |
No. of episodes | 15 |
Production | |
Executive producer | Sydney Pollack |
Producers | Steve Golin William Horberg |
Camera setup | Multi-camera |
Running time | 30 minutes |
Production companies | Propaganda Films Mirage Enterprises |
Original release | |
Network | Showtime |
Release | August 1, 1993 – November 19, 1995 |
Fallen Angels is an American neo-noir anthology television series that ran from August 1, 1993, to November 19, 1995, on the Showtime pay cable station and was produced by Propaganda Films. No first-run episodes were shown in 1994.
The series was executive produced by Sydney Pollack and produced by Steve Golin and others. The theme song was written by Elmer Bernstein and the original music was written by Peter Bernstein.
Each episode is based on a story by a noted hardboiled crime writer, including Raymond Chandler, Jim Thompson, Cornell Woolrich, James Ellroy, Evan Hunter, Mickey Spillane, Dashiell Hammett and Walter Mosley.
Period torch songs by performers like Patti Page and Billie Holiday were used periodically.
In Europe, the show is known as Perfect Crimes and shown in France on Canal +, and in the United Kingdom.
Directors:
Writers:
First Season (1993)
Second Season (1995)
Season | Episodes | Originally aired | ||
---|---|---|---|---|
First aired | Last aired | |||
1 | 6 | August 1, 1993 | September 26, 1993 | |
2 | 9 | October 8, 1995 | November 19, 1995 |
No. overall | No. in season | Title | Directed by | Written by | Original air date | |
---|---|---|---|---|---|---|
1 | 1 | "Dead-End for Delia" | Phil Joanou | Scott Frank | August 1, 1993 | |
Detective Kelley (Gary Oldman) is called to investigate the murder of his wife Delia (Gabrielle Anwar), a dance-hall hostess. | ||||||
2 | 2 | "I'll Be Waiting" | Tom Hanks | C. Gaby Mitchell | August 15, 1993 | |
Eve Cressy (Marg Helgenberger) is a gangster's moll who awaits the return of her lover from prison. She meets hotel detective Tony Reseck (Bruno Kirby), whose attempt to protect her ends in violence. | ||||||
3 | 3 | "The Quiet Room" | Steven Soderbergh | Howard A. Rodman | August 29, 1993 | |
Streeter (Joe Mantegna) and brutal Creighton (Bonnie Bedelia) are corrupt cops of the Los Angeles Police Department whose antics lead to a tragic end when a shakedown plan goes awry. | ||||||
4 | 4 | "The Frightening Frammis" | Tom Cruise | Jon Robin Baitz & Howard A. Rodman | September 5, 1993 | |
Mitch Allison (Peter Gallagher) steals $25,000 from his con-artist wife Bette (Nancy Travis) and jumps on a train hoping to double the money in a gambling scam. | ||||||
5 | 5 | "Murder Obliquely" | Alfonso Cuarón | Amanda Silver | September 19, 1993 | |
Annie (Laura Dern) falls in love with a millionaire who has another lover and is not afraid to show it. | ||||||
6 | 6 | "Since I Don't Have You" | Jonathan Kaplan | Steven A. Katz | September 26, 1993 | |
Fixer and bag-man Buzz Meeks (Gary Busey) is hired by two of his bosses: the multi-talented Howard Hughes (Tim Matheson) and the mafia gangster Mickey Cohen (James Woods). After investigating, Meeks discovers the woman whom they have both fallen crazy in love with. |
No. overall | No. in season | Title | Directed by | Written by | Original air date | |
---|---|---|---|---|---|---|
7 | 1 | "Love and Blood" | Kiefer Sutherland | Frank Pugliese | October 8, 1995 | |
A boxer's wife (Mädchen Amick) is unhappy with her marriage and leaves her husband Matt Cordell (Kiefer Sutherland) for another man. Later she wants to give the marriage another chance. Cordell is framed for a murder. | ||||||
8 | 2 | "Professional Man" | Steven Soderbergh | Howard A. Rodman | October 15, 1995 | |
Johnny Lamb (Brendan Fraser) has two jobs: he's an elevator operator by day and a hit man by night. His boss (Peter Coyote) sends him on a job that makes Lamb confront his conscience. | ||||||
9 | 3 | "A Dime a Dance" | Peter Bogdanovich | Allan Scott | October 22, 1995 | |
A police detective (Eric Stoltz) investigates the untimely death of a nightclub dancer at a local hang-out but his investigation is called off by the police brass even though the killer is still on the loose. Original source: Cornell Woolrich (1903–1968), novelette The Dancing Detective and published in Black Mask Magazine, February 1938 | ||||||
10 | 4 | "Good Housekeeping" | Michael Lehmann | Scott McGehee | October 29, 1995 | |
The life of an ordinary housewife (Dana Delany) is transformed when she falls for a mafioso (Adam Baldwin). Original source: Bruno Fischer (1908–1992), novella No Escape! and published in Detective Tales, January 1949 | ||||||
11 | 5 | "Tomorrow I Die" | John Dahl | Steven Katz | November 5, 1995 | |
Hollywood actor Rich Thurber (Bill Pullman) gets off the bus and enters a bar to quench his thirst. The bar is taken over by tough bank thieves who mistake Thurber for a local politician. Original source: Mickey Spillane (1918–2006), short story "I'll Die Tomorrow" and published in Cavalier Magazine, March 1960 | ||||||
12 | 6 | "The Black Bargain" | Keith Gordon | Don Macpherson | November 19, 1995 | |
A mobster (Miguel Ferrer) is hiding out in a hotel room and one by one his friends, like Augie (Peter Berg), abandon him. Original source: Cornell Woolrich (1903–1968), story "The Night of February 17, 1924" published in Justice Magazine, January 1956. In 1958 the story was included in a collection of stories written by Woolrich titled Hotel Room | ||||||
13 | 7 | "Fly Paper" | Tim Hunter | Donald E. Westlake | Unaired | |
A well known socialite (Kristin Minter), known to hang out at nightclubs and involved with gambler Babe McClure (Michael Rooker), is missing. The Continental Op (Christopher Lloyd) is hired by the family to help find their daughter. Original source: Dashiell Hammett (1894–1961), novelette of the same name and published in Black Mask Magazine, August 1929. Hammett wrote a series of The Continental Op stories | ||||||
14 | 8 | "Red Wind" | Agnieska Holland | Alan Trustman | Unaired | |
Philip Marlowe (Danny Glover) investigates a series of murders. Original source: Raymond Chandler (1888–1959), novella of the same name and published in Dime Detective, January 1938 | ||||||
15 | 9 | "Fearless" | Jim McBride | Richard C. Wesley | Unaired | |
In South Los Angeles, Fearless Jones (Bill Nunn) and Paris Minton (Giancarlo Esposito) try to help nightclub jazz singer Deletha (Cynda Williams) steal her singing contract from the nightclub manager. Original source: Walter Mosley (1952– ), novelette of the same name and published in the mystery and suspense anthology Spooks, Spies, and Private Eyes, edited by Paula L. Woods, 1995 |
Stories from the second season are reprinted in various volumes:
When it debuted, Fallen Angels received mixed to critical notices. In his review for the Associated Press , Scott Williams wrote, "We're asking a lot of TV to deliver entertainment about that stylish, moral abyss. Fallen Angels delivers. It lets us look over the edge and measure our souls against the darkness". [2] The Chicago Sun-Times gave the series two out of four stars and Ginny Holbert wrote, "Part of the problem is the series' arch, self-conscious obsession with style. Instead of a '90s interpretation of film noir, Fallen Angels offers contrived, full-color cliche noir, replete with cocked fedoras, plumes of curling smoke and harsh sunlight sliced by venetian blinds". [3] In his review for The New York Times , John J. O'Connor called it, "uneven but diverting, even when just hovering around film-school level". [4] In his review for the Houston Chronicle , Louis B. Parks wrote, "The big problem with film noir homages is they usually overdo the ingredients, with none of the subtlety of the great originals. Fallen Angels has a touch of that. But the directors and actors play straight, and the adaptations, taken from the real McCoy writers, are pretty good stuff". [5]
In his review for The Washington Post , Tom Shales wrote, "Creating period pieces out of their period seems to be fairly easy now for the gifted artisans of Hollywood. Even by today's commonplace high standards, however, the look and feel of the six Fallen Angels films seem transportingly authentic and sensuous, stylized in ways that evoke the milieu without spoofing it. Occasionally, the films veer into the arch and ridiculous, but overall, they at least look darn good". [6] Newsweek magazine's David Gates wrote, "no show this summer will do a better job of whisking you away from the increasingly unacceptable '90s. These half hours are all too short". [7] Entertainment Weekly magazine's Lisa Schwarzbaum wrote, "One unintended result of all this happy, naughty cigarette-puffing, however, is that, at their weakest, these films look like the work of boys (and don't be fooled, this is a boys' fantasy production) dressed up in their dads' big suits". [8]
In the United States the first season was released in a two volume VHS set. The second season was released in Europe (DVD region 2) in 1999 and Australia (DVD region 4) under the title Perfect Crimes.
Grove Press released a companion book, Six Noir Tales Told for Television, (1993) with all the original stories and the screenplays from the first season. A soundtrack was also released.
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