Faro Annie | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1971 | |||
Recorded | 1971 | |||
Studio | Livingston Studios, New Barnet, London | |||
Genre | ||||
Length | 41:35 | |||
Label | Transatlantic (U.K.) Reprise (U.S./Canada) | |||
Producer | Bill Leader | |||
John Renbourn chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B+ [2] |
Faro Annie is the 1971 solo album by British folk musician John Renbourn. On this release, Renbourn ventures into folk rock and blues territory. There is also heavy use of the sitar on this album, played by Renbourn himself. He is joined on the album by Pentangle bandmates Danny Thompson and Terry Cox.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "White House Blues" | Traditional | 3:38 |
2. | "Buffalo Skinners" | Traditional Woody Guthrie | 3:40 |
3. | "Kokomo Blues" | Mississippi Fred McDowell, Kokomo Arnold, Traditional | 3:56 |
4. | "Little Sadie" | Traditional | 3:19 |
5. | "Shake Shake Mama" | Traditional | 3:27 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "Willy O' Winsbury" | Traditional | 5:39 |
7. | "The Cuckoo" | Traditional | 3:59 |
8. | "Come On in My Kitchen" | Robert Johnson | 3:54 |
9. | "Country Blues" | Traditional, Dock Boggs | 3:38 |
10. | "Faro Annie" | John Renbourn, Danny Thompson, Terry Cox, Sue Draheim | 3:27 |
11. | "Back on the Road Again" | Traditional, Ian Campbell | 3:11 |
Total length: | 41:35 |
Pentangle are a British folk rock band, formed in London in 1967. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn ; Bert Jansch ; Danny Thompson ; and Terry Cox (drums).
John Renbourn was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). Several albums were credited to the John Renbourn Group. He worked later in a duo with Stefan Grossman.
What We Did on Our Holidays is the second studio album by the English folk rock band Fairport Convention, and the first of three released in 1969. It was their first album to feature singer-songwriter Sandy Denny. The album also showed a move towards the folk rock for which the band became noted, including tracks later to become perennial favourites such as "Fotheringay" and the song traditionally used to close live concerts, "Meet on the Ledge".
Terence William Harvey 'Terry' Cox played drums in the British folk rock bands The Pentangle, Duffy's Nucleus and Humblebums.
Glasgerion is Child ballad 67, existing in several variants.
Basket of Light is a 1969 album by the folk rock group Pentangle. It reached no. 5 on the UK Albums Chart. A single from the album, "Light Flight", the theme from BBC1's first colour drama series Take Three Girls, reached no. 43 on the UK Singles Chart. Another single from the album, "Once I Had a Sweetheart", reached no. 46 in the charts.
Cruel Sister is an album recorded in 1970 by folk-rock band Pentangle. It was the most folk-based of the albums recorded by the band, with all the tracks being versions of traditional songs. Whereas their previous album had been produced by Shel Talmy, and featured quite a heavily produced, commercial sound, Cruel Sister was produced by Bill Leader, noted for his recordings of folk musicians.
Sweet Child is a 1968 double album by the British folk-rock band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson.
The Pentangle is the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting. One of the band's most commercially successful albums, it reached number 21 in the British charts.
Reflection is an album recorded in 1971 by folk-rock band Pentangle.
Solomon's Seal is an album recorded in 1972 by folk-rock band Pentangle. It was the last album recorded by the original line-up, before the band split in 1973. Jacqui McShee has stated that it is her favourite Pentangle album. The album title refers to the Seal of Solomon — a mythical signet ring with magical powers, sometimes associated with the pentagram symbol adopted by Pentangle.
The Pious Bird of Good Omen is a compilation album by the British blues rock band Fleetwood Mac, released in 1969. It consists of their first four non-album UK singles and their B-sides, one track from their first album Fleetwood Mac, two tracks from their second album Mr. Wonderful, and two tracks by the blues artist Eddie Boyd with backing by members of Fleetwood Mac. These came from Boyd's album 7936 South Rhodes.
Danny's Song is the eighth studio album by Canadian country pop artist Anne Murray, released in 1973 via Capitol Records. It was produced and arranged by Brian Ahern for Happy Sack Productions. Tracks 6–10 were recorded live at the National Arts Centre in Ottawa, Ontario. The album peaked at number 4 on the Billboard Country Albums chart and number 39 on the Billboard Pop Albums chart.
Keshav Sathe was an Indian tabla player, best known for his contributions to the Indo-jazz fusion genre. Among his significant collaborations are the ones with Joe Harriott and John Mayer in 1965–70; Irene Schweizer trio, Barney Wilen and Manfred Schoof in 1967; and later work with John Martyn, John Renbourn, Danny Thompson and Julie Felix.
Right Now is the 1972 album by the pioneer British folk musician Wizz Jones. The album was produced by John Renbourn, who also played sitar and harmonica on the album.
Satisfied 'n Tickled Too is the ninth studio album by Taj Mahal, and was released in 1976 on the Columbia Records label.
Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as the Beatles, the Animals and the Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American creation, and led to the growing distinction between pop and rock music, which began to develop into diverse and creative subgenres that would characterise the form throughout the rest of the twentieth century.
The Lady and the Unicorn is the 1970 solo album by British folk musician John Renbourn. On this release, Renbourn ventures into folk rock and medieval music territory. The first four tracks are arranged from the Add MS 29987 manuscript. The cover was taken from The Lady and the Unicorn tapestry.
Bert Jansch was a Scottish folk musician. His discography consists of 21 studio albums, 8 live albums, 36 compilations, 5 videos, 2 EPs, and 12 singles. In addition, his compositions and guitar work have been featured on a number of albums by other artists.
John Renbourn was an English guitarist and composer. His discography consists of 20 studio albums, 5 live albums, 19 compilations, and 2 videos. In addition, his compositions and guitar work have been featured on a number of albums by other artists.